I have never had any sort of chance to see an orchestra or symphony play until Saturday February 6th, 2016 when I went to the Indianapolis Symphony Orchestra, and I have to say it was quite the experience. During this event, Krzysztof Urbanski conducted Music from 2001: A Space Odyssey which was a 1968 film which was popularly known for its use of classical music.
From 2001: A Space Odyssey a number of musical pieces were involved. The first piece that was played was Gyorgy Ligeti’s Atmospheres. First hearing this I had no idea what was going on. It all felt so random and out of place and I almost thought to myself there was no way this could be a piece of art. Then I realize this perfectly described the deep space because of its sense of mystery and the unknown. I was a little too quick
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The second piece was Aram Khachaturian Gayane’s Adago from Gayane. This musical piece was very mellow and low tempo to it. It is as almost as if someone was travelling through space just slowly and casually without doing much of anything else. I did not think much more of it, it was all very simple to me. The third piece was Johann Strauss Jr.’s An der schonen blauen Dondau, Op. 314. This was one of my favorite pieces. It was more up beat, and I could hear the music getting louder and piano softer through out it. I could see how this was the type of piece for a waltz. This music reminded me of coming from the travelling space to arriving at some sort of vast unknown planet, or even just coming to a certain location. All three of these pieces were just the beginning. Then the best one was performed. The last and final piece played was the Richard Strauss’ lengthy Also sprach Zarathustra, Op. 30. One of my absolute favorite parts about this was the beginning. It’s just that intro that really
During a later part of Scene Two when the cast is dancing the movements match the music, they appeared to be doing the Waltz, so the music had abrupt changes. In Scene Three: Cadiz, the orchestra plays some sad and somber music at the beginning. As the scene progresses the music goes from dark and dismal to happy and cheerful. During one of the songs of Scene Four: Paris the Old Lady, Cunegonde and Candide were discussing a flight and the music being played by the orchestra matched the lyrics bringing the idea of a flight to life. The Old Lady has a mezzo soprano voice she executes all of her notes well in the song. At the end of scene three Candide, Cunegonde, and the Old Lady leave to go to a new place and in the song they sing there are rounds, which were well executed. It helped change the mood again which brightened up the audience.
I saw a Beethoven concert online which took place on May 7th, 2015 in Chicago, to celebrate the anniversary of Beethoven’s glorious masterpiece Symphony 9. The concert was a classical concert which was conducted by Ricardo Muti who has remained a conductor for Philharmonica orchestra (London), and Philadelphia Orchestra. The concert was directed by Duain Wolfe who is and Americal Chorale conductor as well as the founder Colorado Symphony and the Colorado Children’s chorale. . Some of the artists who participated in the Orchestra were Camilla Nylund (played soprano), Ekaterina Gubanova (played mezzo-soprano), Matthew Polenzani (played tenor), Eric Owens (played bass-baritone), and the rest of the artists were from Chicago Symphony Orchestra. All the musicians were dressed formally in black suits with white shirts, or black dresses. The symphony was played in four movements: Allegro ma non troppo, un poco maestoso, Scherzo: Molto vivace, Adagio molto e cantabile, Finale: Ode to Joy.
For my fine arts event, I chose to see the Bryan Symphony Orchestra at Dogwood Park on September fourth. Their theme for the evening was “Music in the Movies”, and they played a variety of movie pieces, including music from Star Wars and The Dark Knight Rises. I have always loved the orchestra because I have always loved music, but combining music and movies together made me love this event in particular even more. Our orchestra here at Tennessee Tech is so beautiful and refined that it blew me away. I have never really played an instrument with a group, but I have actually sung in multiple choir groups over the years, and I know how much time and dedication goes
After its’ splendid performance at the Royal Albert Hall in London two years ago, Danny Elfman’s Music from the Films of Tim Burton will finally land on stage of the Lincoln Center in New York. The New York Philharmonic Orchestra will be presenting some of the most “darkly sonorous” musical melodies by Danny Elfman and
On Friday, July 10th, I chose virtually to attend an online YouTube Symphony Orchestra Concert-2011. Many beautiful pieces were performed by a magnificent orchestra that included more than sixty participants and consisted of instruments such as: flutes, oboes, horn, clarinets, bassoons, trumpets, percussions and strings. Concert’s selections varied in length, temperament, mood and dynamics. Orchestra Symphony gave an overpowering, extraordinary presentation and delivery.
The performance that I attended was of the Ottawa Symphony Orchestra playing the Overture to The creatures of Prometheus, by Beethoven, the Concerto for Orchestra by Kodaly, and Harold in Italy, by Berlioz. The orchestra was conducted by David Currie, and I think that they played very well overall.
The La Jolla Symphony concert was held on a warm Saturday night, May 5th, and it was definitely a memorable experience, since it was the first symphony concert that I have ever attended in my life. The whole atmosphere was very engaging and the music itself was very different in an insightful way. Over the course of the concert, five pieces were played as Sameer Patel conducted. Each piece was incredibly unique in their own way and did associate themselves together and also to many of the concepts we have learned in class. The concert overall was astonishing that I enjoyed every second of it and will now attend as many more symphonies as I can.
On Sunday, June 7th, my friend Janie and I were at the Foothill College Music Center at 3:00 pm, getting ready for our final symphony concert. She was playing the piano for the Intro Winds, while I was playing the flute for Wind Ensemble II. Janie was a thin, petite, Chinese girl of only a 5’2” stature and of a mere 108 pounds who was dressed in all black - a black top, black slacks, and black flats. Her eyes were shaped like little crescents and she had a short nose. Her teeth were slightly crooked on one side, but looked fine on the other, with her big buck teeth taking up most of the space in her mouth.
At the Salzburg Festival in 2005, Valery Gergiev conducted the Vienna Philharmonic Orchestra in its performance of Nikolai Rimsky-Korsakov‘s Scheherazade, Op. 35 (Classical Music db 1). He is a highly achieved, accomplished and revered conductor and is considered to have “attained a level of worldly power perhaps unmatched by any living classical musician” (qtd. by Alex Ross 1). All the wile, this orchestra is considered to be one of the premium orchestras in the World (Moderato 1). Between the two, a performance is created that instantly catches one’s attention with its gentle opening by trumpets, followed by a cello solo, and then the flutes follow with their soft, fluttering sound that makes the listener gently sway with the music. Images of a soft ocean breeze come to mind and its audience is mesmerized.
Have you ever expected an unfavorable outcome from an experience, yet were shocked with the best? Nashville, Tennessee is the city where I was able to realize that I have the potential to do great things with my life. It was the middle of June at the 2016 HOSA International Leadership Conference, and I was sixteen years old. At this time, I had been dealing with anxiety and depression for so long that I never thought I would be able to make an accomplishment that meant something to others and myself. This trip helped me realize that I am capable of more than I think.
The first piece was Bach-Siloti Prelude in B Minor, BWV 855a. This is a very slow and somber piece. This is the oldest piece written and is very different as it is the slowest most repetitive. Most of the piece was in a piano with occasional fluctuations in dynamic. The piece overall was rather simple without too many chords or complex notes. This allows the audience to hear the melody without too much distraction. The second piece was Beethoven Sonata No. 30 in E Major, op. 109 This piece is much faster and more exciting as the contrast from slow and peaceful to intense and loud with many chords. This piece didn’t repeat nearly as much as the first but still had very repetitive sections. The tempo would change
The Albuquerque Youth Symphony Program holds a concerto competition in May every year. Only high school juniors in the top orchestra within the program (there are 3 groups varying in ability level) are allowed to participate. Two winners are selected who get to play their concerto’s with full accompaniment from the symphony. People who participate in the competition start preparing music a year in advance because it’s so competitive. I got into the program as a freshman and the challenge of orchestra music prompted me to start taking violin more seriously. As soon as I learned about the concerto competition I wanted nothing more than to win that competition. From freshman till junior year It was my dream to win that competition. The summer
For the second and final concert report, I listened to the performance of Beethoven’s 9th symphony, as played by the Chicago Symphony Orchestra. Beethoven lived in Germany during the late 16th and early 17th centuries, and was an influential figure in the transition between the Classical and Romantic eras in western music. The performance requires a large number of instruments, with woodwinds, brass, percussion, strings, and even a choir during the 4th movement.
I have never been personally a fan of the romantic orchestra music but going to listen to a concert live is breathtaking. I attended the Fayetteville Symphony Orchestra, Masterpieces concert with music director Fouad Fakhouri performing Igor Stravinsky’s Symphony of Psalms and Gustav Mahler’s Symphony No.1 in D major. There was a full stage of musicians and a complete choir to back it up.
The first concert I attended was performed by the Dallas Symphony Orchestra. The orchestra had performed Shostakovich’s “Symphony NO. 7, Leningrad” from the Romantic era. The orchestra was a large ensemble (1) containing various instruments that contributed to the overall sound of the piece. Since the orchestra was a large ensemble, just like the instrumentation common in the Romantic era, the orchestra was able to perform in a lively, vigorous manner, probably vivace (2). The orchestra performed tutti