Ophelia's Mental Illness: A Character Analysis

Great authors can develop the same idea in different ways. Shakespeare introduces the characters of Hamlet and Ophelia to mental illness throughout “Hamlet”. Hamlet a, Depressed and Monomaniacal Psychopath, runs off of the vengeance of his father to kill his uncle, King Claudius. Ophelia A victim of, hysteria and depression, cannot function without the support of her father and lover without this support she can loses the will to live. Shakespeare uses metaphors, gender, tone, and word choice to develop the progression of mental illness in his characters throughout “Hamlet”.

Have you ever heard of the song “What is Love?” by Haddaway? The one that’s then followed by the line “Baby don’t hurt me! Don’t hurt me!” Well, in the movie Reviving Ophelia, Elizabeth has just gotten into her first “serious” relationship. The way she describes her new relationship with a boy from school, Mark, is as if she was discovering for the first time in her life what it means to truly have love. However, this quickly turned for her an illusion of an amazing relationship into one of an abusive relationship.

Joan Montgomery Byles’s view of Ophelia’s behavior in “Ophelia’s Desperation” and Sandra K. Fischer’s view of Ophelia’s behavior in “Ophelia’s Mad Speeches” contradict each other and present opposing explanations. Byles’s view is that Ophelia is defined by the male roles in her life (i.e. her father, brother, and lover). Fischer’s view is that Ophelia is simply grieving the loss of her father and fails to break the hold of the men in her life. These two analyses present opposing explanations because one author is saying that Ophelia simply cracked because she has lost her father and she just could not handle it and the other is stating that Ophelia went mad and committed suicide because she was tired of

The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.

Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.

In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.

In William Shakespeare’s Hamlet, Ophelia is the most static character in the play. Instead of changing through the course of the play, she remains suffering in the misfortunes perpetrated upon her. She falls into insanity and dies a tragic death. Ophelia has issues surviving without a male influence, and her downfall is when all the men in her life abandon her. Hamlet’s Ophelia, is a tragic, insane character that cannot exist on her own.

The character of Ophelia is an excellent element of drama used to develop interpretations of Shakespeare’s text. At the beginning of the play, she is happy and in love with Hamlet, who first notices her beauty and then falls in love with her. The development of Ophelia’s madness and the many factors that contributed to her suicide are significant parts of the plot. “Her madness was attributed to the extremity of her emotions, which in such a frail person led to melancholy and eventual breakdown” (Teker, par. 3). The character of Ophelia in Zieffirelli’s version is the personification of a young innocent girl. “Her innocence is mixed with intelligence, keen perception, and erotic awareness” (Teker, par. 13). This Ophelia is a victim

Ophelia is shortly affected by the protagonist’s mad conduct. And immediately she goes to her father, Polonius, to explain how she is “so affrighted” as a result of Hamlet’s visit:

of a terrible waste of young life. As a result of the way in which

   Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.

Making use of her dutiful and obedient personality, Hamlet victimizes Ophelia and her lack of resistance to his treatment is paralleled in her surrender to the water and subsequent drowning. In a fit of rage, Hamlet angrily denounces Ophelia and claims to have fallen out of love with her:

Allowing herself to continually feel her grief without support and guidance causes Ophelia to lose her mind. King Claudius says of her, “O, this is the poison of deep grief: it springs/ All from her father’s death…; Poor Ophelia/ Divided from herself and her fair judgement,/ Without the which we are pictures”(4.5.74-75,83-83) Without her father and his ability to reason and tell her what to do, Ophelia loses the little control she has over herself. Previously, she could rely on Polonius to speak for her, but her only support is gone, and her coping strategy is ineffective and detrimental. By being separated from “herself and her fair judgement”, Ophelia is no longer herself, and the girl who she used to be has been destroyed.

Overwhelmed by outside forces and her repressed love for Hamlet, Ophelia is truly a sad and remorseful character in this play, an innocent victim with little essence or depth. An evident victimized woman, ruled by her Renaissance sense of romantic love, it can further be argued that Ophelia was extremely ambiguous. She was too incompetent to decide what she really desired in life. Because she falls in love with Hamlet at a very young age she cannot truly comprehend what love is all about, even though there is strong evidence that Ophelia had sexual relations with Hamlet. Hamlet emphasizes the hypocrisy of his words

Midway through Hamlet, Ophelia is well under the control of Polonius and Hamlet. They are both manipulating and using her as a pawn as to get what they want and she has little to no say about it. Act 2, scene 1 serves as a turning point, as it is when Ophelia begins to realize the manipulation she faces at the hands of both her father and Hamlet, and that she can only truly gain her freedom when she herself descends into madness. Polonius’ manipulation, Hamlet’s control and Ophelia’s own thoughts and actions demonstrate her descent, and the aftermath.