Essay on Religion in Walt Whitman's Literature

Whitman wrote broad stanzas and focused on the whole of America as his inspiration. His lines covered a wide range of topics and generated multiple points of view for the reader. He called his life’s work “Leaves of Grass”; stressing the

On this verse, we can see how Whitman tries to connect to mind, body, spirit and nature. In “Song of Myself” Whitman attempted to change the meaning of American poetry. I described identity issues that pertain to him, but that the audience was able to identify with. Whitman, opened the door to

Walt Whitman loved to experiment with form when it came to poetry. He used his verses to show his complete adoration of all things wild, and our role as beings in this infinitely complex and thought-provoking universe in which we exist. To say he had a bit of a “nature crush” would be an understatement – Whitman goes in to great detail of his love for the wildness and often describes his emotions in a viscerally sexual manner, using poetic devices to underline his immense feelings for environment and hammer in the imagery to readers of how majestic the world appears to him. “Romantic” poets loved the outdoors – if it wasn’t contained in four walls and a roof, they were all about it. They loved to praise the innate details that made our planet so incredible,

Whitman has a philosophical approach about religion, religion practices and the journey of the soul. He uses the imagery of nature and other every day attributes to question life beyond death, rebirth and the unison of individual and nature. He is not afraid to die and admits ".... there is really no death, /and if ever there was it led toward life" (Whitman line…. )He finds the Devine power in nature and everything around him rather that in the altar of a church, which

The soul is also mentioned earlier in the poem as beautiful, despite the faces he sees which are at most "despising," (Whitman, `Faces'). Whitman was apparently very much intrigued by the soul, he tried to find a "path," to the soul even though he admits that he was not sure what the soul was. However, he was determined he would find a "path between reality and their souls," (Allen, 192). Like most of the pantheists of his time he wanted to connect many things, reality and the soul; even individualism and the nation. Whitman quoted, "The empowerments of each element of the country individually but at the same time their merger in the collective empowerment of the nation

poem is not merely a static, decorative creation, but that it is an act of communication between the poet and

In “Song of Myself” Whitman attempts to speak on behalf of the entire American population. He tries to pull the reader into a world of many possibilities. Whitman makes a

Walt Whitman was a revolutionary poet who let his emotions run free through his poetry. Whitman was never afraid to express himself no matter how inappropriate or offensive his emotions might have seemed at the time. This is why Whitman's poem still echo that same sentiment and emotion today almost as loudly as when the drums were first tapped.

& nbsp;Divinity, Sexuality and the Self in Whitman’s Song of Myself       Through his poetry, Whitman's "Song of Myself" makes the soul sensual and makes divine the flesh.  In Whitman's time, the dichotomy between the soul and the body had been clearly defined by centuries of Western philosophy and theology.  Today, the goodness of the soul and the badness of the flesh still remain a significant notion in contemporary thought.  Even Whitman's literary predecessor, Emerson, chose to distinctly differentiate the soul from all nature.  Whitman, however, chooses to reevaluate that relationship.

    From looking at the titles of Walt Whitman's vast collection of poetry in Leaves of Grass one would be able to surmise that the great American poet wrote about many subjects -- expressing his ideas and thoughts about everything from religion to Abraham Lincoln. Quite the opposite is true, Walt Whitman wrote only about a single subject which was so powerful in the mind of the poet that it consumed him to the point that whatever he wrote echoed of that subject. The beliefs and tenets of transcendentalism were the subjects that caused Whitman to write and carried through not only in the wording and imagery of his poems, but also in the revolutionary way that he chose to write his poetry.

Walt Whitman, one of the world's greatest journalist and poets, touched the lives of many different and diverse cultures through his many works in which he placed his feet in the shoes of everyday people and the experiences they faced. However, his attitude towards slavery and abolitionism were never permanent as if he was constantly torn between how he really felt or how others who did not agree with him would judge his views. As the saying goes, "your first teachers are your parents." Whitman grew up in a racist environment, in which he was a descendent of slave owners. Therefore, he grew up embodying white prejudice and coming to a conclusion that blacks were shiftless and ignorant. However, as he grew older and became more educated on the

This is another poem that links Whitman to the Romantics. The "birth of the poet" genre was of particular importance to Wordsworth, whose massive Prelude details his artistic coming-of-age in detail. Like Wordsworth, Whitman claims to take his inspiration from nature. Where Wordsworth is inspired by a wordless feeling of awe, though, Whitman finds an opportunity to anthropomorphize, and nature gives him very specific answers to his questions about overarching concepts. Nature is a tabula rasa onto which the poet can project himself. He conquers it, inscribes it. While it may become a part of him that is always present, the fact that it does so seems to be by his permission.

Whitman begins by creating a contradictory image of himself. On one hand he relays an egotistical representation by alluding that he is the center of the universe, "a kosmos, of Manhattan the son," almost a deistic type of character. Whitman also describes himself as not being above any one person, woman or man, an obvious contradiction to his previous representation. His God-like persona is depicted in human terms, physical qualities that all humans possess. Whitman creates this contradiction to show his belief that he is everything, but is only this way because everything is a part of him. He represents himself as part of a whole&emdash;nature, mankind, and the universe are all a part of him. By being everything in nature and nature being a part of him, Whitman has the power to become the voice of nature as a whole. He speaks for nature and mankind when they do not possess the power to do so. Whitman is the voice of all.

He demonstrates being non-judgmental, which is something people of his time do not understand, let alone today in present time. He goes on later to say "I resist anything better than my own diversity, and breathe the air and leave plenty after me, and am not stuck up, and am in my place" (2756). Whitman feels that he has explored the world and the options around him and now has found his place. He knows his inner self and it has guided him to the place he needs to be.

Whitman writes that he, as a poet, represents the body and that he is "the poet of the soul" (Lauter, p.2759). In other words, his poetry represents the body and the soul, but since we are more interested in the soul, we will focus on that. Remember, also, Whitman's poetry is often contradictory. He says in the following lines, "The pleasures of heaven are with me, and the pains of hell are with me" (Lauter, p. 2759). I believe what Whitman is saying here is that his soul includes both pleasure and pain. But, in the very next line he says that he has brought pleasure on himself and the pain he feels he "translates into a new tongue" (Lauter, p. 2759). The tongue refers to here is his poetry. To tie this altogether, his poetry represents the soul, particularly pleasure and pain. He takes the pain from his soul and translates it into poetry. Therefore, his poetry represents his soul.