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Reflection Of Bugaku And Ballet

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Reflections Chapter Fourth: Bugaku and Ballet, from the Royal Courts to Theatrical Dance.

The author, Harriet Lihs begins explaining that It is very difficult to separate religious dance and court dance. because the linking of dance to the courts of nobility has been inevitable in history of the sacred role of the highest authority. So there's for two reasons, firstly dance vividly provided displays of power, and secondly dance seeks patrons.

So Court dance is related to folk dance, dance demonstrated hierarchy in relationships, demonstration of power, dance for the king, emperor, monarch, sultan, etc.

Court Dances explores dance in the royal courts of the world and shows how its function lives on in European ballet, Japanese Bugaku, and the dance of the Asante kings of Ghana (West Africa).

Bugaku …show more content…

The Empress Catherine the Great brought ballet to Russia, founding the Imperial Ballet (the KIROV) in St Petersburg.

Classical Ballet : Sleeping Beauty

Set during the time period in France of LOUIS XIV, (Created in Russia) By Marius Pepita (French) Moved to russia in 1847 as a dancer, FIRST ballet for the composer Tchaichovsky, Rose Adagio. Other Classical Ballets by Petipa: Cinderella, Swan Lake, Baydeare, The Nutcracker

Characteristics of Classical Ballet:

Technical Virtuosity. Choreography has form and structure, harmony and order, repetition and symmetry. Similar to court dance. For example: The Swan Lake has 32 Fouetes, Shortened toutus support virtuosity movement, pointe shoes got harder and wider, pas d'action becomes only a small part. Narrative tells about Good vs Evil, Hierarchical form.

Characteristics of Romantic within Classical

Narrative: Good vs Evil, Costumes appropriate for era, Village and Forest scenes transfer to Castle and Nature scenes, Sylphs and Willis become Enchanted Snowflakes and Swans, Love of the Ballerina.

Century 20th : Serge Diaghilev and the Russian Ballet Company (Ballet

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