1. IL POSTINO
Beatrice "Bice" di Folco Portinari (1266–1290) was a Florentine woman who has been commonly identified as the principal inspiration for Dante Alighieri’s Vita Nuova (New Life) in which Dante expresses the medieval idea of courtly love (see next paragraph for details on this). In Vita Nuova, Dante tries to write love poetry that was less centered on the self and more aimed at love as such: he intended to elevate courtly love poetry, many of its tropes and its language, into sacred love poetry. Beatrice for Dante was the embodiment of this kind of love—transparent to the Absolute, inspiring the integration of desire aroused by beauty with the longing of the soul for divine splendor.
In the traditional courtly love dynamic,
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PAN’S LABYRINTH
ESSAY QUESTION: Research the "fairy tale" genre, in general, then discuss the way in which director Guillermo Del Toro has created an adult fairy tale in which the innocence of fantasy collides with the real horrors of war. Provide and discuss at least three specific examples/scenes from the film to support your argument.
Pan’s Labyrinth, a Mexican film, directed by Guillermo del Toro in 2006, created an adult fairy tale in which innocence and fantasy collided with the real horror of war. Greenhill & Matrix communicate that, “Fairytales are fictional narratives that combine human and non-human protagonists with elements of wonder and the supernatural. They come in traditional (usually collected from oral tellers) or literary (formally composed and written) forms (15).” Del Toro created an adult fairy tale. Ofelia (Ivana Baquero) journeys between fantasy and reality. Ophelia’s character is subjective to the cruel realities of war while being forced to live with captain Vidal (Sergio Lopez). In the alternative reality, Ophelia is on a hopeful journey which will end in a joyful reunion. When Ofelia meets the satyr creature Pan (Doug Jones) there is joy at the thought of being a princess from an alternate reality. When Ophelia completes task one (capturing to key from the toad) she is successful and there is hope. With the completions of the final task, there is peace when she is accepted into her kingdom. This is a juxtaposition to the harsh realities of the real world that is being ravaged by war and pain. The startling images of Captain Vidal killing an innocent hunter collides with the fantasy Ophelia experiences while in the alternative world. Rebels being brutally tortured displays images filed with fear and anger. Savage explosions and gun fire that end in mass casualties. Ophelia is an innocent child who can escape into fantasy and gain respite from the brutality of the
“Pan’s Labyrinth” was a fairytale that took place during the Spanish Civil war. This movie was a good example of a fairytale for many different reasons. One reason why “Pan’s Labyrinth” is a good example of a fairy tale is because of the use of the fairytale characters: faun, fairy, and evil human eating monster. In a fairytale is usually has unexpected monsters or creatures and this movie has a bunch of mythical creatures. Another example of how “Pan’s Labyrinth” is a good example of a fairytale is because of the way the story goes. In this film is has an evil leader and his army with his beliefs, and it also has the side against him from accomplishing his evil plans. The last reason why this is a good example of fairy tale is because of
Because of how highly regarded Beatrice was in Dante’s mind, this influenced his opinions of all other women. Beatrice is a woman residing in Heaven who Dante fell in love with when he was younger. She is the perfection of womanhood and helps Dante by asking an angel to tell Virgil to help guide Dante through the circles of Hell. She speaks nothing of his physical structure, instead she shows genuine compassion for him. When Virgil tells Dante the story of how he found him, he spoke of how Beatrice wept for Dante when telling
Obedience is a recurrent theme in El Laberinto del Fauno, discuss at least two examples and what they represent.
Panttaja is largely influenced by the mother's role in the story. In most modern stories, the mother acts absent throughout the tale despite playing a central role in the marriage of her only daughter (286). She cites evidence from the Grimm's version of the fairytale to state that the specific obstacle Cinderella has to overcome is actually the death of her mother. The author largely influences her audience about the mothers prominence by reminding of the twig given to her, the birds
Fairy tales are timeless entities that will always be relevant in people’s lives. Fairy tales and stories offer entertainment, advice, and moral examples. The creation of fairy tales is important in the development of social norms. Children everywhere would read fairy tales and learn from them. As a result, these fairy tales are translated into multiple languages and allows people with different backgrounds to understand and relate to the story. People take these stories and adapt them to life around them. Within these adaptations of the same story, it is normal to observe slight differences that contribute as evidence in identifying the culture or societies in which these stories come from. Whether it is the slang of the dialogue or the change of location, modern producers and writers are known to take these classic stories and adding a significant twist to adjust to their cultural agenda. The movie, The Princess and the Frog, is a modern example of writers and directors creating a modern twist to the popular story of the Brother Grimm’s The Frog King. The Princess and the Frog and The Frog King both encode the mores, values, and beliefs of the cultures of the societies from which they come because, even though they both have similar plot ideas, the differences of the location and the differences of the overall specific plotlines attribute to understanding how their own specific cultures influence the adaptation and the actual story.
The director Guillero Del Torro uses many motifs and parallels in his film Pan's Labyrinth. The most obvious parallel in the film is the parallel between the real world and the fantasy world of the character Ofelia. Both worlds are filled with danger. At any second in both of these worlds your life could be lost. Del Torro separates the real world from the fantasy world with many visual motifs.
Pan’s Labyrinth, originally titled El laberinto del fauno, was published in 2006 by the Spanish director Guillermo del Toro. The story is set in the year 1944, in the country-side of a post-Civil War Spain. A young and imaginative girl named Ofelia, played by Ivana Baquero, travels with her pregnant mother, Carmen Vidal, who is very ill; in order to meet and live with her stepfather, a cruel and sadistic man named Capitan Vidal (Sergi Lopez). During the first night of their stay, Ofelia meets a fairy that leads her to a pit in the center of a labyrinth where they soon meet a faun (Doug Jones). The faun tells Ofelia that she is a princess from a faerie kingdom
Award-winning filmmaker Guillermo Del Toro delivers a unique, richly imagined epic with Pan’s Labyrinth released in 2006, a gothic fairy tale set against the postwar repression of Franco's Spain. Del Toro's sixth and most ambitious film, Pan’s Labyrinth harnesses the formal characteristics of classic folklore to a 20th Century period. Del Toro portrays a child as the key character, to communicate that children minds are not cemented. Children avoid reality through the subconscious imagination which is untainted by a grown-up person, so through a point of an innocent child more is captured. The film showcases what the imagination can do as a means of escape to comfort the physical trials one goes through in
When you see Pan’s Labyrinth starring Ivana Baquero as Ofelia and Sergi Lopez as Captain Vidal, prepare to take your emotions for a ride. As the movie is a fantasy/drama film set in Spain of 1944, during the civil war. Yet, it still captivates its audiences with its selection of an unconventional fairytale. While, keeping some of the same elements such as a princess and fairies of a traditional fairytale. Not to mention the sudden dark twists and turns of a ruthless stepfather, heartbreaking losses, and the horrifying unseemly creatures which the legendary lost princess Ofelia must prevail. While, taking on an expedition to completing three dangerous tasks.
Cinderella’s story is undoubtedly the most popular fairy tale all over the world. Her fairy tale is one of the best read and emotion filled story that we all enjoyed as young and adults. In Elizabeth Pantajja’s analysis, Cinderella’s story still continues to evoke emotions but not as a love story but a contradiction of what we some of us believe. Pantajja chose Cinderella’s story to enlighten the readers that being good and piety are not the reason for Cinderella’s envious fairy tale. The author’s criticism and forthright analysis through her use of pathos, ethos, and logos made the readers doubt Cinderella’s character and question the real reason behind her marrying the prince. Pantajja claims that
Guillermo Del Toro’s Pan’s Labyrinth tells the story of Ofelia who experiences magical encounters in this fantasy. One night, a fairy leads her into a hidden labyrinth where she meets a faun who tells her that she is a lost princess. He assigns her three dangerous tasks to prove herself and to claim immortality alongside her father. Meanwhile, her step-father, the captain of a merciless, violent army in fascist Spain attempts to stop a guerrilla uprising. Ofelia struggles to meet the demands of the faun before time runs out. Through this quest, she interacts with creatures and challenges that create a monstrous environment.
Megan Jean Spanish 275 2-17-2015 Pan's Labyrinth, is a 2007 Spanish-Mexican film originally known in as El laberinto del fauno, referring to the fauns of Roman mythology. This unique dark and mythical fantasy film was written and directed by Mexican native Guillermo del Toro (Pan’s Labyrinth, Movli). Del Toro displays a love of darkness and stylized color, and a preference for letting the images carry the film's narrative. As According the American Academy of Cinematographers this is not an uncommon approach of Del Toro’s; his fingerprint of darkness and stylized colors is displayed in many of his productions including Hellboy and The Devil’s Backbone.
Pan’s Labyrinth is one of the most amazing fantasy films. It combines the wonderful fairy tales’ and the cruel fascist history, challenging the audiences’ understanding. Faun and fairies, while the uniform of fascist franco and inhumane behaviour. The existence of these two worlds at the same time is the most fantastic element in this film. An eleven-year-old girl is controlled under the rules from both of her “dream” world and the factual world. However, she does not flinch for the power of fascism and the journey of chasing for her princess, her wisdom and bravery support her to achieve the destination of her life. Although there aren’t any well-known film stars took place in the film, the interesting and wonderful story line is already attractive
For The Divine Comedy, women act as both the initial force of inspiration and the final goal of the epic adventure — seen in Dante’s celebration of both Beatrice and the Virgin Mary (Paolucci, 140). The book opens with Dante pilgrim in a state of confusion, only to be instructed on the right path by Beatrice Portinari, Dante Alighieri’s love interest who has now come to life in The Inferno to act as motivator for his journey. It can
Setting is one of the vital elements of fiction. A work can only be fully approached if it is first based on its setting, which guides the development of the work. For “Pan’s labyrinth”, an outstanding cinema work rich in symbols, details and meaning, it is even more essential for us to take the underlying context into serious consideration