Charles Martins Taken Up is a poem that could illustrate two possible scenarios. This poem can be interpreted as viewing a group of people waiting on, meeting, and leaving with extraterrestrial beings. It could also be a personified colony of aspen trees that are awaiting the sun on a spring day. It is written in free verse that does not have a specific amount of syllables per line. The poem consists of seven terza rima rhyming verse stanzas, which displays the authors control over the free verse form. These stanzas are constructed simply by using the rhyme scheme a a a, b b b, and so on. This poem is written in the third person narrative and describes the interaction between humans and aliens. It could also describe the scene of a colony …show more content…
This first encounter with extraterrestrials would cause these people to be confirmed in faith. Their beliefs have now been confirmed; there are extraterrestrials in the universe. The other take on these lines illustrates a view of saplings, which came forth, or sprouted one by one growing awkwardly upon the earth in all the different directions that branches grow. These new trees were growing and the rest colony was confirmed in faith by their growth. They were ensured that a new generation of life was growing among the colony.
In stanzas four and five it seems as if the extraterrestrial idea is clearly what the poet is referring to, but it could very well be another reference to the aspen tree colony. One must think abstractly to pull out dual meanings in the following lines:Mysterious voyagers from outer space,Attenuated, golden—shreds of laceSpun into seeds of the sunflowers spinning faceLight was their speech, spanning mind to mind:We come here not believing what we find—Can it be your desire to leave behindThe mysterious voyagers are extraterrestrials from outer space who are attenuated, or made slim, but have a huge face like that of a sunflowers spinning face. These lines help to paint a picture of what an extraterrestrial might look like. At the time, in American
Updike continues his portrayal of the vast splendor of nature through metaphors, similes, and diction pertaining to a large flock of starlings that flew and over and lit on the gold course where the two men in the poem are playing. The approaching flock of birds seem like a “cloud of dots” (Line 16) on the horizon to observers. The author compares The image of the steadily approaching flock of starlings to iron filings (the birds) stuck to a magnet through a piece of paper (the horizon). The men stand in awe of the black, writhing, approaching mass, much like children do when the magnet picks up the filings through the paper. By comparing the approaching birds to the magnet and iron filing scenario in a simile, Updike subtly likens the men reaction to a small child’s reaction when he/she sees the “magic” of the magnet and the iron filings for the first time. The simile purpose is to show how nature can make grown men feel like small, free little kids when experiencing nature at its best. As the observers continue to watch the looming flock of birds, the flock became one huge pulsating mass of birds that seemed as “much as one thing as a rock.” (Line 22) Updike once again eloquently portrays nature as absolutely stunning to show how nature affects man. The birds descended in a huge “evenly tinted” (Line
Reason 2, do you know those picture people post on social media about “aliens” marking fields with weird looking symbols. As paragraph 1 states, “ They are smart enough to possess a human’s body and make them do things.” After doing that the person wakes up the next day and sees something unusual and takes a picture of it and posts it saying “aliens” visited his or her house. Everyone knows that only deserted grassy areas and farmers fields have that big of space just to do all of that. However, what if it’s not just spiritual beings.
The beginning of the poem starts off with African Americans going to the North and seeing faces that resemble theirs in Harlem. They are remembered of the hardships in the South but their aim is to get to the North where there is a better life. The key words “cotton and green pastures” show us the escape route that those of color are leaving to get a better life. The poem cites that “Cotton still stuck in their shoes, Zotts ! waiting to be shipped back to green pastures. The idea of escaping and moving away is in the determination to move on even though you are tired and dirty from the cotton stuck in the shoes waiting for many different opportunities.
The writer shows the reader this throwout Seedfolks in chapters “Wendell,” “Leona,” including “Maricela.” These chapters show how two people who created
In America, the Cherokee had lived in Southern Appalachia for hundreds, possibly thousands of years. Upon European settlement and eventual American Westward Expansion, the Cherokee began to lose their land and way of life. The 1835 census of the Cherokee People reveals that the Cherokee society prior to removal had a distinct culture but was forced into assimilation in hopes to remain on their land. Through American assimilation, the Cherokee sought to prove themselves as worthy republican citizens. To do so, the Cherokee adopted the English language, new ways of naming themselves, and a new patriarchal job system.
The poem opens up with an image of spring and mating. The dark swallows celebrate their mating, which points the starting
Dudley Randall’s “Ballad of Birmingham” is a look into the effects of racism on a personal level. The poem is set in Alabama during the Civil Rights Movement of the 1960s. The tone of the title alludes to the city of Birmingham as a whole. The poem gives the reader, instead, a personal look into a tragic incident in the lives of a mother and her daughter. The denotation of the poem seems to simply tell of the sadness of a mother losing her child. The poem’s theme is one of guilt, irony, and the grief of losing a child. The mother feels responsible for the death of her child. The dramatic irony of the mother’s view of church as being a “safe haven” for her child is presented to the reader through the mother’s insistence that the young girl
As the poem continues into the second and third stanza the persona uses imagery as a tool to express natures power. From the water to the sky, Bogan’s poem describes how nature will continue to outlast humanity, thriving under a repeated cycle of life. Compared to the conditions described in “Night,” all human endeavors are naturalized. Line seven and eight explains, “shell and weed / wait upon the salt wash of the sea.” Long before the story of Adam and Eve, nature represented a powerful force of life and sustainment. Over thousands of years of tides, the “shell and weed” described by the auditor, are conditioned to expect resources from exterior conditions (7). Systematically, the universe provides nature will all conditions necessary for survival. A miracle. Even the “stars” located in outer space have a role as they swing their lights westward / to set behind the land”, the speaker suggests (9-11). Using imagery, the auditor is able to understand the universe attains limits much greater then humanity. Thomas Edison is credited
Imagery was also used in the poem. I found that the yellow in the first line represented that the future the writer was facing was bright and warm regardless of his choice. The undergrowth was, as undergrowth in any forest, damp and dank smelling, but not necessarily unpleasant, just something that the writer would have to face. The image of traveling through a forest also brings to mind thoughts of birds in flight, chirping and singing. Squirrels dashing through trees, rustling leaves and dropping the occasional acorn or nut also create an image of sight and sound. The sun reflecting through the trees, casting shadows and creating pockets of warm and cool air and the occasional breeze stirring through the trees are also brought to mind by this poem. The end of the poem brings to me
The poem begins with the poet noticing the beauty around her, the fall colors as the sun sets “Their leaves and fruits seemed painted, but was true, / Of green, of red, of yellow, mixed hue;” (5-6). The poet immediately relates the effects of nature’s beauty to her own spiritual beliefs. She wonders that if nature here on Earth is so magnificent, then Heaven must be more wonderful than ever imagined. She then views a stately oak tree and
He sees the universe as a harmonious whole, in which every subject reflects and echoes the other. The daffodils became the speaker’s companions in the third stanza, and they were describing as “the jocund company” by the poet. He enjoys the company of the dancing daffodils, which brings him happiness and joy.
I am sure that everyone of you have heard about aliens and UFOs. Indeed, we all have heard about the famous case of aliens and UFOs in Roswell, New Mexico. Most people might be interested in the topic of aliens, but I know that the majority of you just think of it as rumours and the existence of them are impossible. Therefore, I am standing here in front all of you to make you change your perspective. I am strongly confident that I have found the evidence of their real existence to convince all of you.
In the first four lines of the poem, the speaker explains that he is trespassing on
The third part of the poem begins with a more personal and philosophical tone. The speaker claims to have been such a youthful swinger of birches, an activity he can go back to only by dreaming. The birch trees, probably both ice-bent and boy-swung, stand for the order and control missing from ordinary experience. The "considerations" he is weary of are conflicting claims that leave him disoriented and stung. The desire to "get away from earth," importantly qualified by "awhile," shows a yearning for the ideal or perhaps for the imaginative isolation of the birch swinger. His "I'd like to
Robert Frost's poem “The Road Not Taken” describes a traveler faced with a choice of which one of two roads to travel. He knows not where either road might lead. In order to continue on his journey, he can pick only one road. He scrutinizes both roads for the possibilities of where they may take him in his travels. Frost's traveler realizes that regret is inevitable. Regardless of his choice, he knows that he will miss the experiences he might have encountered on the road not taken.