In August Wilson's play, Fences, the character, Troy Maxson, is by no definition a religious man. He has created his own religion through his own philosophies, especially baseball. Sandra G. Shannon's critical analysis, "The Good Christian's Come and Gone: The Shifting Role of Christianity in August Wilson Plays," gives analogies for the way Troy deals with his own spirituality.
It is agreeable that Troy, like other Wilson characters, deals with religion in his own way. Shannon asserts, "this cynical black man does not lay his burdens down at the church's altar. As is the case with each of Wilson's men, Christianity plays no role in Troy's search for comfort and direction" (382). Troy never does find comfort and direction, even
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Troy pushes his wife and his son out of his life by attempting to make them see this life in a very narrow perspective. By doing this "he cannot compromise, nor can he ask for forgiveness," (Shannon 383).
It is also apparent, Shannon states, that Troy fits death into his baseball analogy as well. She states, "Seen this way, its hold becomes less ominous when the victim has a role in determining his own fate" (383). I agree with this statement because Troy seeks comfort in baseball. Therefore, he uses it for an uncomfortable situation, death. He is unlike others who may find comfort in God when it comes to the question of death. Shannon also states that Troy describes death as "'a fastball on the outside corner'" (383). Shannon is right by stating this because through baseball, Troy does not have to deal with death on a Christian level. He can personify it. This point is also proven in a quote Shannon put in her essay from the book Wrestling Against History by Mei-Ling Ching, " 'Through his intentional mockery of death, [Troy] cleanses himself of his deepest fear and reaffirms his claim to life'" (383).
In addition, Troy's relationship with his brother Gabriel is another time Troy is faced with religion and denounces it. Gabriel, who believes he is the Archangel and a spokesman of God, is treated
The first time I read August Wilson's Fences for english class, I was angry. I was angry at Troy Maxson, angry at him for having an affair, angry at him for denying his son, Cory, the opportunity for a football scholarship.I kept waiting for Troy to redeem himself in the end of the play, to change his mind about Cory, or to make up with Ruth somehow. I wanted to know why, and I didn't, couldn't understand. I had no intention of writing my research paper on this play, but as the semester continued, and I immersed myself in more literature, Fences was always in the back of my mind, and, more specifically, the character of Troy Maxson. What was Wilson trying to say with this piece? The more that
August Wilson’s Fences depicts life in the 1950s for a typical African American family. The play touches upon racism, shifting family dynamics, and the politics of war. While racism plays an important and vital role in the play, instead of lamenting the issue, Wilson uses the characters as a weapon against the rampant racism of the time. In the same fashion, the relationship between Troy, Rose, and Cory demonstrates the shifting cultural and family dynamics of the decade. Likewise, Wilson’s depiction of Gabriel as a wounded veteran who is not fully supported by the government that sent him off to war offers an enlightening commentary on the politics of the era. Wilson uses the
Conflicts and tensions between family members and friends are key elements in August Wilson's play, Fences. The main character, Troy Maxon, has struggled his whole life to be a responsible person and fulfill his duties in any role that he is meant to play. In turn, however, he has created conflict through his forbidding manner. The author illustrates how the effects of Troy's stern upbringing cause him to pass along a legacy of bitterness and anger which creates tension and conflict in his relationships with his family.
In the play, Fences by August Wilson, Troy Maxson was a man with many good intentions but wrong choices. Troy was simply trying to do whatever he thought was right. He was stubborn, persistent and in some ways selfish. Most of all Troy was very domineering. Despite everyone’s warnings and advice he still continued to follow his own choice of action, regarding the consequences. Throughout the story, Troy’s actions portrays his need to control everyone’s life.
The play, “Fences” by August Wilson describes the life of an African-American family that is por. Troy Maxson, the father of the family, was a baseball player in the
Troy attempts to disguise this feeling as concern for his son, but cannot accept the fact that “[he] was too old to play baseball” (Wilson 39). However, he continues to deny this privilege to Cory because of the selfishness he feels as a result of double consciousness. The same double consciousness that serves the black community so well in their attempts to fight the “whites’ resistance to blacks’ true inclusion in the American fabric” (McWhorter 13) can also have negative effects as well. For instance, when Troy begins to blame the white establishment for the majority of his problems, it further weakens his legitimate claims. The “two warring souls, two thoughts, two unreconciled strivings” (Dubois 1) that are present in Troy appear to be his justification for the mistreatment of his family. Surprisingly, Wilson Pickett had a similar dilemma that he faced while living in the 1960’s. Pickett was a rare breed of person who rejected double consciousness, instead preferring to “not [back] down” (Kot 1). However, Pickett’s main demons were caused by the fact that he was never able to reconcile his public persona of largeness with his constant feeling of weakness in a world dominated by white men. Double consciousness is also the cause of the entitlement that Troy feels as a result of his constant subjugation by the white race. When Troy senses that he and his follow African-Americans are being discriminated against on the job, he embraces the “discourse in
Wilson uses the character of Troy, his family, and his friends in Fences to pour out his life, his
Troy took care of his family as a man should. He took care of his sons with all that he had, but the love for his family was not evident in his character, especially with what he did to Rose. Cheating on Rose was a very selfish, and disrespectful act that showed no love towards his family. Troy’s behavior does not derive from racism, but stems from the relationship he had with his father when he was a teenager. Without him knowing, Troy was very similar to his father. His father “stayed right here with his family. But he was just as evil as he could be” (Wilson 905). Troy’s description of his father was the same person he was. In his conversation with Cory he says to him: “like you? I go out of here every morning…bust my butt…putting gup with them crackers
In addition to these negative feelings, Troy also had another side; he was a responsible man. However, his responsibility as a family man will conduct him to
Troy took care of Gabriel after the war. This made him think that he was a good brother. Troy wasn’t a good brother to Gabriel. He stole the war money that Gabriel got. He used the money that he got to build himself a house. Gabriel couldn’t take care of himself, so Troy oversaw Gabriel’s life. After a while
After understanding the protagonist’s heroic side, it is necessary to understand that he also had a tragic downfall and that he has certain weaknesses. Troy made sure to provide for his family materialistically, but unfortunately did not expose too much of his love to his children. He was able to reluctantly give Lyons ten dollars a week but that was not enough to help him make a living. Lyons states "I just stay with my music because that's the only way I can find to live in the world" (1.1.153). His dream is to be a musician. But maybe he needed more than ten dollars a week to conquer his dream? Maybe he needed some father to son affection?
Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a
Troy’s personality is very conservative. He is an angry man who has been a victim of racial violence and allowed his bitterness to become a barrier to new opportunities that opened at this time. As a child Troy wanted out of his abusive father’s relationship. His father barely looked after his 11 children and had always puts himself first before anyone else. Instead, young Troy escapes north to Pittsburg ending himself in jail due to theft, which is where he meets his ace
August Wilson’s play Fences brings an introspective view of the world and of Troy Maxson’s family and friends. The title Fences displays many revelations on what the meaning and significance of the impending building of the fence in the Maxson yard represents. Wilson shows how the family and friends of Troy survive in a day to day scenario through good times and bad. Wilson utilizes his main characters as the interpreters of Fences, both literally and figuratively. Racism, confinement, and protection show what Wilson was conveying when he chose the title Fences.
Almost everyone Troy encounters in the play, he betrays, for example taking away his son's dreams, and locking away his brother. One person Troy betrays is his son, Cory, out of spite and jealousy. Since Troy is Cory’s father he feels he can control his life even if it means hurting Cory, one way he does this is by taking away his dream, “Papa done went up to the school and told Coach Zellman I can’t play football no more.” (Act 1 Scene 4) Troy knows that this is what Cory wants to do, he wants to play professional football. Due to the fact that Troy’s baseball dream did not come true, he pulled Cory out of football, claiming that it was for his own good when in reality it was out of jealousy. Troy also betrays his brother by locking him in a mental hospital. In the beginning of the play, Troy claims he wants his brother to be free and explains that nobody should be locked up. Then towards the end of the play Rose tells Troy, “I said send him to the hospital, you said let him be free… now you done went down there and signed him to the hospital for half of his money.” Troy claims he wants his brother to be happy but truthfully he wanted half of Gabriel's money, and just did not want to admit it. In order to receive half of the money Troy took away Gabriel's happiness and betrayed