Pastoralism In Country Music

Southern music known today as country music became popular in the 1920’s. This was music that was based on folk music of cowboys in the southeast (Collins English Dictionary, 2003). In most of the early music the artist played stringed instruments like fiddles, guitars, banjos and some were even playing harmonicas. When this type of music started some people called it

Many music histories recount Peer’s disgust and disregard for the country and hillbilly musicians he produced, published, and managed in the 1920s and 1930s. Specifically, with regard to Peer’s description of the first country music recording by Fiddlin’ John Carson as nothing short of “pluperfect awful.” Again, in American Popular Music: From Minstrelsy to MP3, authors Starr and Waterman claim, “Peer apparently had no inkling of the commercial potential of Carson’s fiddle playing and singing on songs such as ‘The Little Old Log Cabin in the Lane’ and ‘The Old Hen Cackled and The Rooster’s Going to Crow,’ which Peer later described as ‘pluperfect awful.’” Again, the Starr and Waterman text lacks a citation as to the source of this quote or event. Perhaps, it is because they viewed this as an accepted and commonly held fact since it can be found in dozens of other works and in the interpretive signage at the Birthplace of Country Music Museum in Bristol. Barry Mazor in his 2015 Peer biography sought for the lineage and veracity of this long held

Country music is a genre that some might absolutely love and some might absolutely hate. It is a style of music that developed in the southern and western U.S. and often contains lyrics relating to the lives of people who live in the country. While there are a lot of different types of country music, a very popular country artist of this time is Eric Church. Church brings a bit of a twist to country music, with really telling us how he feels. Talking about one of his songs in particular, “homeboy” about a lost young man needing to “come on home, boy.”

What do you think of when you think of an old country song? Is it singing about plowing the fields, find a young lassie to dance with in the bar, getting drunk with the boys and so on. If That Ain’t Country by David Allan Coe tries to shine a new light on what country is and that is white-trash hicks, which he suggests are forgotten people in the world. We listen to this song and will giggle at some of the lyrics or are startled by how some parts are pretty racist, but it has a very true side of it that shows that country folk aren’t all classy, church going folk.

Country music is one of the most popular genres of music throughout America. There are many influential figures that have changed the way country music sounds, and how people interpret it. Two important people who have made a huge impact on country music overtime are Johnny Cash and Luke Bryan. From their early life, their career, and how society views them, they have opened the minds of people and country musicians all over the country. Johnny Cash’s songs help people to experience his life growing up through the Great Depression and how people lived back then. Through Luke Bryan’s songs people could understand what life was like for Luke growing up in Georgia and all the hardships he faced. Johnny Cash and Luke Bryan are two of the many

The prevailing ideologies that define masculinity within country music, and with even greater prominence in the “bro-country” subgenre, remains engrained within the concept of being an outdoorsman. Luke Bryan’s “Huntin’, Fishin’, Lovin’, Everyday,” acts as a laid back anthem to said country-man, whose song’s lyrical substance indicates that a true country boy yearns for a life within the rural setting. Luke describes “the prayer that a country boy makes” as one

Since its inception, country music has proven to be? as a powerful outlet to express the view of the contemporary culture. As a result, the lyrical value of such songs provides listeners an insight to the changing climate of social and political ideologies. During the 60’s defined gender roles dominated social lifestyle and was were? mimicked in music. In recent years, a resurgence of idealistic, stereotypical gender-specific roles have cropped up in country songs, creating a subgenre labelled “bro-country.” Jody Rosen of the New York Times first coined the term “bro-country” in order to describe songs that use lyrical tools idealizing dominant, hegemonic gender roles present in culture. Songs such as Tim McGraw’s “How I’ll Always Be,” Luke Bryan’s “Huntin’, Fishin’, Lovin’, Every Day,” Sam Hunt’s “Make you Miss Me,” and Dierks Bently’s “Different for Girls” use the lyrical discourse, under the lens of “bro-country”, to highlight dominant, male gender-specific roles, while simultaneously reinforcing prominent, often negative, views of women.

The folk genre has origins all the way back to the 19th century, which in many ways is mirrored by many popular genres in modern musical genres. To make it easy folk music is merely, “ballads and songs which are composed and conveyed vocally, without being written.”(Mclean 12) Though what we distinguish ‘folk’ today as stylistically very different to what ‘folk’ was during the 19th century, at its basic form, it still holds the same standards and concepts, describing the simpler times. Through vigorous research, it’s hard to overlook the past and expansion of folk music originating from the south, and how it could help understand the significance for observing and expanding the dynamics of southern race relationships. Equally, race

always been what we recognize it as today. Country music began in the 1920’s in a town in Tennessee called Bristol and was recognized for its hillbilly and folk format. Country music artists like Johnny Cash, Carl Perkins, and Jerry Lee Lewis are each responsible for creating this music format that was written mostly about everyday life. Today country music is recognized as a more modern contemporary version of music. Today’s country artists have started to change their sound in order to appeal to the mainstream audience in order to make more money. Miranda Lambert said “there’s been a shift: country music is popular now. Every other genre wants to come over to our land.”

With the new additions to artists in the country music industry, everyone tried to put their own spin on things to make them stand out. When the first country music artists began their styles were ballads and Yodeling. Slowly styles changed to a more classical twist, where artists used guitars and pianos in their recordings. Now-a-days artists have turned to a pop country kind of style. They are able to use computers to produce specials sounds that aren’t usually produced by musical instruments.

American country musicians have always kept a strong backbone with country and their faith. So many country music songs have told the truth in God's word and fans have found grace in the ballads and gospel sand by some of His greatest problem children and strongest believers.

Pulling a horse trailer, not too many people can do that in New York. Country people have an advantage which is not backing down from anything, and this is what the old country music use to be about. Lane Frost inspired most country musicians in the 90’s. That’s why there used to be so many songs written about bull riding and rodeos. The old stuff use to talk about hard working people, and just real up beat towards work, and nowadays nobody wants to even hear the word work. That’s why all the country music today is about drinking and partying. The newer artist are just trying to draw people into living the way they live. They drink on stage and go to bars in the town after a show. Most people don’t believe that’s what country music is

Country music originated in the 1920s in Tennessee. The genre was influenced by folk music from the Appalachian Mountains and revolved around themes of love, faith,

Country music as a whole has developed from hillbilly boogie, to honky tonk, to what we commonly hear on the radio today as Nashville sound, or country pop. The honky tonk

Growing up in the Holler of Gumfork at the food of Anderson Mountain in the Appalachians of Tennessee, Arthur Drayton Anderson, born September 13, 1948, did not have all of the luxuries other family may have had at the time. It was a forty-five minutes spell to the nearest sign of civilization, and coming out of the Great Depression, Arthur’s family was more concerned about putting food on the table than any form of entertainment. Suppertime was the most important time of the day for the Anderson family—no one would dare miss it, which is why Arthur stuck out so much to his family when he discovered his love of bluegrass music.