Lynn Nottage’s “Poof!” begins by stating that nearly half of all women on death row in the United States are convicted of killing abusive husbands (1120). With the use of this fact, Nottage supports the central theme of her play. Nottage’s central theme is the social difficulties that are experienced by women of lower social economic status. Nottage shows how women who are trapped in a corner in their abusive households can finally reach a breaking point. Women who reach this breaking point often do resort to murder in order to escape the hell they live at home.
The title of this play is an onomatopoeia that helps support the central theme. It refers to the way Laureen (the main character in the play) kills her abusive husband Samuel. Nottage then proceeds to introduce Florence (Laureens best friend). Laureens explains to Florence a time when Samuel told her “… if I raised my voice something horrible would happen. And it did. I’m a witch… the devil spawn!” (1123). Through this hyperbole Nottage displays how woman lived in an oppressive environment. An oppressive environment can coerce a person into thinking they have done wrong, when in fact they have only done what any other human being would in a situation of constant abuse. Because of the coercion
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The author points this out to reveal a darker side of domestic violence. She shows how a person could change their whole personality based on their environment. With the situation at hand Florence advices Laureen that “Folks have done [jail] time for less” (1124). Florence tells this to Laureen because she knows the harsh punishment that awaits her if she is found guilty. However, despite the guilt and shame Laureen feels for her husband’s death, she feels as if a ton has been lifted of her (1124-1125). After years of constant abuse and violence, a woman who has finally reached a breaking point can feel relief in
In the book Celia, A Slave written by Melton A. McLaurin’s was an analysis of the trial and execution of Celia, a slave in Callaway County, Missouri who kills her master and burns his body in her fireplace. The initial argument is that Celia’s case offers important insights into how enslaved women were completely powerless to protect themselves from sexual abuse, and how the moral ambiguity caused by slavery is often reconciled in the courts, whose rulings alleviate white Southerners’ crisis of conscience when confronted with the “hard daily realities of slavery”.
Answer: The miseries being discussed in this chapter entail only living for today and not having any goals. These women feel like their efforts will not be rewarded and that’s how they become complacent. Dalrymple touches the harsh subject of physical abuse and how it effects the women’s mind. When he’s talking to his female patient she realizes the inability of her questioning her significant others reasoning. So I think it opens up a realm of questions on how abuse can not only hurt a woman’s confidence but also make her lose a sense of self.
In Susan Glaspell’s, “A Jury of her Peers”, it is the women who take center stage and captivate the reader’s emotions. Throughout the feministic short story, which was written in 1917, several repeating patterns and symbols help the audience to gain a deeper understanding of the difficulty of prairie life for women and of the bond that women share. The incredible cunning the women in the story demonstrate provides insight into the innate independence that women had even during days of deep sexual discrimination. In “A Jury of her Peers”, the hardships women of the early twentieth century must endure and the sisterhood that they can still manage to maintain are manifested as a mysterious, small-town murder unfolds.
The narrative exhibits her awareness of the peculiar paternalism arising from the intertwinement of slavery and the cult of true womanhood/domesticity. She further notes that this form of bondage is not only enacted by husbands, fathers, and brothers, but it is also perpetuated by women themselves, who create the cage that holds them captive (Jacobs et al.,
Susan Glaspell's short story, A Jury of Her Peers, was written long before the modern women's movement began, yet her story reveals, through Glaspell's use of symbolism, the role that women are expected to play in society. Glaspell illustrates how this highly stereotypical role can create oppression for women and also bring harm to men as well.
Andrea Dworkin, a prominent radical feminist, tries to explain why women fail to put themselves out from where they are: “Women have been taught that, for us, the earth is flat, and that if we venture out, we will fall off the edge.” Women are often conditioned by different factors in their life to stay in their position, especially from societal norms and expectations of them from the men in their lives. However, over time, this could be emotionally and mentally burdensome to a woman’s state of mind, leading them to nowhere. This theme of oppression is prevalent in the feminist short stories titled “A Jury of her Peers”, written by Susan Glaspell, and “Sweat”, written by Zora Neale Hurston. In these works, Glaspell and Hurston elaborate on how powerful female protagonists are able to decide for themselves, but explain their mentally-taxing processes and reasons in accomplishing such a feat. In these short stories, women are able to rise over oppression, but primarily to overcome a grief or insecurity that stems from within and after being pushed to their limits and accustomed to their roles by men.
In “A Jury of Her Peers” by Susan Glaspell and “A Rose for Emily” by William Faulkner, both authors introduce female protagonists that are confined by men’s authority. By displaying the protagonist's transformation, Glaspell and Faulkner highlight the repercussions of gender roles, to show that when women are trapped, they will go to great lengths to retaliate against their oppressors.
www.womenhelpingwomen.org is a website that provides information, facts, statistics, and help for women who suffer the fear of abusive relationships; the information provided in this site, relates closely to the ideas represented in Lynn Nottage’s play.
Susan Glaspell’s one-act play, Trifles, weaves a tale of an intriguing murder investigation to determine who did it. Mrs. Wright is suspected of strangling her husband to death. During the investigation the sheriff and squad of detectives are clueless and unable to find any evidence or motive to directly tie Mrs. Wright to the murder. They are baffled as to how he was strangled by a rope while they were supposedly asleep side by side. Glaspell artfully explores gender differences between men and women and the roles they each fulfill in society by focusing on their physicality, their methods of communication and vital to the plot of the play, their powers of observation. In simple terms, the play suggests that men tend to be assertive,
These constant beatings in Maggie Johnson’s home, furniture thrown from parent to parent, and every aspect of her family life as being negative, her family situation is not an extremly healthy one. But, despite her hardships, Maggie grows up to become a beautiful young lady whose romantic hopes for a more desirable life remain untarnished.
She emphasizes that the life of a slave woman is incomparable to the life of a slave man, in the sense that a woman’s sufferings are not only physical but also extremely mental and emotional. Whether or not a slave woman is beaten, starved to death, or made to work in unbearable circumstances on the fields, she suffers from and endures horrible mental torments. Unlike slave men, these women have to deal with sexual harassment from white men, most often their slave owners, as well as the loss of their children in some cases. Men often dwell on their sufferings of bodily pain and physical endurance as slaves, where as women not only deal with that but also the mental and emotional aspect of it. Men claim that their manhood and masculinity are stripped from them, but women deal with their loss of dignity and morality. Females deal with the emotional agony as mothers who lose their children or have to watch them get beaten, as well as being sexually victimized by white men who may or may not be the father of their children. For these women, their experiences seem unimaginable and are just as difficult as any physical punishment, if not more so.
1). Ms. Greenlee is one of the most identifiable survivors of this type of tragedy. Greenlee told Ms. Martin (2013), “ she was forced to go through anywhere from 25 to 50 men a day or she would receive unimaginable punishments,” (para. 3). Greenlee told Martin (2013), “punishments were beyond severe, if she was not able to go through the number of customers they told her to she would pay with beatings, multiple rapes by multiple men, or even worse they would force her to watch as they tortured one of the other women they had kidnapped as her punishment,” (para. 6). Martin (2013) reports that, “Greenlee, who was kidnapped at age 12, was part of about eight girls who were kidnapped by a group of men who injected them with heroin and sometimes handcuffed them to the bed,” (para. 4). The tortures that Ms. Greenlee faced are unimaginable. She is one of the few women who have been able to escape from that world and talk about it openly.
“A Jury of Her Peers” is a short story written by Susan Glaspell in 1917 illustrates early feminist literature. The two female characters, Mrs. Peters and Mrs. Hale, is able to solve the mystery of who the murderer of John Wright while their male counterparts could not. This short story had been adapted from Glaspell’s one-act play Trifles written the previous year. The play consists of the same characters and plotline as the story. In both works, Glaspell depicts how the men, Sheriff Peters and Mr. Hale, disregard the most important area in the house, the kitchen, when it comes to their investigation. In the end, the women are the ones who find clues that lead to the conclusion of Minnie Wright, John Wright’s wife, is the one who murdered him. Both of Glaspell’s female characters illustrate the ability to step into a male dominated profession by taking on the role of detective. According to Critical Theory Today: A User-Friendly Guide, written by Lois Tyson, a reader-response critique “focuses on readers’ response to literary texts” and it’s a diverse area (169). Through a reader-response criticism from a feminist lens, we are able to analyze how “A Jury of Her Peers” and Trifles depict how a patriarchal society oppresses women in the early twentieth century, gender stereotypes confined both men and women and the emergence of the New Woman is illustrated.
In Trifles, Susan Glaspell debates the roles between men and women during a period where a debate was not widely conducted. Glaspell wrote Trifles in the early 1900s—a time when feminism was just getting started. In this play, Glaspell shows us her perspective on the roles of men and women and how she believes the situation would play out. Trifles seems like another murder mystery on the surface, but the play has a much more profound meaning behind it. Glaspell presents the idea that men and women analyze situations differently, and how these situations are resolved based on how we interpret them. Research shows that women’s brains “may be optimized for combining analytical and intuitive thinking.” On the other hand, male brains are predominately “optimized for motor skills and actions” (Lewis). In the play, this research shows true when the women, Mrs. Hale and Mrs. Peters, analyze details rather than looking at the apparent, physical evidence, and they find out the motive of the murder. The men, on the other hand, look at broader evidence that does not lead to any substantial conclusion. When Glaspell was writing this play, she wanted the women to be the real instigators, the ones that would end up solving the mystery. While the men in the story laugh at the ‘trifles’ that women worry about, these details mean a great deal in Glaspell’s eyes. Glaspell presents the idea what men and women are different in the way they live their lives through detail.
New in Mr. ___________’s house, Celie is constantly beaten for not doing exactly everything that her husband demands of her. In a letter to God, Celie recalls, “Harpo ast his daddy why he beat me. Mr. ___________ say, Cause she my wife. Plus, she stubborn. All women good for- he don’t finish. He just tuck his chin over the paper like he do. Remind me of Pa” (22). Celie lives in a house where getting beaten is the normal thing, she does everything that is asked of her and more, and it is still not enough for Mr. ___________. Also, Celie mentions that it reminds her of her “Pa”, which means that she faced this type of torture for her entire life. Walker highlights the fact that Celie needs someone else to survive, her undeserving husband will not be enough to make Celie want to survive and go on.