There two articles that give crucial information about how we as humans determine race and who is in control, these two articles are James Lull’s “Hegemony” and Michael Omi and Howard Winant’s “Racial Formations”. These two articles give insight on how race works within the world and helps give an understanding for the YouTube video clip of “Slap that Bass,” a musical number from the film Shall We Dance by Fred Astaire in 1937. In this video clip we only know one of the men’s names and it is Peter P. Peters who is a white male trying to blend classical ballet with jazz music who stumbles upon the cruise liners crew members below the deck and end up doing a jazz ballet dance number with them.
During the clip, when the video first starts, the
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If there were no such thing as race, we probably would not think so much with “Slap that Bass” in the ways of orientalism and privilege. In the second page of “Racial Formations,” it is stated that “White is seen as a ‘pure’ category. Any racial intermixture makes one ‘nonwhite,’” which shows up in the video. The video's description on the class page says that Peter P. Peters is an American ballet dancer who wants to combine classical ballet with jazz dancing, who then goes down into the bowel of the ship to visit with the crew of the ocean liner. Peter P. Peters is a white male while the whole staff that is shown in this film are men of color. With the quote of white being pure stands out here with this description. It is proving Mr. Peters to be the genuine white man while the crew is unpure who must do work on the ship while he is having fun on above the surface. The faces of the crew members when he arrived below the deck seemed excited and happy to have him down there. This could have been exciting for them because they were meeting a famous person but, in this clip, there is no introduction of Mr. Peters, and instead, the crew grows straight from singing a song on their own to having Peters take it over without hesitation. When the video began, and each character was introduced, one of the leading things I realized is their race just like how Omi and Winant described that one of the first things people notice when they first meet someone besides their gender is their race. Once Peter P. Peters was introduced in the video the first thing that I realized without having to think about it was that he was a white male and the others around him were men of
Race is a subject matter that appears throughout the world in many different areas. Many believe that they understand race, but it is much more complicated than what it appears to be on the surface. In the article Racial Formations by Omi and Winant, the authors acknowledge the fact that as time and society continue to move forward this redefines the true definition of race. A connection can be made between Omi and Winant's article and the novel Caucasia by Danzy Senna. The novel depicts the life of a bi-racial family living in Boston in the 1970’s. This time period had much turmoil going on as it encompasses the historic race riots. With the family being from a majority and minority race.
Abstract: This essay seeks to explore how the 2002 Broadway production of the musical Hairspray depicts and produces inclusivity in American life in both modern and contemporaneous periods. The point of view set up in the show emulates the concept of a “white savior complex” in its efforts to showcase the perils of black people in the entertainment industry in the 1960s, along with minimizing the responsibility of white people in the systematic societal racial structure. Despite these shortcomings in historical accuracy in its overly-optimistic portrayal of segregation, Hairspray gave explicit, designated opportunities to black actors to be highly featured in a Broadway production. And unlike other shows during its time, it ultimately brought up conversations of segregation and racism in the entertainment industry in a time where these issues were seldomly addressed.
The relationship between the law and society greatly contributes to our nation’s overall perception as to how the law affects our everyday lives. The weight of individual opinion and action through the law dictates what our nation thinks about certain topics from determining who is allowed to cross our borders to whether or not healthcare should be provided to all people. Ian Haney Lopez, Professor of law at Boalt Hall School of Law, at the University of California at Berkeley, and author of White by Law, The Legal Construction of Race, describes exactly how the workings of the law contribute to society’s overall construction of race. Sarah Rose, author and professor of history at the University of Texas at Arlington, in her new book, “No Right
For this week’s memo, I decided to read “Racial Formations” by Omi and Winant. The reading talks about the meaning of race as being defined and challenged throughout society in both collective and personal practices. It also suggests that racial categories are created, changed, ruined, and renewed. Omi and Winant explore the idea that the conception of race developed progressively, ultimately being created to validate and rationalize inequality. It began with the denial of political rights and extended into the introduction of slavery and other forms of forcible labor.
Throughout history and across the different cultures, people socially construct ideas of race. All races of people are not biologically different because there is no genes or gene clusters similar to all people of one race, but because people have similar visual traits humans have categorized people as being different. Due to these differences, societies have been known to show tendencies based on the socially constructed races and people develop personal views about the various races from past experiences. In large cities in the United States there are areas where the African American population is more dense, which shows that people draw imaginary boundaries due to race. An example of how the social construction of race is that in the United
While I was reading these chapters in McCorkel, I thought about a conversation that we had in one of my other classes about racial coding and how a previous Alabama governor, George Wallace, used racially coded commercials to try to appeal to a wider audience. When George Wallace entered presidential race in 1964 he famously stated; “Segregation now. Segregation tomorrow. And segregation forever.” He was famous for not only promoting White nationalism and White supremacy but also using specific political messaging and employing coded language that appeared to mean one thing to the general population but has an additional or more specific meaning for a targeted subgroup; usually a marginalized group. An image that came to mind was an advertisement
Three sources analyze the racial conflicts of white actors playing colored parts, and all agreed that it was not a trivial situation, for audiences, or actors. Racial tensions are very popular with the media. While there is some minor tension today, the movies and plays of Othello top the charts for most racial conflicts. First, The article, “Othello: the role that entices and engages actors of all skin colours,” by Andrew Dickson shows the history of the actors that played Othello, and when the actors were black, they were either not cast, due to segregationists, or were criticized in their performance for the same reason. Also, this article uses diction to convey the seriousness of white vs. minority crisis. Next, the video, “SHAKESPEARE UNCOVERED White Actors Playing Othello” by PBS, shows the performances of many Othello actors that were white. Additionally, the video shows one white actor who used makeup to make himself more than than black. The video uses hyperbole to describe the absurdity of Othello movies. For example, Laurence Olivier, the 1964 Othello was black-top showing how far film industries will go to cover-up racial tensions, and the narrator describes the makeup as ridiculous,and dramatic. Finally, the last article, “Aladdin: putting a white character in Disney’s live-action remake is offensive,” by Hannah Flint displays that film industries feel obligated to please a white audience, keeping the minorities second fiddle by adding characters white people
What is ethnicity and why does it matter? Ethnicity is; “the fact or state of belonging to a social group that has a common national or cultural tradition.” Our dreams and opinions create meaning about race and ethnicity, and plays an important role in shaping the way we understand race and ethnicity as part of our identity, our social institutions, our history, and our everyday lives. Often used mutually, race is a way of classifying individuals and groups on the analysis of physical characteristics, mainly one’s skin color. Ethnicity lays out one’s place of origin or nationality, one’s ancestry or cultural background``, one’s language and by extension, one’s belief system. Nevertheless, how does this affect how the authors ethical impacted
The social construction of race is a topic that is worth discussing. In the United States the black/white color line has historically been rigidly defined and enforced. People have been stereotypical and afraid as long as I can remember. Labeling people as we think they should be based on the color of their skin or just thinking it’s in their biology so they must be this or they must be that. Race is socially constructed and is not a biological construct.
Racial prejudice has been detrimental for Hispano populations across the Southwest, especially in New Mexico. It is imperative to try to comprehend how it functions to present intellectual challenges to the contexts of racial oppression. Racial prejudice refers to negative connotations of a particular racial group of people based solely on their affiliation with the group. These implications of racial classifications are relative to their embedded social relations and historical context. Theories and concepts of racial prejudice ascribed by Schaefer explain its purpose, while Omi and Winant Racial Formation Theory explicates its embodiment within society from post-colonial forward.
To many people across a variety of different nationalities and cultures, race has been proven to be a key factor for how society views you in the eyes of those who are prominently in charge. The term race has been brought up in recent years, to be considered a form of identification, as the word race is used to describe physical characteristics such as a person’s color of skin, hair, and eyes. When in reality, the correct term they should be using is Ethnicity. As a result, the term race is used to separate people into sub-categories based on the color of their skin. This type of classification, is a man-made creation used by society to classify certain groups of people into lower classes, while keeping the predominate group in charge at the top.
In Omi and Winant, Racial Formation the topic of what race is brought up. They bring up the question of "What is race?" Which lead to the use of pseudo-science to justify the physical difference that were observed. Race is later defined as a social construct which is shaped by broader societal forces.
Understanding race and racism can be very difficult for American citizens. This also leads to confusion when discussing current events around racial disparities and inequalities. Mainstream American general society views racism and race differently than sociologist who study these disparities and inequalities. The idea of double consciousness and ethnicity directly relate to the different ways in which different individuals understand and experience race and racism. In our current society where media is widely used, individual’s understandings of these topics becomes confusing and difficult to understand and/or comprehend. Discussing the blurry ideas of race and racism is so
According to Michael Omi and Howard Winant racial formation is “the sociohistorical process by which racial categories are created, inhabited, transformed, and destroyed.” How as a society we can do this? Very simple: we create a sentiment on what a particular person is and began by assuming everyone is the same. Example: Mexicans. Almost everyone has heard at one point about immigration. Immigrants come and take our jobs and are here to drain the American society, etc. By creating a view that immigrants are bad to our economy, we begin to racially form this view. Television shows portrait Mexicans as dirty and uneducated. Jokes about Mexicans are spread among individuals. Some people may even argue the jokes or the advertisement is harmless. However, as we permit these type of situations to occur, we are forming the categorization of Mexicans. In reality, there are Mexicans, or even people from Mexican decent that are great contributors to our society. Doctors, lawyers, teachers, nurses, you name it. We cannot and should not judge anyone by their background. I’ve heard how people confuse any Latino, not necessarily Mexicans with labor workers. Movies even make jokes on how a very influential person gets confused by the main character of the film as a gardner, or a cook. These type of interactions, even they are not real, hurt the view of how Mexicans, or anyone that resembles them, such as other Latino decent are treated.
In this area, the emphasis is on social character among tans and white's in Canada. An ethnic gathering may separate itself utilizing predominance or mediocrity on the premise of genuine or asserted physical trademark and/or put on social criteria, which set the gathering apart Ethnicity is a typical legacy shared by a specific gathering and will incorporate history, dialect, customs, inclination for music and nourishment. In spite of the fact that there might be a cover between race and ethnicity each has an alternate social significance. racial personality alludes to a feeling of gathering in light of the observation that the individual shares a normal racial legacy with a specific racial gathering with racial personality, people are seen