In an alternative version of Atwood’s poem ‘’Pig Song’’ , called ‘’The Outcry of a Sheep’’ , the speaker , that is not a person , but a sheep , addresses directly the reader and has an outcry about its family’s decimation due to people’s actions. This persona poem focuses on the deployment of the mask , which gives the speaker the chance and the freedom to see things from a different perspective and personalize the animal rights and industrial farming issues , that are addressed elegantly , as my analysis will attempt to show . First of all , the poet covers up his real identity and uses a mask in order to describe the animal’s …show more content…
The speaker criticizes the education system by stating : ‘’ And the logic that school taught you that only you can have / makes you selfish , makes you cruel , makes you feel like a king ‘’(8-9) . It is a straightforward accusation of the animals towards people , who have grown up being too arrogant and entitled and believe that it is their right to raise sheep and kill them with no regards to the ecology and the animals’ rights as living beings. As a result , the speaker keeps on telling the phrase ‘’So you kill’’ (20) several times , so as to sensitize the reader about their rights . Human habits and customs are also pointed out and passed judgment in the poem . The lines : ‘’Now it’s getting much closer to Easter …’’ (5) and ‘’ Now my mother is part of your wardrobe , my father your dinner’’ (11) indicate industrial farming issues , as people use to breed farm animals in order to make parts of sheep woolen clothes or meat for sale , especially for Easter holidays . So , the deployment of the mask gives the speaker the chance and the freedom to show through these lines the relationship between animals and people , which is a relationship of animal’s exploitation
This is seen most notably within the characters Boxer and the sheep, both symbols of the Proletariat, or the working class who had a tendency to naively promote and spread Communist ideas. On the other hand, the last sentence of the novella paints a scene where the animals of the farm witness a complete “transformation” of the pigs when “The [animals] looked from pig to man, and from man to pig, and from pig to man again; [but] already it was impossible to say which was which” (Orwell 139). The syntax in this example consists of several commas and the interchanging of the words “pig” and “man” to emphasize that the pigs have now become what the core of Animalism was originally against. To add, the repetition of these words elongate the sentence structure while building a sense of confusion and realization that much time had been lost for the animals. To illuminate, Orwell’s didactic tone is attempting to show that both the Russian government and their people were flawed, because when the citizens finally realized the true nature of their leaders, it was too late. The once oppressive, vile reign of Mr. Jones, or Nicholas II, is now no different than the current reign of Napoleon, or Joseph Stalin. Aside from the syntax in Animal Farm that outlines the ultimate corruption of the Russian government and their propagandist tactics, it is imperative to recognize the role of imagery as well.
It is within his experience of living in a remote area in the ruthless desert, that Abbey first-hand experiences this nostalgia of the wildness within us, when he experiments and tests his survival skills by killing a rabbit with a stone. As a person who values the lives of every critter, whether he dislikes like them or not, Abbey questions himself and his ability to fend for himself. Testing his self-reliance capabilities, through the act of throwing a stone and successfully making his kill, he acknowledges his primal, animalistic self that lies inherently within him: “For a moment I am shocked by my deed; I stare at the quiet rabbit, his glazed eyes, his blood drying in the dust. Something vital is lacking. But the shock is succeeded by a mild elation” (34). But Abbey isn’t done, as Abbey tries to feel guilty about his deed, but in his attempt he fails to and reflects to himself on his consciousness “I examine my soul: white as snow: white as snow. Check my hands: not a trace of blood. No longer do I feel isolated from the sparse and furtive life around me, a stranger from another world. I have entered into this one. We are kindred all of us, killer and victim, predator and prey” (34). Completely satisfied with his results, he walks away contently without remorse. In this instance, Abbey tests the concept of the
The analogy technique has also been applied by the author to arouse the reader’s sympathy for the chickens and also emphasise how cruel humans have been to chickens. He makes the reader think “If only more people would realise that animals, as sentient beings like us, have rights that should be respected”, humanity would have been better. This quote works effectively in convincing the reader to believe that when the reader tries to put oneself in to a situation of one of the chickens, and then discover how cruel human beings have been. It makes the reader feel that if they were the ones who have been treated this way, they wouldn’t have liked either. Thus due to this enlightenment, the reader will be most likely to agree with the reader that freeing chickens was a noble thing to do.
“The mask represents the [indigenous] people who had nothing, but would do anything to support the people that they love.” Alaniz says that this idea inspires him to do more in his work to bring social change. The thin, smooth textured material of the mask made him wonder, “If people with little resources can make this [mask] to bring change, then what can I do as a person of wealth to bring social change to the world.” Although he does not necessarily have to make a big change, he can create change by getting to know the people and sharing their experiences with others. With this, he can thereby influence others to become interested in making a change in the world. It is because of experience like this the Alaniz encourages students to plunge into this trip to witness the unjust inequality the lives within the
This mask holds back all the sorrow, protects you from being further destroyed by others words or actions, and covers up the real extreme problems people are facing such as suicide and drug overdose. Both texts use these “masks” metaphorically to show how the people protect themselves.
Our propaganda poster displays laws or beliefs that occurred in the novel “Animal Farm” in our vision of how they would be portrayed. Both pathos and ethos rhetorical devices are used to inform, persuade, and convince the animals of the farm of what is considered right. The two types of propaganda used include name-calling and the application of fear. The poster includes three scenes or images depicted from the book; an animal hoof stepping on a human hand that held a whip, Napoleon, and one of the guard dogs killing a pig that is intended to be Snowball.
Society which was the animals fought back and started a rebellion. If he was never rude to the animals then they would of never rebelled. This is saying that men’s choices can cause a rebellion and could severely affect their life. All together these books and short stories show how man's inhumanity can lead to society fighting back. Even today there are people who decide to be evil and cruel.
Auden’s poem is a criticism of human perceptions and how we use them to detect, or suppress human suffering. In the first half of the poem Auden “compares versions of indifference by portraying youth and age, animals, and humans” (Shmoop, 2014). In the first few lines of the poem, Auden comments on the perceptions of the “Old Masters” and how they were never wrong in their discernment of suffering. He then compares the old masters perceptions to the perceptions of children and animals and how they are unaware of,
One of the themes of the novel ‘Animal Farm’ is that people’s ignorance can contribute to their political and social oppression. How does the animal’s behaviour in this novel support this theme?
Have you ever read a love poem that starts with the downs of a relationship? The hidden parts, those scary truths that hides behind a beautiful and wonderful relationship? Some say that it is exactly those secrets that keeps a relationship going. Join me on this journey to learn and know why the “Pig Song” is a beautiful love poem.
The practice of killing an animal for food, trade or recreational activity has been a fairly permanent and traditional aspect of our history. Even after animal domestication grew, the approach of hunting to supply food was never abandoned. Hence, the idea of an animal’s death is very ordinary. Yet, when the narrator presents the idea of killing another human and hanging their heads on his wall as a trophy, the concept is angering. It allows the readers to pose the question of why we choose to have this double standard. From the birth of our existence, humans have been killing one another. The reasons vary from family feuds, religious disagreement, to territorial gain. Howbeit, no matter the scale of war, there is always an explanation connected to the act; killing for thrill
In We Wear the Mask, the author’s purpose is to push the reader to feel something about the way things were in his perspective.
Thomas's poem “The Hill Farmer Speaks” demonstrates inextricable link between the Welsh hill farmer, nature, his land and his animals. The hill farmer holds a special bond with his animals for which he cares 'year after year'. The hill farmer is used by Thomas as a
The novel is full of many musings about animals as it takes place on an island in the wilderness. This is partly where the nameless narrator grew up and she appears to have acquired her appreciation and respect for the environment from her parents. She sometimes seems to prefer animals to people whom she cannot relate to and she is often stricken by their cruelty and selfishness. In this she resembles
The principal aim of the article is to discuss the phenomenom of zoosemy in George Orwell’s Animal Farm. The theoretical part of the paper briefly presents the basic mechanism of animal metaphor as a linguistic process, followed by an attempt of analysing zoosemic extensions within the conceptual domain of ANIMALS. The emphasis has been laid on certain negative human traits with which animals are endowed, with a special attention devoted to pigs. The analysis carried out in the second part of the article aims at demonstrating how the apparatus of cognitive linguistcs may be applied to literary studies. Certain correspondences between the characters from the novel and their historical prototypes are analysed in the light of animal metaphor – zoosemy has been used as a tool for interpretation and analysis.