Rain At Auvers

The color tone is mostly analogous in the mural; however, there are complementary colors in detail elements such as the artist uses blue and green for large areas to represent river and mountains, uses red and orange to paint houses, huts, horses, small roads and clothes in the village to create emphasis point. For the color tone that artist uses, the harmony of blue and green of the most of the areas can represent the abundance of water or farms in the village and a rainbow ribbon shows what the leader gives to people in the village as

The three pieces are laid out diagonally starting with the photograph at the top right corner, moving on to the middle piece which the arm in the painting is long and smooth and makes the piece flow from the first piece right through to the bottom and then finally finishing at the bottom left with the last piece. Line is one part that makes these pieces particularly work together as the thin lines flow through each piece somewhat connecting the three together. In

Beside the pile of straw which has a wheel leaning against it, a farmer is stooping to collect timbers. Before a thatched cottage in the middle of the painting, several farmers carrying farm tools and riding horses silhouetted in the shadows. They form in groups as if they were discussing some deliberate issues. On the other pile which sits in the other side of the sandy road, a slightly stout farmer with a straw hat is sitting on straws to have a rest. Beside him, an older villager leaning on his stick and a comparatively shorter man who is carrying a basket are talking to him as if they were pleading him for some reason. The trees extend along the sandy road in a diagonal line, creating a spatial demarcation. In the far end of the road, there is a vague tall building with pinnacle roof. The sky above, which takes up nearly half of the painting, is pale and dusty, suggesting the end of the day in a hot arid climate.

As we all know, color is the voice for the artist 's sentiment. It makes up the appearance of a picture. Color is the decisive factor in depths of the two-dimensional plane of the artwork, making the viewer feel physically and mentally attracted, or the context of things - the phenomenon the author wants to present. Colors have been around for a long time, but there is not a common definition for colors. And perhaps humans are one of the luckiest creatures that can identify colors. Often, the recipient 's eye knows a myriad of colors and colors that always change based on the relationship between light and perspective. In art, color creates a sense of

He wonders why the birds are just waiting in the sky as if they are waiting for a command, why they are restless, and he thinks it is strange that they are little birds and they are the type of the birds that normally keep to their own territory and don’t have a history of attacking people . When he looks out toward the coast, he sees the birds flocking in his direction and he believes that for some odd reason, they are going to come down to the

Texture and pattern are very easy to identify in this painting. The street’s cobblestones show texture and pattern in the way that they are arranged. Texture is also demonstrated through the paint strokes on the buildings, the tree, and even the sky. These thick, uneven strokes add a layer of depth and texture to all elements of the painting.

This work embodies the period style because it contains avant-garde geometric shapes to define the forms, colors, and interpretations that were important to the Post-Impressionists. First off, the harshness of the lines goes hand in hand with the shapes that exist in the work. The shapes tend to be simplified shapes, which demonstrates that Cezanne wanted things to appear as if they could be broken down. Cezanne utilizes an array of geometric

We can also see the use of black shades to create a hole at the bottom part of the rock. With his excellent use of colors, we can identify the good, healthy and green grass from the bad, unhealthy, brown grasses. Looking beyond the main focus of the painting, he uses colors to separate the sky from the land in the background creating a solid form of perspective on the painting. He also uses colors to create water forms as seen behind the young character. Now, for the sky, he uses shades of white to magnificently differentiate the thick clouds from the light ones. He also uses this to create a source to light to the whole area. All these put together creates a splendid, realistic and familiar atmosphere for the viewers to relate with.

Lines are paths or marks left by moving points and they can be outlines or edges of shapes and forms. Lines have qualities which can help communicate ideas and feelings such as straight or curved, thick or thin, dark or light, and continuous or broken. Implied lines suggest motion or organize an artwork and they are not actually seen, but they are present in the way edges of shapes are lined up.

The artist creates color harmonies and contrasts throughout the whole peace which gives it a strange balance overall.

There are many values within this print, but only constitute a handful of colors: Blue, brown, black, white, and gray. Blue is the main color within this print, there are many values of the color blue used. The deepest part of the waves are the darkest blue, while the parts of the waves closest to the surface are lightest blue or white. The sky has a gradient, which is going from the lightest color to the darkest color or vice versa; the sky is creating a gradient, from the bottom up, of black to a very light gray, then to a white-yellow. The colors chosen by Hokusai can also interpret feelings and emotions. The habitual feeling when seeing the color blue is sadness. Sadness and despair would be fitting emotions for this work, due to the giant wave about to crash upon the men in their boats. Blue can also emit a feeling of elegance. The composition of the print and how the lines of the wave flow can be considered a form of elegance.

The type of line is actual line, which is continuous. The edges of the objects do differ from the background because they are separated by color. The texture is visual, because Flack is using line and color to create the illusion of texture in this flat painting. The emphasis and focal point is achieved by intensifying color, however, the placing of the objects and images could also be another method. At first, I believed that the objects were just placed at random, but if I look closely, each object is placed so we can distinguish it from its surroundings.

Secondly, the light and colors help to enhance the piece. Due to the oil painting,

Color fills our world with beauty. We delight in the colors of a magnificent sunset and in the bright red and golden-yellow leaves of autumn. We are charmed by gorgeous flowering plants and the brilliantly colored arch of a rainbow. We also use color in various ways to add pleasure and interest to our lives. For example, many people choose the colors of their clothes carefully and decorate their homes with colors that create beautiful, restful, or exciting effects. By their selection and arrangement of colors, artists try to make their paintings more realistic or expressive.

When I saw the painting for the first time it grabbed my attention. At first I thought it was the beautiful colors that attracted me to the painting, but it was more. In the picture the shadowy men look scared. They looked as though they were trying to run away from something and this lake that forms into this river that is surrounded by tall grass is the way out, or at least a place to hide until the coast is clear. During that time in my life I felt