William Shakespeare’s, ‘A Midsummer Night’s Dream’ focuses on a variety of themes such as: deception, relationships and love. Shakespeare explores the theme love through celebrating and ridiculing it. Shakespeare achieves this through the couples that the play mentions. Hermia and Lysander are one couple who portray their love through actions and speech; of course their actions are greatly influenced by the actions Demetrius and Helena, who also show comedic side of love. And then there is Titania and Oberon, who, have a big role to play in the confusion of Lysander, Hermia, Demetrius and Helena but they also struggle with their own love.
Hermia and Lysander‘s love and actions in the play are influenced by both the serious and comedic side
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They play an important part in ridiculing how easily love can change and how impossible ‘one-sided’ love really is. We can see this in the way that Lysander forgot about Hermia after the love potion was applied to his eyes and he saw Helena. We can also see this change in the way he speaks to Hermia before and after being affected by the love potion. “How now, my love? Why is your cheek so pale? How chance the roses there to fade so fast?” (Shakespeare, W. 2009. Act 1, lines 128-129) and “Hang off, thou cat, thou burr! Vile thing. Let loose, or I will shake thee from me like a serpent!” (Shakespeare. W, 2009. Act 3, Lines 260- 261). After falling in love with Helena Lysander has forgotten all about Hermia even, insulted her. It really shows how something that meant more than the world can be forgotten in the blink of an eye. In their actions Hermia and Lysander also celebrate love, when they decide they would rather leave all their family behind and face possible execution than deny their love. “I have a widow aunt, a dowager of great revenue, and she hath no child: From Athens is her house remote seven leagues; and she respects me as her only son. There, gentle Hermia, may I marry thee; …show more content…
From the play we can tell that at some stage in the past Demetrius and Helena had little thing going on. “Demetrius, I’ll avouch it to his head, Made love to Nedar’s daughter, Helena, and won her soul; and she, sweet lady, dotes, devoutly dotes, and dotes in idolatry, upon this spotted and inconstant man.” (Shakespeare. W, 2009. Lines Act 1 106 – 110) However, Demetrius seems to have forgotten of this, this was because his mind and heart is completely filled up with love for Hermia. He even told Helena the woman he, apparently, once loved that he hated her. Because Helena, who is still in love with Demetrius, is convinced that she can win him back. A task that is easier said than done and she says “The more I love, the more he hateth me” (Shakespeare. W, 2009. Act 1Line 199). Helena seems desperate for Demetrius’s love and can, through her action and words seem a little crazy and stupid at times. Helena is obviously ridiculing love in the way she aims to woo Demetrius, even though she is a woman, and also in the fact that her actions reflect the stupidity that the desperate need of Demetrius’s love brings. It could be said that they celebrate love when they get married, the main theme in this is that true love always comes through in the end however, but can that really be considered true love? The kind of love that was only brought on by
At one time, Demetrius loved Helena, and then he fell in love with someone else. Initially, Demetrius had given his love to Helena: “He hailed down oaths that he was only mine, / And when this hail some heat from Hermia felt, / So he dissolved, and showers of oaths did melt” (MND 1.1.243-245). Helena loved Demetrius, and he promised to be with her forever. However once he met her friend, Hermia, Demetrius left Helena to chase after her friend. Helena’s jealousy of Demetrius’ love drives her to think about what he really wants. Helena believes that Hermia’s beauty is why Demetrius desires her. She tells Hermia, “Demetrius loves your fair”, and she goes further to say, “Were the world mine, Demetrius being bated, / The rest I’d give to be to you translated” (MND 1.1.182, 190-191). Her jealousy of Demetrius’ love has turned into jealousy of Hermia’s beauty. Helena obsesses over having Demetrius back to the point that she continuously follows him around. Demetrius is tired of Helena chasing him: “Do I entice you? Do I speak you fair?” (MND 2.1.199). Demetrius does not understand why she tries so hard to be with him when he does not even compliment her. Demetrius threatens Helena to leave him alone: “I’ll run from thee, and hide me in the brakes, / And leave thee to the mercy of wild beasts” (MND 2.1.227-228). At this point, he is beyond exhausted with Helena, and he will do anything to get away from her.
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we
Hermia, originally the Apple of all Athens’ eye, put on an impossible pedestal by both Lysander and Demetrius, seems to trade social standings with the outcast Helena. It seems that Hermia doesn’t fully appreciate the quality of her state. She complains that her father will not allow her to merry her true love Lysander, and pawns her off to the inadequate Demetrius. Never can she accept the flattery of Demetrius’ unrequited love which her best friend would do anything to sincerely receive. Instead she revels in wonderment: “The more I [Hermia] hate, the more he [Demetrius] follows me” (I.i.198). Her unhappiness is far heightened when her two followers are given the love potion, turning them against her and beckoning to Helena. The cruel swap of fates lets the two female characters feel as though in the others’ shoes. It’s Hermia’s karma for being ungrateful at the attention bestowed upon her all these years that leads her to this harsh lesson.
Helena follows Demetrius into the woods pestering him about her love for him as he ventures off to find Lysander and Hermia. As they are walking in the woods Demetrius tries chasing her off by being cruel to her, but in return Helena says, “The more you beat me, I will fawn on you” (2.1.189). Helena is not giving up anytime soon and continues to chase after Demetrius throughout the whole story. This evidence shows that Helena is very love struck and will do anything to have the love of a man in her life. Additionally Helena also has envy towards her best friend Hermia.
Helena has always loved Demetrius and at one point in time he loved her as well, but as soon as he met Hermia, he left Helena behind in pursue of Hermia. However, Helena could not get over the lost of her love so she became desperate in her attempt to make him love her again. There trial was one not loving the other, but loving another; making their love rough and hard to look at. When it came to be known that Demetrius wanted to marry Hermia, but Hermia was going to run away, Helena decided to tell Demetrius in hopes that he would want to see her again. Furthermore, Helena hoped to be alone with Demetrius in hopes of convincing him to love her again, “The more you beat me I will fawn on you. Use me but as your spaniel: spurn me, strike me, neglect me, lose me; only give me leave (unworthy as I am) to follow you”(II.i.211-214). Helena is saying that she wants Demetrius to love her and not Hermia, so she is willing to be his dog. This was this couples biggest trial and there were many more, but there is one last couple to
Helena discloses the plan Lysander creates for himself and Hermia to Demetrius (Act I, Scene II). Although in Act I Scene II, Demetrius clearly proclaims “I love thee not, therefore pursue me not.” Helena replies saying the more Demetrius hates her the more she shall love him and she would gladly be his dog. In Act III Scene II, Demetrius has love juice put upon his eyes so he may fall in love with Helena. The love is so sudden
The two are immensely in love, yet aren’t allowed to even be together. Instead, they are faced with some strongly unbearable options. In addition, Demetrius and Helena’s love never ran the way they wanted and portrayed the difficulties of love with their painful love encounter. Ever since Helena and Demetrius had ended things between them due to Demetrius falling for Hermia, Helena has continued to be deeply in love with Demetrius.
Hermia’s love for Lysander can be seen as genuine as she states ‘I would my father looked but with my eyes’ which means she wishes her father could see Lysander the way she does. This suggests that she is not under his spell as she truly sees him with her own eyes, and loves him. The audience also sees that she is very passionate about Lysander, as she chooses to ‘yield my virgin patent up’ and live the life of a nun or die rather than ‘wed Demetrius’. We also see the love between Lysander and Hermia is genuine later in Act 1 Scene 1 when ‘Exeunt all but Lysander and Hermia’, as it appears that Lysander is finishing Hermia’s sentences, indicating they are very familiar with each other, and he is comforting her lovingly. Lysander also states ‘true love never did run smooth’ which suggests they truly believe what they feel is true love. Another technique used by Shakespeare to emphasise their love is vivid imagery. Hermia’s speech declaring that she would meet Lysander in ‘the wood’ is filled with imagery suggesting love and passion, such as ‘by Cupid’s strongest bow’ and her reference to the Greek Goddess Venus: ‘By the simplicity of Venus’ doves’, emphasises her passion for Lysander.
Helena and Hermia have this kind of love and would do anything for each other. It happens that Helena is in love with Demetrius who Hermia is being forced to marry. Demetrius does not want Helena but Hermia. Helena loves her friend Hermia but at the same time wants to get her man.
A Midsummer Night’s Dream is a classic by William Shakespeare that revolves around the idea that external forces, more so magical ones, directly impact and shape all the lives of the characters in the book. This play includes several examples of how it does, such as, the nature of love, the fact that the humans are unaware of the otherworldly factors influencing their existence, and, lastly, how unseen forces still control us, even in today’s world. Love is an intense feeling of deep affection. However, throughout the book, the love certain characters had for each other is changed. The personages being referred to include Hermia, Lysander, Demetrius, Helena, the mystical king, Oberon, and his sprite, Puck.
Love is a very common theme that is seen in literature, and love is one of the most powerful things that can be felt for someone or something. Love can drive a person to do incredible or horrible things, and we see many forms of love that take place in A Midsummer Night’s Dream. This is demonstrated in the book by many characters including Hermia and Lysander who demonstrate true love. Titania and Bottom show magical love. In the play, love is also the cause of a few broken hearts. While there is no one common definition of love that suits all of the characters, the romantic relationship in the play all leans to one simple rule laid out by Lysander, “The course of true love never did run smooth.”
Her reality of love is questioned because there is no significant reasoning to why she loves Demetrius. So, her love is viewed as pure lust. The more she tries to chase Demetrius, the more he will distance himself from her--their love is based on just honest disinterest. Also, she is a fixed character of gender reversal by pursuing love more aggressively than a woman in her era is suppose to because they are meant to be chased, not be the chasers: “We cannot fight for love as men may do:/ We should be wooed, and were not meant to woo”(2.1.241-242). When Helena talks about the difficultness of fighting for love between men and women, she explains that women are not “meant to” have the power or strength to continously to fight for love like men because that chase should be the men’s role. Helena’s perspective can be illustrated as her love not having the same worth as if Demetrious were to chase her. Also, it shows Helena as a paradox of the non-tradition of chasing men but needing the tradition to design the worth of love. Likewise, Helena is persistent in chasing Demetrious until he loves her back. Her perspective of love is viewed as being childish, blinded by love. She attempts to seduce him in multiple occasions but he continously dismisses her and Helena uses comical language to tell him that she will never give up on him: “I am your spaniel, and, Demetrius/ The more you beat me I will fawn on you”(2.1.203-204). Shakespeare explores the subjectivity of the character’s different views of reality when it comes to understanding
Occurring in Act 2 scene 1, Helena informs Demetrius of Hermia and Lysander’s plans to run away together in hopes of winning Demetrius’s heart. After hearing about their plan, Demetrius is determined to stop Hermia and pursues after her into the woods. Helena isn’t far behind and tries to reason with Demetrius. Once again she expresses her love for him and even offers him to do anything
With regards to William Shakespeare’s comedy, A Midsummer Night’s Dream, the theme of love plays a central role throughout the play. When separating the play into its separate worlds being: the social world and the green/comic world, the norms regarding love differs from one world to the next. With reference to the given extract of Lysander and Hermia in the comic world, certain threatening forces within the comic world surface to interfere with plot as well as the way in which these dark forces are driven out in order for the play to remain comedic instead of tragic.
On the contrary of Hermia’s love story, love overpowers Helena’s thoughts. Nobody shows affection towards Helena and therefore, she showcases unrequited love- a one sided love. One understands that, both Lysander and Demetrius fall in love with her although, she does not believe them by saying, “...I am sure you hate