Pros And Cons Of Michelangelo

Michelangelo’s art, which relied heavily on the human body reflected the Renaissance Period’s interest in humanism and the individual experience. Michelangelo often studied the human anatomy, and even looked at and dissected corpses. Great examples of this are two of his earlier sculptures; the Pietå and the David, revealed his true talent and also his disposition to bend rules of anatomy and proportion i the service of greater expressive power. His ability to portray humans in the Renaissance Period, which was his great talent, showing the values of the period though his sculptures and paintings, which appealed to the people of this period. Arguably his most well known work, the painting on the ceiling of the Sistine Chapel, which was painted to show humanity’s need for salvation offered by God through Jesus.

The Creation of Adam is an outstanding painting forming an essential part of the Sistine Chapel ceiling. The outstretched hands of God nearly touching Adam has become iconic of humanity. The knowledge Michelangelo’s has about human anatomy is seen in the painting and its connection with the frescoes’ meaning. The artist Michelangelo in his art work, “The Creation of Adam” reflects upon the birth of Adam (Genesis 2:7) while utilizing characteristics of Renaissance art, such as realism, and perspective, and is indicative of Renaissance Humanism through its questioning of the creation of man.

Michelangelo’s creation is his interpretation of the biblical figure of David. “The brave David stands in a tense manner, with one leg relaxed while the other holds its total body weight. Hence, this causes his shoulders and hips to rest at an opposite angle. Moreover, David’s head turns towards his left, and he is carrying a sling at his back. With all these features, many people regard the sculpture as a symbol of youthful beauty and human strength (History).” “Michelangelo’s hero is at rest, in a moment of calm anticipation before confronting Goliath (Sayre, 327).” The lack of movement and straight posture shows balance and clarity within the sculpture, which is why most people would consider this piece of art work ethos. “In contrast, Bernini’s sculpture captures the young hero in the midst of action. David’s body twists in an elaborate spiral, creating dramatic contrasts of light and shadow. His teeth are clenched, and his muscles strain as he prepares to launch the fatal rock (Sayre, 327).” Bernini’s David uses the characteristic of emotion and motion to label his sculpture as pathos. “Bernini’s David uses the space around it – reaching out into the space of

When looking at the religious and the cultural aspects of Michelangelo's paintings, it shows that both his cultural beliefs and his religious beliefs are both very strong and appeal to him. At different points of his life, he uses one or the other to express different points that he is going through. The culture of his upbringing and those around him was to obey and follow the church. If the church said something was wrong, then you obeyed. The church had control of how daily life was carried out. However, Michelangelo helped to change things through his painting and actions to reform the church. As our book by Tillich states "An artistic style is honest only if it expresses the real situation of the artist and the cultural period to which he belongs".

The most iconic part of the painting is the separation of Adam and God. It is very clear that Michelangelo was showing the division between God and how he helps be a lifelong guide, but no longer is in complete control of destiny. God and the idea of Heaven still play a very important role in both early modern and current times, but there is a very fine line dividing the two. It is truly up to the individual to chose their own path in life, only looking to God for reassurance; one must be sovereign in their life. One must rely on their own mind to make these decisions. This is why it appears in Michelangelo’s painting that God is inside something that resembles a brain. The age of discovery focused heavily on intellectual gain and evolution; this was also when scientists finally discovered what a brain looked like. With the new ethics that come with Calvinism and unveiling the brain for the first time, The Creation of Adam perfectly represents the principles of early modern times and many ideas that are still practiced in today’s

Contrastingly, Michelangelo’s figures all seem unified as if their concern was not only for themselves but for all of mankind. Michelangelo’s rising figures generally look toward Christ in redemption and salvation.

As a child, Michelangelo saw no interest in the lessons given on a chalkboard but admired the church painters. He watched with eyes filled with wonder as the painters created images onto the walls of nearby churches. Without realizing it, Michelangelo found one of his many callings outside of a school window. As eyes captured every

Michelangelo decided to express himself through literature and poetry. He described his feelings and emotions yet again, but this time, through verbal communication. Michelangelo delivered another strong message to all generations of carpe diem. Whenever Michelangelo had an opportunity to spread his message, he always seized the moment. Whether it be through literature or art, Michelangelo always took advantage of every talent he got, and never took anything for

Michelangelo rarely included such details in his paintings or his sculpture. This preoccupation with the human figure can also be attributed to Neoplatonic theories. Michelangelo saw the body as a reflection the beauty of ones soul Most of Michelangelo's figures were nude. The body was not only a reflection of the Divine, but it was a reflection of the human's inner

Created in 1489 this masterpiece is made out of pure marble. This sculpture is located in the Vatican City. At first glance this sculpture looks like child dead in a mother's arms, which is correct but there is more too it. The sculpture represents the crucifixion of Jesus Christ. Its shows his mother Mary holding him and he lays there dead. A very little detail that usually goes unnoticed is that Mary is not touching her son directly, but a cloth is between the two. This signifies the Higher Renaissance belief in Neoplatonic, that the beauty on earth signifies God's beauty. This masterpiece is not only amazing by the meaning but the glorious detail that Michelangelo was able to go into with practically a hammer and chisel.

From this idea is where Michelangelo finds his ultimate concetto: the image is already within the material that he is working on, meaning that the forms the artists work with already exists and are destined to outlive him. For him, sculpture was a way of showing the world the higher ideas that already existed and intended to leave them as immortal ideas that would help us shape a better life.

The renaissance was a time of intellectual development, with a new focus on humanism, and an abandonment of the prevailing church ideals, with this newfound appreciation on human potential, and scientific discovery shaped the time, and belief structure. In addition, this was the time where one might encounter, one or several of these remarkable talented Renaissance individuals, which ranged from artisans, to scientists, sculptors, philosophers, painters, and poets. It would have been exciting seeing them bustling around in a day to day environment, I could only imagine, walking into the Vatican and viewing Michelangelo at work painting the Sistine chapel. The sheer scope of and monumentality of this undertaking was truly enormous task, at over 5500 sq. ft. This was the culmination of the ambitions of, Pope Julius II, and the aspirations of Michelangelo himself. Working from scaffolds over 70, Ft. high above the floor, was physically daunting, the angels and height alone were an undertaking unto themselves. I am in awe at the talent and ingenuity used to create such a beautiful piece of artwork. The result was truly a spectacular work of art. The photos are even remarkable, and wonderful to view.

The work captures the ideas of the Greek figures. The David we are presented with is a nude man with a very muscular physique. Michelangelo catches him at the peak of his concentration. He stands relaxed, but alert, resting on a classical pose known as contrapposto. The figure stands with one leg holding

If you look at most of his art work, you can see his feelings he put in to them from his life and his pain in his life time. He was a great arts that had many paintings that had different styles. Many rich families back then wanted Michelangelo to paint for them, and many churches too. He liked being wanted as a painter. The paintings he did were beautiful and amazing to the people that looked at them. Michelangelo was influenced by two men in his life time. He was influenced by Domenico Ghirlandaio who was an Italian Renaissance painter from Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance. He was a great influence to Michelangelo. He was born on January 11, 1449, Florence, Italy. He died on January 11, 1494,

Therefore one of his grammar school friends Domenico Ghirlandaio realized this and introduced him to the painter Domenico Ghirlandaio, his father soon realized he had no interest in becoming a banker, therefore agreed to apprentice him to the fashionable Florentine painter's workshop. Only after a year Michelangelo was offered an extraordinary opportunity to study classical sculpture in the Medici gardens.Michelangelo fled to Bologna after the death of Lorenzo the Magnificent’s death, where he continued his study.In 1495 he moved back to Florence in 1495 to begin work as a sculptor, modeling his style after masterpieces of classical antiquity. In 1498 he moved to rome where he got commissioned by Jean Bilhères de La Graulas, a representative of the French King Charles VIII to the pope, where he did the statue pieta. Upon completion he moved back to Florence where he was now seen as a prominent figure in the art industry, soon after he moved back he started work on the statue of david.After this he really blew up getting asked to do works such as decorating the ceiling of the Sistine Chapel and the creation of adam. After a brief illness, Michelangelo in 1564, coincidentally he is one of the only artists during this time to see the popularity of his art during his lifetime. Even though these two have different ways of achieving the point they are today, there's