Racism And Hatred In Langston Hughes Poems

Langston Hughes was known for his poems of black activity in America since the 1920’s to the 1960’s, which was the time of the Harlem Renaissance. “My writing has been largely concerned with the depicting of Negro life in America.” Throughout Langston’s life he has seen and experienced racism. He used these experiences to give him ideas of things he could write about. Back then white people were the majority in Harlem, but then once the blacks started to come they dispersed. “We younger Negro artists who create now intend to express our individual dark-skinned selves without fear or shame. If white people are pleased, we are glad. If they are not, it doesn't matter. We know we are beautiful. And ugly too.” Langston knew that blacks should express themselves no matter what color they are and not be ashamed of it. Some white people may like that they are expressing themselves, on the other hand, some white people may not accept that the

Langston Hughes is famous for his many great poems and was a very talented man. He wrote a poem in college called “Theme for English B”. In Langston Hughes’s poem, he uses imagery of racial differences and a bold tone to undermine the teacher’s authority. He also to expresses the universal idea that intolerance often comes out of individual assumption. Langston’s confusion of the topic of the paper causes him to write the entire paper about the paper.

Langston Hughes was an African American poet, social activist, novelist, and playwright. His works are still studies, read, and, in terms of his poems and plays, performed. He is best known for being a leader of the Harlem Renaissance. Within his works, he depicted black America in manners that told the truth about the culture, music, and language of his people. Besides his many notable poems, plays, and novels, Hughes also wrote essays such as The Negro Artist and the Racial Mountain which Hughes gives insight into the minds of middle-class and upper-class Negroes. Prior to reading this essay, I never heard of, nor did I know, Langston Hughes composed essays, much less an essay that outwardly depicts aspects of life that most are accustomed to and see nothing wrong with. The Negro and the Racial Mountain formulated this view that Langston Hughes was more than a poet who wrote about jazz music as he is depicted within grade school textbooks, but instead, a man who had a great passion for the African American race to develop a love for themselves and for non-African American audiences to begin to understand how the African American race can be strong and creative despite struggles that may be occur. There is a possibility that this essay, The Negro Artist and the Racial Mountain, is not more commonly known because it has the ability to make the reader uncomfortable, no matter if he is an African American or white. For the African American, one can find himself reflecting back

Langston Hughes is an extremely successful and well known black writer who emerged from the Harlem Renaissance (“Langston Hughes” 792). He is recognized for his poetry and like many other writers from the Harlem Renaissance, lived most of his life outside of Harlem (“Langston Hughes” 792). His personal experiences and opinions inspire his writing intricately. Unlike other writers of his time, Hughes expresses his discontent with black oppression and focuses on the hardships of his people. Hughes’ heartfelt concern for his people’s struggle evokes the reader’s emotion. His appreciation for black music and culture is evident in his work as well. Langston Hughes is a complex poet whose profound works provide insight into all aspects of black

Langston Hughes was one of the great writers of his time. He was named the “most renowned African American poet of the 20th century” (McLaren). Through his writing he made many contributions to following generations by writing about African American issues in creative ways including the use of blues and jazz. Langston Hughes captured the scene of Harlem life in the early 20th century significantly influencing American Literature. He once explained that his writing was an attempt to “explain and illuminate the Negro condition in America” (Daniel 760). To fulfill this task, he wrote 15 volumes of poetry, six novels, three books, 11 plays, and a variety of non-fiction work (Daniel 760). He also edited over 50 books in his time (McKay).

     Langston Hughes’s writing showcases a variety of themes and moods, and his distinguished career led his biographer, Arnold Rampersad, to describe him as “perhaps the most representative black American writer.” Many of his poems illustrate his role as a spokesman for African American society and the working poor. In others, he relates his ideas on the importance of heritage and the past. Hughes accomplishes this with a straightforward, easily understandable writing style that clearly conveys his thoughts and opinions, although he has frequently been criticized for the slightly negative tone to his works.

Langston Hughes was an African American writer who took the literary world by storm in the twentieth century. Hughes was known for incorporating African American culture into his poems and plays. Langston Hughes did this so much so that per, "Masterplots II: African American Literature" he was "…recognized as the unofficial poet laureate of the African American urban experience…" (Niemi). Hughes has written several poems in his career. Most of them have a theme of racial pride incorporated somewhere in the poems. By analyzing Langston Hughes's writings, it can be inferred that the poems "The Negro Speaks of Rivers", "Negro" and "I, Too" all have the theme of racial pride.

It is the idea of contrast that Hughes imposes on the reader. Hughes not only focuses on the negativity aspects of life, but through the negative elements is one able to see the positive outcomes. It is the over all theme of overcoming these obstacles, that captures the audience. Towards the end of the last stanza of the poem, we, the audience, see a complete transformation of the speaker and his view on life. He now comprehends the extensity of his actions and views his emotions as a blinding element from reality. He does not have the need to commit suicide anymore, and now fully accepts the loss and embraces the lament. "Though you may hear me holler, and you may see me cry- I'll be dogged, sweet baby, If you gonna see me die. Life is fine! Fine as wine! Life is fine! (Conarroe pg 242, 27-33). With the passage, the reader is now aware of the transformation of the speaker.

A poem both alluding to and directly calling out racial problems in his classroom and how, even though many at the time may not have thought so, people, no matter what race, can be extremely different, yet learn a great amount from each other and their identities don’t define who they are or what they do. Hughes used diversity of poem form,

The two poems by Langston Hughes “Theme for English B” and “ I, Too” both identify racism that permeates all stations of life. In both texts, Hughes represents the two speakers as African Americans and identifies how one tries to elevate himself through education and the other individual remains trapped at a lower station. In the poem “Theme for English B” skin colour and all that it represents emerges when the speaker searches for his identity as well as what is the truth about his abilities. The speaker expresses his view in how he deals with his white counterparts (the instructor). “I, Too” centers on the idea of racial oppression, looking at how whites do not recognize blacks as equals and how this affects the individual. Yet the texts attempt to show the basic human similarities between African Americans and white people despite their perceived differences and societal segregation. The two speakers within the poems struggle with their own self-worth in relation to their colour. The similarity between the two speakers is that they approach their issues confident in their capabilities and futures. The two speakers differ in that they appear to have different stations in life; servitude versus achieving higher education, yet both struggle with self-worth.

Throughout his life, Langston Hughes wrote multiple poems that were the resounding thoughts of African Americans in the United States. He echoed the strong sentiments of dissatisfaction among the Black population. The 20th century had not only experienced economic panic and near-depression, but was also witness to the strained relationships between Americans due to civil unrest of Black Americans and the subsequent changes that

In a time of great violence, great racial intolerance, injustice, and inequality in America at the time the writing of this poem was a real turning point as you see here Hughes addressed the point quickly by “Very quickly, very directly, Hughes moved beyond anger and resentment to expose the isolation that was the real tragedy of the mulatto in a racist society (Gale 2003). Also Hughes found and recognized when he was young were and why all this racism was happening here he says how he found out : “As Hughes developed his portrayal of the black lower classes and their ghetto environment, he became more and more preoccupied with the question of the Negro's racial identity. Hughes had begun his search for the meaning of the racial experience in America shortly after he graduated from high school (Gale 2003). In his first mature poem, "A Negros peaks of Rivers," he found an analogy between the river that flowed through his native Midwest and the ancient rivers that watered the lands where his race was born (Gale 2003). Even when the Blacks had no voice or any type of glow in the predominantly white society his voice and his poem somehow became the voice of all Blacks and the unofficial leader in the Harlem Renaissance he also backs this quote up by saying “African civilizations, and an "I" who speaks for the race, Hughes argues for the depth, wisdom, and endurance of the African soul (Gale 2003).

In Hughes poems, he talks about the dilemma of the difference between black and white from a prejudice state of mind. “Well, I like to eat, sleep, drink, and be in love. I like to work, read, learn, and understand life. I like a pipe for a Christmas present, or records-Bessie, bop, or Bach. I guess being colored doesn’t make me not like the same things other folks like who are other races” (Theme for English B, Ln 20-25), Hughes explains in Theme for English B, that his life is no different than his white professor’s life, and his likes, and

Hughes was one of the boldest African American writers of this time that expressed his thoughts about the equality of his people. Segregation and racism were prevalent in America during Langston’s lifetime. In fact, he witnessed this firsthand. This sparked Hughes’s desire

The early nineteenth century was a time of greatness and a time of abhorrent racism against African Americans and other minorities. Out of this hardship rose the great Harlem Renaissance formed by those who saw society for what it was and stood against the injustice they saw. Part of this elite group was Langston Hughes who fought for African Americans and helped lead the literary movement. Along the way he managed bring jazz poetry into the spotlight and highlight the struggles of African Americans focusing heavily on stifled ambition and unrealized dreams. One of his most famous poems; As I Grew Older deals with these racially relevant topics and was published relatively early in his career. With it Hughes was able to highlight the racial barriers holding back African Americans from achieving their dreams and establish a rallying call giving hope that one day blacks could throw off their shackles by using intense symbolism and a distinct tone shift.