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Essay about Paradoxical Role of Women in the Great Gatsby

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The women in The Great Gatsby appear to be free-spirited, scorning norms of what the nineteenth century would have considered proper female behavior; this essay investigates just how independent they really are. Women play a paradoxical role in Fitzgerald’s The Great Gatsby, a novel dominated by the eponymous hero and the enigmatic narrator, Nick Carraway. With the background of Gatsby’s continual and lavish parties, women seem to have been transformed into “flappers,” supposedly the incarnation of independence following World War I. After all, Daisy Fay, obviously modeled on Fitzgerald’s free-spirited wife, Zelda Sayre, is hardly portrayed as the proper southern belle. Her friend, Jordan Baker, seems openly sarcastic when speaking of …show more content…

Thus, according to the most common definitions of flat versus round characters in literature, none of the women can be considered “round” or multidimensional characters. Each functions—at least for a time—as the cynosure of Gatsby, Nick and Tom Buchanan. Perhaps the ultimately pathetic condition of women is most accurately conveyed in a conversation between Nick and Daisy in which Daisy discusses the birth of her daughter: “Well, she was less than an hour old and Tom was God knows where. I woke up out of the ether with an utterly abandoned feeling, and asked the nurse right away if it was a boy or a girl. She told me it was a girl, and so I turned my head away and wept. ‘All right,’ I said, ‘I’m glad it’s a girl. And I hope she’ll be a fool—that’s the best thing a girl can be in this world, a beautiful little fool.’” (16-17; ch. 1) Beyond the glittering, upper class world of East Egg, inhabited by Daisy and Tom Buchanan and Jordan Baker, is the squalid area Fitzgerald refers to as the “Valley of Ashes,” where George and Myrtle Wilson live. Myrtle, obviously bent on escaping this Waste Land where George ekes out a living as a mechanic, has become Tom’s mistress. Fitzgerald portrays her unflatteringly as crass, tasteless, overweight, and ostentatious. At a drunken party in New York City when Myrtle oversteps one of Tom’s dubious moral lines by mentioning Daisy, he hits his

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