Venom
You open your eyes. You're not really sure what just happened. The last thing you remember is stepping in some weird puddle of goo accidentally, and then that goo started engulfing your leg with the rest of your body quickly following suit. Looking down, you see that you're still covered in the strange slime.
That's when you feel another presence in your mind.
It starts communicating with you, explaining that it's an alien organism that was somehow stranded on earth. lt is a symbiote, and requires a host to bond with to survive. You were just the first person it came across. You get something out at this deal as well though. lt grants you a variety of powers and abilities, such as super strength, web slinging, wall crawling, and shapeshifting.
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What you choose to do with these abilities is completely up to you.
Every symbiote is different from each other, and they have different personalities. just like people.
1. VENOM
You're not actually Venom's first host. It may already had a very complicated relationship with the first person it attempted to bond with, and they eventually rejected and abandoned it. It had some other hosts after that, but nothing that really stuck for one reason or another. It just wants someone to be with and to actually want it. A true symbiotic relationship. That being said. it will never forget its first, and if it ever sees its first host, it will freak out, and you'll freak out along with it.
2. Carnage
The Carnage symbiote is the most unstable of all the symbiotes. It actually seems to enjoy when you engage in any sort of physical violence. That being said, it forms an incredibly strong relationship with its host, binding on an almost molecular level, meaning you can never truly be separated. It will be more than willing to kill to protect you, and bathe in the blood of your enemies. Because of your strong bond though, it amplifies your emotions much less than most other symbiotes, but it will encourage
Reflections Within is a non-traditional stanzaic poem made up of five stanzas containing thirty-four lines that do not form a specific metrical pattern. Rather it is supported by its thematic structure. Each of the five stanzas vary in the amount of lines that each contain. The first stanza is a sestet containing six lines. The same can be observed of the second stanza. The third stanza contains eight lines or an octave. Stanzas four and five are oddly in that their number of lines which are five and nine.
They can get set to strike, strike and back to its strike position in less than .15 seconds. The venom per bite can be as little as seventy milligrams and as high as 236 milligrams. They hide in wait, when they hear humans coming, to strike; this increases their risk of being stepped on, but they are much more dangerous to strike.
It becomes more evident that the relationship between the two is turning form one that is symbiotic to one that is parasitic when Sula returns
Antivenom is an antidote for venom that counters a specific venom or venom type. It is made to treat the venom of snakes, arachnids, scorpions, and poisonous amphibians. Also called antivenin, it is effective on the majority of recipients, but only if it is administered within a small window of opportunity before the venom does too much damage to or outright kills the victim. Antivenom’s manufacturing is similar to a vaccination. A vertebrate,
I settle back and look up at the sky, listening to the screaming of the frogs and crickets. My eyes are just starting to close when something cold and spiny hits me on the throat, falls to the ground, and lies there flipping in the dirt.
In order for a photograph to be fully developed and understood by the eye, there must be an element of contrast that can provide the depth and shading necessary for the objects in the photo to seem almost life like. The correct amount of contrast can add dimension, make the photo engaging, and create dramatic effects that reveal the tone of an image. Authors can use a similar technique in their writing to develop a storyline. Using contrast to create a depth of field to the story, adding tones to the characters, and backdrop settings that bring dramatic effect to the point the author wants to bring to focus. Adding contrast to the imagery through the use of wording can reveal a deeper dimension that prevents it from being flat thus keeping
The creature expresses his intense hatred and desire for revenge towards his creator, whom he sees as his enemy and vows to make his first victim due to the suffering and loneliness Victor has endured for him. Furthermore, by the creator illustrating the intense animosity towards Victor, the rejection fuels the creature’s desire for vengeance, highlighting the destructive consequences of disowning the creature. Driven by profound loneliness and rejection, the creature turns to revenge as a means to address its overwhelming sense of isolation and abandonment. A quote from the creature states, "I am alone and miserable; man will not associate with me; but one as deformed and horrible as myself would not deny herself to me. My companion must be of the same species and have the same defects.
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Frost further points out that the stretch of woods being viewed is very rural. This is made possible by the reference to the location between the woods and frozen lake. In closing the final sentence of the second stanza Frost reiterates the fact that this occurs on “the darkest evening of the year” stating the darkness of the mood.
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Then something wispy light touched my foot and I lost it. I jerked and started twisting, kicking, and generally flailing about. The airy creature slid up my leg with ease while I screamed my head off.
There are three forms of symbiotic relationships namely mutualism, commensalism and parasitism. The partners in a symbiotic relationship may either benefit from, be unaffected by, or be harmed by the kind of relationship that exists between them, (Berg 2007). Mutualism is a symbiotic relationship in which both the partners benefit from the relationship, (Berg 2007). Commensalism is a symbiotic relationship whereby one party benefits while the other party is neither harmed nor benefits, (Berg 2007). Parasitism is a symbiotic relationship in which one party benefits while the other is harmed, (Berg 2007).
Poisoned Apples stuffed down girls throats by society, advertisement, the clothes on mannequins selling sexuality, diet aids, beauty. Rebel against stereotypes, Stand up for feminism. Take a good long look in the mirror, mirror on the wall who’s the fairest queen of all.
Many Romantic poets expressed a fascination with nature in their works. Even more specific than just nature, many poets, such as William Blake, Robert Burns, and Samuel Taylor Coleridge all seemed fascinated with animals. Animals are used as symbols throughout poetry, and are also used to give the reader something to which they can relate. No matter what the purpose, however, animals played a major part in Romantic Poetry.
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