The Fall Of The House Of Usher Essay

In the story, “The Fall of The House of Usher”, there are many mysterious happenings that go on throughout the story between the characters Roderick Usher and the narrator. Throughout the story, Edgar Allan Poe uses themes such as madness and insanity to connect the house back to Roderick Usher. In the “Fall of The House of Usher”, the narrator goes through many different experiences when arriving to the house. The narrator’s experiences start out as almost unnoticeable in the beginning, turn into bigger ones right before his eyes, and end up becoming problems that cause deterioration of the mind and the house before the narrator even decides to do anything helpful for Roderick and his mental illness. In “The Fall of The

One of the first things to note is how the house is used to represent the state of Roderick’s mind and physical appearance.

As with many of Edgar Allan Poe's pieces, "The Fall of the House of Usher" falls within the definition of American Gothic Literature. According to Prentice Hall Literature, American Gothic Literature is characterized by a bleak or remote setting, macabre or violent incidents, characters being in psychological or physical torment, or a supernatural or otherworldly involvement (311). A story containing these attributes can result in a very frightening or morbid read. In all probability, the reason Poe's stories were written in this fashion is that his personal life was fraught with depression, internal agony, and despair. Evidently this is reflected in "The Fall of the House of Usher." Conjointly, Edgar Allan Poe's "The

“The Fall of the House of Usher” follows a similar symbolic storyline. Throughout the story, the narrator uncovers significant details regarding the mysterious childhood friend of his and many of the important elements are revealed. Specifically, Poe designed the plot in such a way that the Usher siblings represent two sides of the same individual; Madeline and Roderick as the body and the mind respectively (Miller par 32). Since the twins are the first in their family, it shows the separation from original unity (genetically) and foreshadows that the twins must die in order for the restoration of peace. The House of Usher also has a significant symbolic value in the story; it represents Roderick’s psychological state of mind and is described by the narrator as having disturbing realistic qualities (Poe 893). Nevertheless, toward the end of the story, the epitome of the symbolic nature of this story is revealed and is concluded by an epic turn of events. Madeline collapses on Roderick as the narrator rushes to leave the house; the siblings death at the end symbolize the destruction of the physical world as shown by Madeline and the destruction of the spiritual world as displayed by Roderick’s immediate death

The house seems to be absorbing Usher’s mental health and physical health. Evidence of this is shown by the faltering health and growing fears of Roderick Usher in relation to the growing scariness of the house.

The Usher mansion is slowly deteriorating, just like Roderick Usher himself. The “sombre tapestries,” “ebon blackness,” and “phantasmagoric armorial trophies” did not just start showing in the house; these elements have had time to develop and is now represented as a never ending darkness, which is just like Roderick Usher’s mental illness. Not only does Poe create an image of the house, he also uses lucid details describing the Usher’s mansion and the rooms inside the home to show that Roderick’s mental illness has physically and mentally trapped him. Roderick is a gloomy and mysterious character who looks as if he is dead. Poe describes Roderick’s appearance as one to not easily be forgotten (Poe 152). In Roderick’s mind, he feels as if he has no escape from this illness, which terrifies him. His biggest fear is fear himself. The evil that has overcame his body will take a toll on his life and he is aware of it because he says “I shudder at the thought of any, even the most trivial, incident, which may operate upon this intolerable agitation of soul. I have, indeed no abhorrence of danger, except in it absolute effect-in terror” (Poe 153). As described in the story, the Usher house has rooms that create a somber life and with this creation, Poe is able to portray the kind of life that Roderick Usher is living and will live. Not only is this technique used in “The Fall of the House of

The Fall of the House of Usher is a story “of sickness, madness, incest, and the danger of unrestrained creativity. This is among Poe's most popular and critically-examined horror stories” (Gordon). For example if you were to close your eyes while someone was reading the story you would see the house “decaying” in your imagination (Poe). From the start of the story the narrator’s strange “insufferable gloom” is introduced. He notes the darkness of his surrounding (Gordon). The stories are very deeply described and felt.

Throughout history, various works of literature compelled the readers to feel a specific way. The authors used different techniques to illustrate emotions toward their audience. Specifically, Edgar Allan Poe, author of The Fall of the House of Usher, uses literary elements, such as imagery, characterization and word choice, to portray the build up the sense of horror.

All these things put together and a few others help to connect the house to Roderick and Lady Madeline. When the narrator first sees Roderick after a long period of time, he thinks that he resembles that of a corpse. Then Roderick tells him the reason for his appearance, why he looks so bad. He said he had an illness that was a “morbid acuteness of the senses.” The word morbid, when used anywhere, has very strong meaning and it is of the negative type. He uses the word tortured when he is describing his eyesight and says that even the slightest sound is almost unbearable. Thinking about having all of these symptoms put together is a very bad picture to paint in your mind. His condition, in this case, is very comparable to that of the condition of the house.

Another theme that Poe explores in The Fall Of The House Of Usher is fear. It is fear that drives the story, fear that traps the narrator, and eventually fear that kills Roderick Usher. Poe foreshadows the paradox of Roderick’s fear early in the story: “There can be no doubt that the consciousness of the rapid increase of my superstition…is the paradoxical law of all sentiments having terror as a basis.” Roderick Usher is quoted as saying “I have, indeed, no abhorrence of danger, except in its absolute effect--in terror." This means that he is not afraid of death, but of fear itself. And it is this fear of fear that eventually leads to his death, when Madeline ‘returns from the dead’ and scares him to death.

In “Fall of the House of Usher”, Edgar Allan Poe uses parallels between Roderick Usher and the House to illustrate how one affects the other. The House particularly compares to the physical appearance with Roderick Usher. To illustrate, Rodericks physical appearance is crumbling, much like the Houses “crumbling condition of the individual stones” (Poe 323). With human like qualities, the Houses “vacant eyelike windows” are a direct parallel to Rodericks “large eye, liquid and luminous” (Poe 322-324). In other words, the Usher family is so connected to their home that Roderick begins to physically look like the worn down, dark and mysterious House that is his abode. Not only does the House have similar physical parallels, but Rodericks

The narrator of the story stated that Roderick's fear might have been linked directly to the house. He explained how he is "enchanted by certain superstitious impressions in regard to the dwelling which he tenanted, and whence, for many years, he had never ventured forth." Roderick explained his feeling that he was stuck in the house and that horrible things would happen to him if he left. The narrator implied that Roderick's mental condition might have been relieved if he would leave the house and face his fears. However, because of

Isolation does not come from being alone, but from being unable to communicate with other people that are not yourself. In 1839 Edgar Allen Poe published the short story, “The Fall of the House of Usher.” The unnamed narrator in the story is asked to visit the mansion of an old friend whom he hasn’t talked to in a very long time. The narrator's friend, Roderick is a sick man who suffers from an "acuteness of the senses," Roderick feels that he will die of the fear he feels. After some time Roderick's sister dies and he entombs his sister in one of the vaults under the mansion. As the days pass Roderick becomes more uneasy. The narrator decides to read a book for Roderick in order to pass the night away, but the sounds from the book come to life. Roderick reveals that he has heard these sounds for days, that Madeline had been buried alive and that she is trying to escape. At the same time, she appears, and attacks Roderick and Roderick dies of fear. The narrator escapes the house; the entire house cracks along the break in the frame and crumbles to the ground. In “The Fall of the House of Usher” theme is "being isolated and its resulting lack of human interaction results in madness" symbolically the house acts as a place of isolation, characteristically Roderick is mentally ill and reserved, and the plot serves to describe that the house collapses reveals that living in isolation results in madness. The theme "being isolated and its resulting lack of human interaction results in madness" in the short story “The Fall of the House of Usher” is conveyed through tone, symbol, and character.

In the story “ The Fall of the House of Usher” by Edgar Allan Poe, has an American romanticism with its characters. Edgar Allan Poe is considered a Dark Romanticism because of the way he writes his poems and short stories centered around the concept of evil human nature, darkness, and death. Roderick and Madeline Usher were said to be related during the middle of the story; they were twins. It explained how they were sick, Roderick had a mental disorder and Madeline was physically sick. As the narrator enters the desolate house, he finds both Roderick and his sister in a severe state of depression and they both appear sick like. The narrator tries to make Roderick feel better, but Roderick wouldn’t budge. Roderick thinks that the house is making him sick and making him to appear crazy.

The narrator comes to the House to aid his dying friend, Roderick Usher. As he arrives at the House he comes upon an “aura of vacancy and decay… creating a pathologically depressive mood” (Cook). The state of the House is daunting to the narrator – he describes it with such features as “bleak walls”, “eye-like windows”, “rank sedges”, “decayed trees”, and “an utter depression of the soul”. These images foreshadow a less than pleasant future for the narrator and his dear friend Roderick. Poe continues to foreshadow the narrators turn of events with a description of the House’s “dark” and “comfortless” furniture. The House becomes a living hell for the narrator as he watches Roderick’s condition evolve and struggles to understand the mystery tying unfortunate events together. However, as the narrator gradually becomes more enveloped in Roderick and the House’s malady, he seems to develop a malady of his own. While the narrator’s illness is less prominent than that of Roderick and his sister Lady Madeline, the sicknesses are one in the same.