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Ray Bradbury 's Fahrenheit 451

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Each individual finds his unique place in the world by going through a journey of self-discovery. One who cannot surmount the tests and trials faces the possibility of not completing the cycle, and will be labeled a tragic hero. A hero rises as a master of two worlds when he utilizes the help of mentors and disregards the hindrances placed by other characters and the unknown world. The typical hero in literature is depicted as the one who conquers all, faces what no other dares to, and fights to make good triumph over evil. Ray Bradbury presents the fictional story, Fahrenheit 451, of such an individual, whose perspective opens up another world previously hidden from him. The story exhibits turning points in Guy Montag’s journey and gives …show more content…

“It was a pleasure to burn. It was a special pleasure to see things eaten, to see things blackened and changed” (Bradbury 3). If Montag felt the slightest amount of emotion, he would display sympathy towards the authors’ whose work was being disintegrated into thin air. He begins his journey without emotion, but he is reminded of feelings such as love by a call to adventure from the magically depicted girl, Clarisse. While speaking with her, he is reminded of an event that depicts light as a creative, peaceful symbol: “One time, as a child, in a power failure, his mother had found and lit a last candle and there had been a brief hour of rediscovery, of such illumination that space lost its vast dimensions and drew comfortably around them, and they, mother and son, alone, transformed, hoping that the power might not come on again too soon…” (Bradbury 7). Clarisse makes Montag question his perspective and reminds him ever so slightly of the feeling of love; however, despite her insight, Montag continues to follow the status quo of disregarding books as nonsense. Only when Montag experiences the love and passion the Unidentified Old Woman had for her books does he have a spark of curiosity. “The woman’s hand twitched on the single

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