Rebellion In Marjane Satrapi's Persepolis

Throughout the Iranian Revolution, many events and changes took place that largely affected the views of Iranians by other nations. The graphic novel, The Complete Persepolis, written by Marjane Satrapi (Satrapi, 2003), conveys many of these events and changes through the eyes of a child growing up in the 1980s in Iran. Satrapi’s main purpose for this book is to describe how the Iranian government was corrupt, causing foreign nations to have a tainted view of all Iranian citizens. The Complete Persepolis does so by presenting major events and changes in a manner that is directed towards audiences that are willing to have an open mind about ethnicity and false stereotypes, and an audience that is young and can relate to the “coming of age” aspect of this novel. By exhibiting a credible first hand account of how Satrapi and many others were affected by the events that took place during the Iranian Revolution, The Complete Persepolis can effectively persuade a reader to eliminate the “Islamic extremist” stereotype that the corrupt Islamic Republic gave all Iranian citizens.

Revolution and acts of rebellion are seen all throughout Marjane Satrapi’s graphic novel, Persepolis. The model (Online) to the right shows citizens rebelling and standing up for what they believe is honorable and just or revolution. This image relates to Persepolis by Marjane Satrapi because in the graphic novel, Marji, her mother and father go out daily to the demonstrations to protest the Iranian government. There are also small acts of rebellion such as when Marji steals her uncle’s cigarette to disobey her mother.

Iran’s conflict between modernism and fundamentalism can be seen in the novel’s focus on the political prisoners. Marji encounters various men that were incarcerated for holding extreme leftist views, including her uncle, and the consequences they faced. In the chapter “The Heroes” Marji is exposed to the various torture methods induced to make the prisoners betray others who shared their discontent. This can be seen when Marji’s father asks about Ahmadi and Siamk, the newly freed prisoner, tells them, “… Ahmadi was assassinated. As a member of the guerrillas, he suffered hell” (54). In making this comment, Ahmadi shows the intensity with which fierce opponents were persecuted. Additionally, the never ending arrests and deaths of these political opponents show the

By allowing the reader to form their own perspective it “makes the reader reconsider the assumptions…[of the] so-called other” by giving the reader the freedom to perceive the events of the revolution as they wish and not reconsider the way that they once understood the people of the east to be (Darda 34). Satrapi is using her experience and graphic novels to show what her experience as a child was, she does not claim at any point to be telling the entire story of the revolution she is merely introducing a new perspective which up until that point had not been seen in the western countries.

In The Complete Persepolis by Marjane Satrapi, the genre choice of the graphic novel vividly portrays the life-experience that Satrapi herself gone through as a youth growing up in Iran back in the 1980s. Satrapi utilizes a unique drawing style to emphasize the influence that the Islamic Republic has brought to her. The recurring action of teachers implanting Islamic values in children throughout Marjane’s education in Iran is demonstrated through a set of related images, which implicitly reflect on the destruction of childhood that is caused by a totalitarian regime. For instance, the teachers force the girls to wear veils on page1 and tells the parents that “either [girls] obey the law, or [they are] expelled” (Satrapi, 98) later on. Also, the background of these images takes place where Iran is involved in both revolution and war; it contributes to children’ miserable situation even more.

The revolution and fall of the Shah is one of the first events we see in the story. Satrapi shows us the burning of the Rex Cinema, an example of the Shah’s

However, some may argue that the extent to which Satrapi can challenge conventional beliefs about Iran is limited by her perspective. Satrapi writes from the first-person point-of-view and a child’s nonetheless. Those same people might argue that when Satrapi is challenging generalizations by using personal examples she is manipulating fact, confusing them with opinion, and asserting her bias in a persuasive manner. Historically writing of this kind is often discarded for more specific and omniscient information. However, Satrapi never hides from her bias and desire to introduce the West to her version of Iran. In any persuasive writing a bias is implied and one might influence just as to which examples they choose include to support their argument, this essay for example. She may be employing a persuasive tone, but the extent to which she accomplishes her goal is not altered by such beliefs.

Persepolis focuses on major themes like Feminism, Freedom, Religion, War, and Culture. Although this book is about Marjane Satrapi a young girl who lived her childhood in Iran from the 1980’s which was during the Iran revolution, where at a young age she’s already opened up to a warfare environment. This book can be interpreted differently based on the reader’s location, history background with Iran, and the differences in government. In this essay we would be comparing the readers from Iran vs. America.

The world stereotypes different types of culture, but real identity can be only defined by a person who has experienced the specific way of life. In Persepolis The Story of a Childhood, by Marjane Satrapi, the author creates a graphic memoir representing her childhood growing up in Iran during the Islamic Revolution. Satrapi evokes perfectly regarding her childhood, her reaction towards the Islamic Revolution. She is rebellious to the Islamic revolution’s new regulations and enforcement and decides to take a secular approach to defend her rights. In Persepolis, the narrator illustrates the opposition against the Islamic Revolution and Shah’s reign and as well as her pursuit in a secular culture. Her opposition and desire allow the readers to reconsider on past stereotypes about the Middle Eastern culture.

Rebelling has been a part of many people’s lives whether people try to or not, but not acts of rebellion are the same. In Iran, the Iranian people rebel against the Ayatollah in many minor and subtle ways. These small acts of rebellion could result in imprisonment or even death. In Persepolis, by Marjane Satrapi, the people of Iran bravely protest against the Islamic government in many subtle ways which show their determination to risk everything and fight for not only what the believe in, but also their country.

Given that western clothes and icons were outlawed in conservative Iran, Marjane’s dressing up in jeans, denim jacket, and Nike shoes is an attempt to express her modern outlooks, Satrapi conveys the importance throughout the text reinforcing the conflict between Eastern values and Western values. In this scene, Satrapi embraces both cultures. She wears modern with a Michael Jackson button and Nike, and says ‘of course, my headscarf’. This displays Satrapi’s multiple personal identities: following middle eastern customs while sharing western values. A portrait image of Marjane is illustrated to show that she is proud of who she is and her posture and body language of her standing tall like she wants to show off her personality. But this doesn’t last long when she meets two guardians of the revolution that arrest women who are improperly arrested. When Marjane is caught, expressionism is used when Marjane is bawling her eyes out. The eyes look ghost-like representing the whole idea swapping personalities so that she could fit the government's likings. Marjane is not being able to fully express herself by wearing the clothes she wanted, doing her hair how she wanted, or listening to the music she wanted. From a young age is prevented Marjane from finding her identity and making her feel trapped. The revolution brought back Islamic ideals and customs, which were welcomed initially but soon became overbearing and restrictive and eventually totalitarian.

Marjane Satrapi’s memoir Persepolis is considered a “coming of age” story based on her experiences growing up in Iran during the Islamic Revolution. This graphic novel explores the life she lead in Tehran which encompassed the overthrow of the Shah’s regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. Undergoing life with such a chaotic environment, it took Satrapi courage to act and live as her “authentic self” and explore what it meant to her to be authentic. Similar to Aristotle, May and Medinas Persepolis examines the concept of courage, through the view of innocence; through Satrapi’s childhood.

The novel “Persepolis” shows many life changes during the Islamic Revolution told through the eyes of a young girl. “Persepolis” was based on Satrapi’s childhood experience in Iran. Throughout the span of the 1970’s to the early 1980’s, Satrapi experiences many changes in her life, not only with the government, or her education, but also with herself. Although she witnessed many violent acts right in front of her eyes, these experiences helped Marji (Satrapi) grow as a young child.

Rebellion: an act of armed resistance to an established government or ruler (“Rebellion”). The book, Persepolis, follows the main character, Marji, as she grows up during the Islamic Revolution and the Iran-Iraq war. She and her family participate in rebelling against the monarchy and religious leaders for a democratic republic, whether in the street or in their home. In Marjane Satrapi’s graphic novel Persepolis, the author explores Marji’s evolution from being a confused girl who listens to what she is told to a confident young woman who stands away from social norms, in order to illustrate society’s participation in rebellion against religious leaders who want to create an oppressed society.

Satrapi used the title ‘The Sheep” (62), to symbolize the gatherings of the citizen. The public are like sheep because they are controlled by the Islamic Regime. For example, when Marji believes what the television says “On TV they say that 99.99% of the population voted for the Islamic Republic” (62). Marji listens to the television just like sheep listen and are controlled by their herders. Another example in the graphic memoir is the chapter “The Key” (94) because it symbolizes the government and what they will do to admit children. When the government gave the key to the kids they told them “that if they went to war and were lucky enough to die, this key would get them into heaven” (99). The symbol of the key is unpleasant because it has no value in Iran. The government is using the key to pay for the loss of the boy’s life, proving that the government in Iran is unfair and needs to be