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Realism In Tony Kushner's Angels In America

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Angels in America: Millennium Approaches by Tony Kushner can be conventionally defined as a work of Theatricalism. Breaking the preconceived notions of theatre such as gender casting, fluent scenes, and varying extremes ranging from characters, to visuals, to the introduction of historical figures. However, the work strikes a note of realism. We find ourselves encompassed by passionate actors sharing real emotions with us, scenes based in historical events, and characters placed in events that we then find to be our own realities. While we find our realities to be true—and heightened by those in the work—could it be possible that some of these characters’ realities are in fact false, or being defined by the theatricality that surrounds them? Harper serves as an emotionally charged wife to Joe, who questions not only his sexuality, but her purpose as a wife. A close read of the play begs …show more content…

At first she does not put a name to the place, but a description: “Anywhere. Faraway” (2.9 p83 Kushner) and a bit later when she is in this place, “I… Feel better. There are ice crystals in my lungs, wonderful and sharp.” (3.3 p105 Kushner) We see that for Harper being away from Joe results in distance and the loss of warmth, which we normally relate to death. She has died, a part of Joe has died. What can help to reaffirm her as Joe’s moral guide, or compass is that shortly after we see Harper in her “cold place” Joe commits what we know to be his first sexual act with a man. His values have died. (3.7 p121 Kushner) Within in her cold place Harper further has the ability to create it’s bounds and limitations, which is unique and signifies that she is other worldly. While Mr.Lies tells her they are in Antarctica, she constantly defies what he states to be facts, what she says becomes the reality of the place. Something that no other character in the play has yet to do. (3.3 p107

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