Orson Scott Card's 'The Road Not Taken'

Cormac McCarthy's the Road is a post-apocalyptic book with odd writing style that has no commas quotations or even chapters. The way he writes is in a a way of a story being told in sections. He also has a very advance, dark, and detailed type of vocabulary being told. He will also go to a dream section or flash back section without any notification that it will happen. What

plays a part in the type of motives characters possess, but also how they carry them to their

In each novel of his personal literary journey, Cormac McCarthy examines death and God in different ways. Edwin T. Arnold, who wrote his essay “Blood and Grace: The Fiction of Cormac McCarthy” before The Road, examines how “McCarthy’s protagonists are most often those who, in their travels, are bereft of the voice of God and yet yearn to hear him speak” (14). In Cormac McCarthy’s The Road, the father explicitly describes his son as god; however, by juxtaposing the father and the son and examining their divine resemblances, it is not the boy but the man who embodies God, supporting Ely’s claim that this post-apocalyptic world is too harsh for God to exist.

Cormac McCarthy made a name for himself writing about the utter irrationality of existence, and the meaning (or meaninglessness) of life within his novels. He does this in his novel, The Road. Set in a post-apocalyptic world, The Road tells the story of a father and son and their journey throughout their life on a barren road with no life around them. They are faced with the question of, "What really matters?" Throughout this story, they are faced with many hardships that seem to have no end in sight.

In The Road Cormac McCarthy displays how the development of a relationship can adapt subsequent to catastrophe. The Road, awarded the Pulitzer Prize in 2007 and later cinematized, is commonly identified as a notice directed to those in parenthood. McCarthy advertises that the genuine ‘end of the world’ does not signify to give up and lose hope, especially when it comes to family. McCarthy in fact states the opposite, that the ‘end of the world’ provides a grander purpose to preserver, which to many might seem paradoxical. Based off substantial context in McCarthy’s The Road, the relationship between the boy and his father strengthens its integral composition through tragedy and the will to live.

No one thinks that our world could end in the matter of days. A meteor could hit the earth causing a post apocalyptic outbreak to occur just like it did in the novel of “The Road” by Cormac Mccarthy. Some would have to grow up in the new world not knowing how the old world was like and face it head on. In this novel a man and his son give each other hope by traveling south everyday trying to get to warm weather by following the road. Even in an Apocalyptic world humanity in the boy and man raises and prevails upon everything else.

“The Road Not Taken” is a poem about how it is important to make a choice in life. In the beginning of the poem, the man is hating that he had to be stuck with the road he chose instead of being able to take both paths. The man tried to look farther down the paths that he could’ve chosen to go down, but the man was only able to see to the point that the road curved and was no longer visible. Stanza # 2, the man indicated that he took the road he felt looked better and could’ve been better because

The existence of poetry as an artform predates literacy itself. Over the course of history, poetry grew from a verbal form of art, existing mainly in religious hymns, to becoming the universal “language of the heart”. The work of William Shakespeare and Edgar Allen Poe, some of the most notable poets of history, has resonated with generations of Americans. Although they lived in a Pre-industrial world, their work remains powerful because the themes expressed in their artwork can still be applied to modern society. On the contrary, protruding among this group of ancient poets is Robert Frost, whose modern work remains just as powerful, shaping generations through his questions of existence, and depiction of loneliness in an indifferent universe. One of Frost's most celebrated poems: The Road Not Taken, is influential not only in the literary world, but also within American culture. The poems subsequent ripple through American life is analyzed by David Orr In his essay The Most Misread Poem in America. Here, Orr argues that the misread of The Road Not Taken magnifies the underlying issues in society’s understanding of both Frost and poetry as a whole.

In the 21st century people seem to have become more fixated on how the world is going to end than actually living in it. This is evident in the numerous post-apocalyptic dystopian bestsellers there have been recently. One of the most prominent of those is Cormac McCarthy’s The Road. Separating it from the flood of numerous other books in its genre McCarthy and The Road challenges existing motifs of post-apocalyptic literature. The Road uses these themes to focus on the central idea of good vs evil.

Robert Frost was born March 26, 1874 at San Francisco, California and died January 29, 1963 at Boston, Massachusetts. Frost was an educator and poet. He is widely known for his poetry; some of Frost’s famous work includes The Road Not Taken, Stopping By Woods On A Snowy Evening, Mending Wall, and Out, Out─. Out, Out─ tells a story of a young boy cutting wood to help provide for his family. He then acquires an injury on his hand by the saw. The boy ends up dying due to the severity of his wound. His family returns to their duties. This poem uses many elements to emphasize death. Robert Frost uses the poetic elements of imagery, figures of speech, and symbolism to illustrate the theme of death in the poem Out, Out─.

Instead, the speaker in “The Road Not Taken” tries to convince himself that he is in control of his life by repeating the idea that he took the road less traveled in the

Edgar Allan Poe and Robert Frost influenced my thorough love of different styles of literature, particularly poetry. To the masses, Edgar Allan Poe and Robert Frost only share job titles, but the two poets share many similarities within their writing. Personally, I read pieces from both authors over the course of my schooling experience. I admired Robert Frost’s poem, “The Road Not Taken” from a young age, and that particular stole my heart since the first read. “The Raven,” became one of my favorite poems further down my schooling career, with its clear ominous tone that symbolizes much of Poe’s writing. Frost’s and Poe’s works may not seem similar, aside from the section in which their books reside within a library, but their work resembles each other’s quite well. Frost’s writing serves as a better introduction to poetry due to his easily relatable themes, his background connects to everyday audiences, and his use of modern language.

In Robert Frost’s “The Road Not Taken”, Frost shows the everyday human struggle to make a choice that could change the course of one’s life. In his poem, a person has the choice to take one road or the other. One road is worn out from many people taking it, and the other is barely touched, for fewer have taken that road. Throughout the poem, the speaker learns that just because so many other people have done one thing, or walked one way, does not mean everyone has to. Sometimes you just have to go your own way.

Robert Frost's poem “The Road Not Taken” describes a traveler facing a choice, he can either choose the road not taken, or he can choose the road most traveled by. He does not know where either road might lead, but in order to continue with his journey, he can pick only one road. He analyses both roads for the possibilities of where each may take him in his journey. Frost's traveler realizes that regret is inevitable. Regardless of his choice, he knows that he will miss the experiences he might have encountered on the road not taken. Frost, uses literary elements, such as Denotation and Connotation, Symbolism, alliteration, consonance, and assonance in order to convey massage.

The great poet Robert Frost was asked if the poem, The Road Not Taken, was about an experience in the poet 's life: He answered that a poem is never about an experience, it is an experience. If you succeed in determining exactly what Dylan meant in “Mr. Tambourine Man,” you will have succeeded in destroying it. This is the song that marks the change where Dylan moves on from the public world of overt political protest songs to a focus on the individual consciousness, which I’d like to argue is another more subtle form of protest. “Mr. Tambourine Man” is rich with expressions of emotion. With a new personal approach to songwriting, Dylan takes feelings that he was perhaps dealing with at the time, absorbs them, and artfully crafts them into mysterious lyrics that are simply enamoring. The song has a bright, expansive melody accompanied by Dylan’s jaunty vocals that is beautifully mesmerizing. The song is about the feeling of being trapped in a miserable existence and the desperate yearning for freedom from an individual’s own personal hell. It is about the universal need to escape one’s troubles, no matter what the means are, as long as it allows you to forget, deal, and hopefully transcend. It has become famous in particular for its surrealistic imagery, influenced by artists as diverse as French poet Arthur Rimbaud and Italian filmmaker Federico Fellini. The lyrics call on the title character to play a song and the narrator will follow. Interpretations of the