Pin-up lingerie and Hollywood fashion and glamour had an impact on women’s fashion choices including the cone-shaped bra, and the spiral-stitched bullet bra. In the 1950s, the conical bra literally set the standard of what made a woman alluring. The bullet bra, also known as the “push up” bra of the 1950s, added a full cup size to their bust, fully covered the breasts and provided necessary support, whilst allowing the breasts to breathe. Women’s choice about what sort of brassiere to wear or whether to wear a bra at all were consciously and unconsciously based on the social opinions of the “perfect” shape of the female breast and the female figure reflecting her bust, waist, and hip measurements. (Burns-Ardolino, 2007). As Steele stated in
“I am no bird, and no net ensnares me. I am a free human being with an independent will.” This is a quote from Charlotte Bronte’s novel, Jane Eyre. The character Jane reminds me of a famous immigrant in American history who led women to break out of traditional roles. Her name was Liz Claiborne, an innovative designer who was the first to realize that every working woman wasn’t ending up in the boardroom or aspiring to [corporate life] (Bernstein 1). It is unquestionably hard for immigrants to prove themselves in a foreign country, but Liz Claiborne did it. Liz Claiborne was a Belgian who immigrated to America and changed fashion and business industries in U.S. due to her innovations.
Fashion in the early nineteen twenties was all about comfort. Men’s pants got wider and women stopped wearing their corsets and tight dresses, while older women of the age considered this scandalous and still held the thought that women should not show their ankle. Though the majority of adults disagreed with the fashion revolution, young women continually hiked up their skirts, stayed out late, and kept up with fashion trends. Times were changing, and thus the flapper age was born. Hemlines rose to the knee, and then later above it- exposing the muscular dancer’s legs-toned
The look of the flapper was drastically different from that of the earlier generations of women in the United States. Their hair was cut into a short “bob” and they wore much more make-up than previous women. The hem line of the flapper’s dresses rose to the knee and they began “bounding” their chests and wearing high heels. Along with the rise of the hem line, nude colored stockings were favored over the former black; the flapper also bared her arms; this gave off a much more “naked” look than any previous generations. They did away with the corset and instead adopted the girdle, which simply flattened the abdomen rather than emphasizing the waist. The infamous Gabrielle “Coco” Chanel’s clothing designs became the epitome of 1920’s style.1
Fashion in the early nineteen twenties was all about comfort. Men’s pants got wider and women stopped wearing their corsets and tight dresses, while older women of the age considered this scandalous and still held the thought that women should not show their ankle. Though the majority of adults disagreed with the fashion revolution, young women continually hiked up their skirts, stayed out late, and kept up with fashion trends. Times were changing, and thus the flapper age was born. Hemlines rose to the knee, and then later above it- exposing the muscular
Before the 1920’s, women’s attire was considered fairly modern. Women would have worn clothing with more of a silhouette than clothing that was loose and flowy. The length of their dresses never revealed more of their leg than just their ankle. Women received bad reputations when showing their knees or even their calfs. Women in the 1920’s also had a different ideal figure than most women do today. The body types women wanted to achieve also transformed into a more feminine look. This look consisted of low bust lines, higher hems lines, and showing off more curves than ever before. These women became unapologetically fearless.
Marilyn Monroe once said “Women's cloths should be tight enough to show that you're a woman, but also show that you're a lady.” Seeing women in the 50’s, many of them looked up at famous or well known models or actors such as Marilyn Monroe. We see hats and sunglasses, start to be involved in their attire. Jewelry and makeup start to blend with the fashion, We also see the pencil and poofy dresses being worn. Women that work in formal places where high heels and pant suits to look professional. Today we see some girls pay hundred of dollars on dresses, and in the 50’s women would pay anywhere from 99 cents to fifty dollar dresses (1950’s Fashion). Although we have seen how fashion was for women and teenagers one of the biggest changes in fashion was for the
The Great Depression caused woman to want to save money and not spend much on clothing. All over people were struggling to keep money in their pockets, so no one would spend big bucks on designer outfits. Women tended to make their own new clothes from other clothes they already had. “The life motto of many was to ‘Repair, reuse, make do, and don’t waste anything’; therefore, any creativity was apparently confined to those boundaries.(The Vintage News, 2016)” During this time no one wanted to out shine others so they dressed very conservative. Shoulder pads and butterfly sleeves were coming into trend.
Throughout the 1920s through the 1950s Women’s clothing in America was affected by World War II, which lead to the exploration of different styles, the encounter of new trends and the exchange of ideas and new styles.
To accentuate the hips even more, slit side pockets were present (Payne, 256-257). Subsequently, the 1960’s brought the emergence of miniskirts, which was then a public shock for it was not considered tamed. Minis were pioneered by Mary Quant and made trendy by Andre Courreges (Murray, 112-113). Meanwhile, pants suits for women were popularized in the 70’s. They were first introduced as skinny and tailored, leaving little space for legs. Then they evolved into a flared leg style, with a wide opening at the bottom, or bell bottoms (Payne, 261). “Pants appeared in every form imaginable, from divided skirts and culottes to the classic, pleated-front tailored pant and the baggy ‘Fred Astaire’ version.” (Murray, 116)
The 18th century, more precisely between 1715 and 1789, was a significant time period in the fashion sphere for women in France. The time period itself was a mark of great change for the history of France due to various political reasons as well as various art movements and often times fashion, despite being a branch of art, is overlooked by most viewers. However, fashion during this time excelled in France and was essentially the symbol of a new era in this domain; French fashion was now snowballing into something much greater that still echoes to this today. Ultimately, the goal of this essay is to describe women’s fashion during the period of 1715-1789 and the shifts it made through the analytical use of various sources including artwork, literature, museums’ online archives and internet sources.
Before the 1920’s, women’s attire was considered fairly modern. Women would have worn clothing with more of a silhouette than clothing that was loose and flowy. The length of their dresses never revealed more of their leg than just their ankle. Women received bad reputations when showing their knees or even their calfs. Women in the 1920’s also had a different ideal figure than most women do today. The body types women wanted to achieve also transformed into a more feminine look. This look consisted of low bust lines, higher hems lines, and showing off more curves than ever before. These women became unapologetically fearless.
As the 1920's rolled around, popular dress changed and the "boyish figure" trend began to emerge in women's fashions. The style downplayed a woman's natural curves as large breasts were considered a detriment to social standings. Well endowed women tried breast binding, and from this the bandeaux bra was created. The bandeaux bra was
Although celebrity culture is typically associated with actors and actress, consumers may also rely on the trustfulness and credibility of politicians and first wives when deciding fashion trends. In the 1960s, fashion icon Jackie Kennedy took over the fashion industry (Joel 1). She appealed to many stay-at-home women because she was commonly known to have a “sophisticated simplicity” (Joel 1) approach to fashion. Her successor, First Lady Michelle Obama has instantly become a fashion icon herself as well. She is commonly seen wearing American designers therefore pushing “the American fashion industry into the international spotlight” (Givhan 1). People are often so draw to her style because it gives a glance into her personal life. As Givhan states, “Obama’s clothes have connected with the public in contemporary terms, in the language of Hollywood’s glamour, Seventh Avenue’s bold entrepreneurship and the democracy of the mass market” (Givhan 1). In March 2009, Michelle Obama appeared on the cover of US Vogue which showcased her “dress, style, and poise” (Gibson 40). Brett Schenck, president of Hart Schaffner Marx states, “It’s usually the frenzy behind the first lady” (Jones), but in the some instances, President Obama has also made an impact on the fashion industry. In the summer of 2009, designer Donatella Versace created a runway show that was designed and dedicated to him. The clothes she created where inspired by President Obama because it showcased “a relaxed man
This was modeled after the Virgin Mary whose round belly contained the savior (Yalom, 1997, p. 40). It wasn't until the fourteenth century and the Renaissance that this began to change. Explosive creativity and art occurred despite great famine and disease. As people became more frolicsome, clothing became more revealing. Such clothing including lowering the neckline to show cleavage (Latteire, 1998, p. 31). In the seventeenth century, the breasts once again became the center of female attractiveness over the belly. The breast stood as a symbol of power and wealth at a time when mercantilism was on the rise in Europe (Latteire, 1998, p. 32). The corset, which was previously used to flatten the breasts, was used to push in the stomach and push up the breasts (Winston, Website). Louis XIV of France's personal taste was a factor in this, as he demanded lower necklines for all the court women. He considered it a sign of respect to
The Years between the 1950’s and 1960’s was an explosive time in fashion. The 50’s represented an out coming of the new generation. People began to gain their own personal style and appearance, influenced by films and singers (“Vintage Fashion”). Their styles incorporated leather, jeans, corduroy, and the ballet shoes for the girls. Men’s wear began to drastically change. Men would wear a leather jacket, with jeans that narrowed at the bottom, and a simple t-shirt (Peacock 210-211). This was the first time in history that jeans were not just worn by the working class but by all men (“Brief History”). The man’s lust for flesh grew during this time, so women’s skirts began to get shorter and the bikini was invented. Clothes were made to glorify the female body and emphasize every curve. It wasn’t until the Barbie doll was created in the late 50’s that young girls began to have a separate fashion from their mothers. Young girls would wear sweaters with full skirts or pants