Following Ophelia death in act 4 scene 7, Act 5 scene 1 talks about the events that follow the burial of Ophelia death. This scene takes one into a path of deep thinking whether someone who commits suicide should be given a proper burial and how death is inevitable, it does not matter whether you are rich or a peasant; everyone ends up returning to dust. Death favours nobody but how we die is what makes the difference. Ophelia having a Christian burial is something that challenges the gravediggers. This is because in Christianity, at any one occasion when a person committed suicide, the person was denied a proper burial for the fact that they were taking a short cut to death and they never valued their own life thus rendering it useless to give honour their death. As the first clown said, “ He that is not guilty of his own death shortens not his own life” (321).Therefore, the first clown was shocked that Ophelia was going to be given …show more content…
In that case, all the depressing events that happened to Ophelia drove her to commit suicide because it was the only option left she saw to have an opportunity to have peace. Under those circumstances that Ophelia went through, it was the right decision for Ophelia to be given Christian burial because her only purpose to commit that atrocity to herself was to end the pain. However, Ophelia was not in the right mind to think that pain is a temporary problem and suicide was a permanent solution to her problem; and there was still hope since her brother Laertes was still alive but unavailable at the moment she needed him the most and all she needed was to fight and wait for the opportunity to experience love from her
In "No Fear Shakespeare Hamlet" Ophelia is just a innocent victim that acts on what people tell her to do and don’t respond to what she want. Hamlet and Ophelia's love was real and not a lust but she let people manipulate her. When you love somebody they will do whatever it takes to protect and support there loved one and Ophelia played victim of loving Hamlet.
The dramatic importance of Ophelia’s funeral is that this is where Hamlet finally reveals his love for Ophelia. Hamlet says, “I loved Ophelia. Forty thousand brothers/Could not with all their quantity of love/Make up my sum. What wilt thou do for her?”(5.1.247-249). This is dramatic because, throughout the whole play, this was the only scene where he confesses that he loves Ophelia. In most of the play, he was mistreating and rude to Ophelia.
Allowing herself to continually feel her grief without support and guidance causes Ophelia to lose her mind. King Claudius says of her, “O, this is the poison of deep grief: it springs/ All from her father’s death…; Poor Ophelia/ Divided from herself and her fair judgement,/ Without the which we are pictures”(4.5.74-75,83-83) Without her father and his ability to reason and tell her what to do, Ophelia loses the little control she has over herself. Previously, she could rely on Polonius to speak for her, but her only support is gone, and her coping strategy is ineffective and detrimental. By being separated from “herself and her fair judgement”, Ophelia is no longer herself, and the girl who she used to be has been destroyed.
There are a variety of factors that can contribute to one’s demise. In the context of the play Hamlet by William Shakespeare many possibilities can be identified that pertain to Ophelia’s sudden death. Ophelia’s death was triggered by her mental breakdown due to the loss of her father. In the midst of her inner turmoil, her depression worsens as she learns that Hamlet, the man she loves departs to England. When she dies, Gertrude reports her death to Claudius and Laertes. Gertrude, The Queen of Denmark, is responsible for Ophelia’s death. By looking at Gertrude’s over protective relationship with Hamlet, her lack of initiative on the situations around her in a time of tragedy, as well as her vivid account of Ophelia’s death, evidence that
Even in death, she displays yielding and passive behavior: Ophelia does not have the intention of committing suicide, though she fails to save herself from sinking. She is essentially a casualty of a society that enforces unreasonable expectations for its women and is never afforded the liberty of thinking for herself and making her own judgments and decisions. Her passive death represents the lack of control she has over her own person and the dependence she has developed on other people. Therefore, Ophelia is mentally unstable and not capable of realizing that her life is on the line. Ophelia is trained by the men in her life to be compliant with their demands, preventing her from practicing her autonomy and enabling her to be easily manipulated by Hamlet.
Poor Ophelia, she lost her lover, her father, her mind, and, posthumously, her brother. Ophelia is the only truly innocent victim in Hamlet. This essay will examine Ophelia's downward spiral from a chaste maiden to nervous wreck.
Her death symbolizes her honor because people respected her and she ranked higher than most citizens because of her father’s status with the King. As a result, when she died she was buried in sacred ground regardless of her questionable death. The priest who buried her argued with her brother, Laertes, saying that, “Her death was doubtful, and, but that great command o'ersways the order, she should in ground unsanctified been lodged till the last trumpet,” (V.1.234-237). She may have committed suicide, so she should not receive a proper burial, but the King wanted her buried in church ground, so the priest was obligated to let her be buried there. Ophelia obtaining a burial in sacred ground shows her honor because she was respected enough to be forgiven for her potential suicide, so she was given the privilege of having a proper burial.
Not only is Ophelia's death marked much less significant than the other male deaths noted in the previously mentioned articles, but Ophelia’s death is articulated as a passive accident, one that happened to occur, to no avail. Every other death in the play is met with vigorous analysis and criticism, unphased by the death of Ophelia, inadvertently caused by men. Ophelia is also described as “mermaid-like” adding to the previously set notion that women are sexual objects- even at death. At this point of the play, Hamlet proclaims in a bipolar and seemingly fraudulent manner that he has always loved Ophelia (although he ordered her to “get thee to a nunnery” and was the root of her abrupt madness and suicide), while Laertes threatens that he loved Ophelia more. The attention and passion are still not recognized and respected with Ophelia even after her death but is used as a game between two men to satisfy their guilt and build their ego, competing for the love of Ophelia that was only disrespected when she was
Ophelia’s role in Hamlet is a very tragic one, because in all honesty, she was one of the most innocent characters of them all. She loved her father dearly, but he was taken away from her by complete accident. As Ophelia’s story progressed, her composure slowly started slipping away from her when she sang to Gertrude and Claudius about her father’s death and starts taking off her clothes (Act 4, scene v). When
However, it would be erroneous to assume that the nobility cannot discern that Ophelia’s death was suicide altogether. Gertrude’s admission that Ophelia appeared “As one incapable of her own distress/or like a native creature and indued/ Unto that element” (4.7.203-205) reveals her awareness of Ophelia’s despondency. Still, though,
2mention again that Ophelia is mourning her father's death. She sings about it, talks about it and even dies for it. She didn't care about anything else except her feelings she had towards this situation. She ended it all by committing suicide. Like the other girls in the play, when Ophelia was asked to do something she obeyed without question. She loved Hamlet a lot but couldn't bear the loss of her father , and in my opinion that makes her strong, she would give her own life just so she wouldn't have to live without her loved one.Similarities. The Queen and Ophelia wish for Hamlet to be happy and for him to go back to being himself again. Everyone around him feels as though he’s
Ophelia, ever since her introduction, has been introduced to be a sweet and sympathetic person, providing the play with emotional moments, but her death was used as a bait and switch by Shakespeare towards audience members who had expected her to change the play’s somber mood to more hopeful one, which in turn makes the play even more tragic. After she had been visited by an apparently crazed Hamlet, she tells Polonius about the visit, prompting him to believe that the young prince is crazy in love, and goes out to tell the king. After it was explained to Claudius, and Hamlet’s former friends Rosencrantz and Guildenstern failed to find the underlying cause of his madness, Polonius makes Ophelia approach Hamlet while he and the king hide and monitor his behavior.
Ophelia was known as a sweet, innocent, and more importantly obedient girl. Yet, being the obedient, daughter she was, she separated from Hamlet by orders of her father and helped him spy on Hamlet for the King. Being in love with Hamlet, this was a difficult thing for Ophelia to do, although, not until her father’s death does the reader really see Ophelia in a state of madness. When she talks to Gertrude she begins to sing, “He is dead and gone, lady, / He is dead and gone;/ At his head a grass-green turf, / At his heels a stone” (4.5.29-32). The way Ophelia acted seemed obviously uncharacteristic of her, and portrayed a mental breakdown that ultimately leads her to take her own life. This tragic event marked a turning point in the play due to the fact that she wasn’t murdered, but a casualty of the feud between Hamlet and Claudius. Both of them bared responsibility for the murder of her father, which lead to her decision to commit suicide. Additionally, losing the love of Hamlet may have caused her to feel alone and in such a dark place it made her feel suicide was the only option. In conclusion, Ophelia’s death was caused due to the backlash of Hamlet and Claudius feud and the responsibility for her death should be placed on both of
In this scene, Ophelia feels inner conflict because she is no longer sure that sleeping with Hamlet before marriage was the correct thing to do. Ophelia is having a lot of doubts about the decision that she has made, and this can be connected to her decision of whether to end her life or not. Eventually Ophelia decides that she can not live through the pain any further and drowns herself in a river. This is not the only instance in which Ophelia felt a large amount of inner conflict, another example is during Act I, Scene iii, when Laertes confronts Ophelia about her relationship with Hamlet: “Perhaps he loves you now… but you must fear, his greatness weigh’d, his will is not his own.” (I, iii, 25-28). At this point, Ophelia feels that her love towards Hamlet is reciprocated and she is not sure why Laertes is doubting her relationship so much. However, when Polonius joins the conversation and tells Ophelia to end the relationship, she responds with: “I do not know my Lord what I should think.” (I, III, 103). This shows how Ophelia is conflicted whether she should go with her own feelings, and keep seeing Hamlet, or to listen to her father as he should know what's best for her. Eventually, Ophelia decides that her feelings towards Hamlet do not matter, because Polonius wants her to end the relationship so she must do what he
As a result of spending her life under the protection of her father and his orders, due to her submissive nature, Ophelia remains naive and unaware of the deceit and bitterness surrounding her which renders her incapable of facing the harsh realities of life once her father dies and Hamlet leaves her. After the death of her father and with the absence of both Laertes and Hamlet from her life at the time, Ophelia is driven to madness and Gertrude explains it the King: “She speaks much of her father, says she hears there’s tricks i ' the ' world, and hems, and beats her heart, spurns enviously at straws, speaks things in doubt that carry but half sense.” Finally seeing the grim reality of her surroundings without her father to hide behind, Ophelia loses her sanity and eventually end her own life as she no longer knows how to lead an independent life. In conclusion, Ophelia is portrayed as a puppet on strings being pulled around by the males in her life, making all her decisions and controlling what she can and can’t do, and once all the men are gone, she no longer able to function on her own and she ends her life as a result.