Perspective In The Bell Jar By Sylvia Plath

While at home, Esther becomes into a deep depression when thinking about her experience in New York. She doesn’t want to read, write, or sleep and she stops bathing herself. Her mother sends her to see Dr. Gordon who is her first psychiatrist whom she doesn’t like and doesn’t trust. He is the man with a good looking family, and to Esther he is conceited. He doesn’t help Esther, but only hurts her more. He prescribes her with shock treatment. After this horrifying experience, she decides to kill herself. She tries to slit her wrists, but can only bring herself to slicing her calf. She tries to hang herself but can’t find a place to tie the rope, she tries to drown herself at the beach, but cannot keep herself under water, and then she crawls into a space in the basement and takes a lot of sleeping pills. “Wherever I sat—on the deck of a ship or at a street café in Paris or Bangkok—I would be sitting under the same glass bell jar, stewing in my own sour air.” (Plath pg. 117) This quote shows how she felt trapped in the bell jar, and her suicidal urges began. She awakes in the hospital to find that her attempt at suicide wasn’t successful. She is sent to another psychological ward where she still wants to end her life. Esther becomes very paranoid and uncooperative. She gets moves to a private hospital paid for by Philomena Guinea a famous novelist. Esther improves and gets a new

Writing was Esther’s passion, yet she stopped completely when she thought that she did not have the proper life experience to be able to write well. This becomes evident when she says, “I needed experience. How could I write about a life when I’d never had a love affair or a baby or even seen anybody die?” (Plath 109). Esther feels guilty and unqualified to write about anything that she has not previously experienced.

Support is something crucial for anyone to keep going but this is a key element that Esther was lacking in her life. She was surrounded by a society who wanted her to be something different and this applied to her mother also who encourages her to learn something practical like shorthand so she could have a stable job instead of encouraging her to follow her dreams of becoming a writer. Esther however refuses to lean shorthand and refuses to be submissive and simply follow as other say instead of writing her own thoughts. She has an image of what she doesn’t want but not what she wants in life. However as the novel continues this decision not to learn shorthand becomes yet another strike against her as a further failure and hence adds to her feelings of estrangement from the other women in society. Esther is not only different from people of her mother’s generation but is also different from women of her generation (Smith, 2010).

Esther wants to feel in control of her own life and future. She spends all of her school years working her way to the top, so that she would be able to support herself later on. Yet, Esther continuously feels pressure about how she should aspire to marry and find the right man.

Three days later, she is found and placed in a mental hospital. First assigned to a rich psychiatrist named Dr. Gordon, Esther feels harassed by the doctors surrounding her. She feels that they do not really care about her; in a sense, they don’t. After seeing Esther three times, he states that she is not improving due to the fact that she has not been able to sleep, read, eat, or write in three weeks. She is moved to his mental asylum, where she suffers through electroshock therapy for the first time. The procedure is done incorrectly and she is shocked, literally.

Literary conventions common to autobiographical works are usually written in the first person, which is the way in which a person might tell their own story. In this case, Esther is telling her story, first in a series of flashbacks and then in the present tense. The awful way in which the protagonist, Esther, views the events around her and the gory descriptions she offers, seem to represent not only horrible events, but also the tortured mind of the writer. The fact that Esther is fixated on suicide and that suicide and death are constant topics in the novel are the most obvious reasons to see the work as autobiographical. There are specific events that happen to Esther in the novel that have been researched and have been determine to have happened to Plath in exactly the same manner or are very similar to events in Plath’s life. Esther and Plath both had fathers who died when they were young. Esther and Plath both won writing internships at a magazine in New York City. Esther and Plath both had Electroconvulsive therapy (ECT). Luke Ferretter, author of Sylvia Plath 's Fiction: A Critical Study, argues that Esther’s description of her ECT is a way for Plath to tell her own story about the experience (21).

Esther knows that she should feel grateful for what has been given to her, but she can’t bring herself to fell anything. These thoughts cause her great internal conflict. This demonstrates how much the disease has taken control of her to leaving her helpless. She knows what she wants to fell, but her mind is not responding and is keeping her from these

Esther refuses to allow society to control her life. Esther has a completely different approach to life than the rest of her peers do. The average woman during this time is supposed to be happy and full of joy. Esther, on the other hand, attempts to repress her natural gloom, cynicism, and dark humor. This eventually becomes too hard for her and causes her emotions to go crazy. She begins to have ideas

Esther is experiencing repression because she is fighting the two different thoughts in her mind. Her state of repression is leading her to become depress.

It is evident that she is painfully aware of her approaching melancholic depression as evidenced by her opening statement, “I knew something was wrong with me that summer” and later, "I felt very still and very empty, the way the eye of a tornado must feel, moving dully along in the middle of the surrounding hullabaloo" (Plath, 1971). Throughout the novel, Esther holds the wits and self-awareness to know something is or has been stewing within, while simultaneously having a skewed perception of the world around her. Feelings of helplessness and entrapment are illustrated by the metaphor Esther has created “The bell jar” that suggests she has lost control of herself. Esther describes the bell jar as a symbolic meaning of the lenses in which she see’s life through; a trapped space where she lives in “her own sour air”, separated from the world

She stops writing, bathing, changing her clothes, and sleeping. This worries her mother, who sends Esther to a psychiatrist who prescribes her to shock therapy. But instead of having the shock treatment healing Esther, the doctors do the procedure improperly and terrify her, which leads her into a living hell.

To Esther, the world seems quite unfriendly, and the novel documents her desperate search for identity and reassurance. Nevertheless, Esther is intrigued by the world around her, and at the start of the book she is seen with a wondrous outlook on life that is reflected in the metaphors throughout the novel (Coyle). In the first half of the book, Esther is fascinated by the medical practices of her boyfriend, Buddy, as well as by current events in the newspapers and the thought of her own future family. As the story progresses, however, Esther becomes indifferent about life, and she develops bitterness toward everything that appears to prevent her from achieving things she wants (Huf). As Esther’s mental state worsens, the metaphors and similes presented to the reader begin to have negative connotations

Esther evidently feels as if she is constantly being judged and tested, although in fact she is not. Her magnified sense of distrust is illustrated repeatedly throughout the course of the book, at once involving the reader and developing her own characteristic response to unique situations. Finally, one who views occurrences which can only be categorized as coincidental as being planned often experiences a suspicious response. When she finds out that an acquaintance from high school is at the same hospital, her first reaction is wariness: "It occurred to me that Joan, hearing where I was, had engaged the room at the asylum on pretence, simply as a joke." (Plath 207). Although the reader is incredulous of the protagonist's manner of thought, it is also possible to feel a connection to the situation. Such a

Esther’s mother and society’s expectation as a woman, which is to be a good wife and a mother, suffocate and demoralize Esther’s dream as a professional writer. Esther’s mother wants her to “...learn shorthand after college, so I’d have a practical skill as well as a college degree” (Plath 40). Her mother believes that Esther cannot further advance her education as a writer and simply wants her to be a secretary since professional career for women was uncommon and discouraged because it disturbs the role as a married woman. These pressures often obliged her to fall into the societal expectations, to give up her higher education, and to marry somebody. However, she knew that the marriage and the babies were not for her, “because cook and clean and wash were just about

Sylvia Plath uses many literary devices to convey her purpose in The Bell Jar such as symbolism. The Bell Jar itself is used as symbolic representation of the emotional state Esther is in. The glass jar distorts her image of the world as she feels trapped under the glass. It represents mental illness; a confining jar that descends over her mind and doesn’t allow her to live and think freely. Symbols of life and death pervade The Bell Jar. Esther experiences psychological distress which is a major motif in the novel. The death of Esther’s father and the relationship with her mother is a possible reason for her illness. Sylvia Plath expresses the difficulties Esther faces and parallels her struggle with depression and illustrates it using various symbols such as a fig tree, mirrors, beating heart and a bell jar throughout the novel.