Sandra Cisneros explores gender preference within her Mexican-American heritage with strong usage of imagery and the variation of her tone. First, the imagery found in “Only Daughter” helps portray the sacrifices Cisneros father made for his children. For instance, Cisneros writes how ecstatic their father was that his children would use their smarts instead of their hands like he once had to. Cisneros describes her father's hands saying, “Even now my father's hands are thick and yellow, stubbed by a history of hammer and nails and twine and coils and springs” (Cisneros 99). Cisneros use of imagery creates a vivid picture of how her father has worked extensively to make sure his seven children do not have to work as hard as he did to live in …show more content…
Smith-Yackel’s essay illustrates the grieving process while on a phone call with the Social Security Office to collect potential benefits from her mother's passing. While placed on hold, she reflects the life her mother had lived. During this period of reflection, this is when Smith-Yackel exemplifies the use of imagery within a narrative. She creates vivid images about the hardships her mother once faced. For instance, when her mother and father first got married, they began farming. Farming created a wide variety of new tasks, “She carried water nearly a quarter of a mile from the well to fill her wash boilers in order to do her laundry on a scrub board” (Smith-Yackel 115). Her mother had to not only become physically fit but mentally fit in order to take on the challenges their farm created. Her mother was relentless in making sure her children were well taken care of. In another section of the narrative, imagery is used once again to show the sacrifices her mother made. Smith-Yackel states, “In the winter, she sewed night after night, endlessly, begging cast-off clothing from relatives, ripping apart coats, dresses, blouses, and trousers to remake them to fit her four daughters son” (Smith-Yackel 116). On top of all the other chores their mother did during the day, she also worked through the night to ensure her family’s comfort. Also, another rhetorical strategy within …show more content…
The assailant came back to further hurt Kitty a total of two separate times in over half an hour and no one called the police. Martin Gansberg does an extraordinary job of capturing the scene of the murder and those who aided in her death. Gansberg further captures this through powerful displays of diction, tone, repetition, and appropriate use of dialogue. Gansberg’s diction throughout the passage is one of extreme formality as he is writing for the New York Times and must stay neutral. However, this formality also comes with an undertone of passive aggressiveness. For example, he writes about the thirty-eight who could have saved her, “Twice their chatter and the sudden glow of their bedroom lights interrupted and frightened him off...Not one person telephones the police during the assault” (Gansberg 120). While Gansberg is being professional and formal, he is showing hints of emotion through his tone. He is berated that many people didn't help and yet doesn't actually express his uneasiness. Additionally, another characteristic of the article is how Gansberg repeats the time, “This is what the police say happened beginning at 3:20 A.M.” (Gansberg 121). Again recalling the time, “The assailant got into his car and drove away. Miss Genovese staggered to her feet...It was 3:35 A.M.” (Gansberg 121). Further recollection, “It was
Have you ever looked back on something you did as a kid, or the past in general and regretted something you did or should have done but didn’t do it? Well The author Sandra Cisneros captures that feeling well in eleven by using stylistic techniques such as characterization, personification, and imagery to sound like a young child. The character Rachel is a personified avatar of Sandra's emotions.
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.
Over the years Gansberg’s article brought about debunkers that claimed fewer than thirty-eight people actually saw what happened to Kitty. Pelonero researched for herself through police reports, trail transcripts and reading through statements made by witnesses. In doing so Pelonero found that instead of bringing a new light on the case it their statements produced a watered-down version of the murder. Pelonero’s article does a good job stiffing through Gansberg article presenting the errors within his article like the fact that he stated there were three attacks, but Winston Moseley confessed in court that he attacked her twice. Pelonero speaks about the origin of the number thirty-eight which is a big point used by people who believe Gansberg article to be stuff of myth which seemed to fall in a gray area. A.M. Rosenthal claimed in his book, “Thirty-Eight Witnesses,” that the police commissioner Michael Murphy was the first to mention the number. People close to Gansberg who has passed away say that Gansberg counted the witnesses himself. Looking through police reports Pelonero found that thirty-night was a understatement because sixty-nine people admitted hearing screams. Many of them did not see anything but about thirty did admit to seeing Kitty’s attack. A closer look at the police log Pelonero found the claims that anyone called the police
In "The Jilting of Granny Weatherall," Katherine Anne Porter gives readers a glimpse of the thoughts of a woman about to die. Lying in her bed in her daughter Cornelia's house, eighty-year-old Granny Weatherall drifts in and out of consciousness. Through her thoughts of events both current and bygone, it is learned that Granny has worked hard all her life, and frequently tells herself that she did a good job. She thinks of events that made her stronger: digging holes for fence posts, "riding country roads in the winter when women had their babies" (311), taking care of sick animals and sick children. Though Granny Weatherall tries to assure herself that her life has been
Josie Mendez-Negrete’s novel, Las Hijas de Juan: Daughters Betrayed, is a very disturbing tale about brutal domestic abuse and incest. Negrete’s novel is an autobiography regarding experiences of incest in a working-class Mexican American family. It is Josie Mendez-Negrete’s story of how she, her siblings, and her mother survived years of violence and sexual abuse at the hands of her father. “Las Hijas de Juan" is told chronologically, from the time Mendez-Negrete was a child until she was a young adult trying, along with the rest of her family, to come to terms with her father 's brutal legacy. It is a upsetting story of abuse and shame compounded by cultural and linguistic isolation and a system of patriarchy that devalues the
A life in the city of Seguin, Texas was not as easy as Cleofilas, the protagonist of the story thought it would be. The author, Cisneros describes the life women went through as a Latino wife through Cleofilas. Luckily, Cisneros is a Mexican-American herself and had provided the opportunity to see what life is like from two window of the different cultures. Also, it allowed her to write the story from a woman’s point of view, painting a vision of the types of problems many women went through as a Latino housewife. This allows readers to analyze the characters and events using a feminist critical view. In the short story “Women Hollering Creek” Sandra Cineros portrays the theme of expectation versus reality not only through cleofilas’s thoughts but also through her marriage and television in order to display how the hardship of women in a patriarchal society can destroy a woman’s life.
In the story I think the author Gansberg did a good job by explaining the crime scene in full detail. This allowed him the show he true emotions of the situation. I believe Gansberg was truly angry the most when he said, “…the people came out.” He was most angry in this situation because all of the nearby civilians by Miss Genovese came outside when it was too late to help her. The civilians should have came out when the stabbing was taking place I feel as if the cops were mostly confused on why someone didn’t call the police. As when police asked a women why she didn’t call the police she said I don’t know I feel like this was when the police were most disappointed in the fact that the civilians had a chance to save Miss Genovese life by
Many young second generation daughters of Mexican heritage has grown up with a distinctive gender norm. In the midst of the second world war, the expression of freedom and equality spread throughout the country. This initiates for women to become more tuned to the social affairs the men had left behind. Thus, immigration brought a lot of Mexican families into Los Angeles. Double exposure to familial expectations and the American way of life brought in a sense of desperation of trying to balance both. The second generation daughters who have been exposed to the loudly spoken
Sandra Cisnero is a well-known novelist within the Latino community, most famously for her best-selling novel titled the House On Mango Street. The House On Mango Street is based on a coming of age story, where the main character struggles to discover her own identity due to her culture's emphasis on male dominance. Misogyny has been part of Latin tradition for the past years, but life in modern society doesn’t mean that it has completely disappeared. Cisnero intention is to spread awareness by displaying the gender roles her culture tolerates for females.
Currently Sandra Cisneros resides in San Antonio in a purple house and she describes herself as “nobody’s mother” and “nobody’s wife.” Both Frida Kahlo’s and Cynthia Y. Hernandez’s works convey the idea of having one’s culture limit one’s freedom and individuality. Cisneros and Esperanza are both victims of this idea and realize that the only way to live one’s life freely is to defy the roles and limitations created by one’s culture.
Sandra Cisneros’ short story, “Never Marry a Mexican”, indirectly underlines her perspective, her interpretation, judgement, and critical evaluation of her subject, the work and its title. This perspective is evident in her use of literary devices, diction, and language structure in her narrative. The purpose of the use of these elements in the way that she does is ultimately linked to understanding her viewpoint on the subject. The author’s perspective is embedded in the meaning of the story and its theme. Her interpretations are valid, and justified in detail throughout the story to add color and vibrancy to her characters. Her judgment is lightly touched upon but only clearly and directly given at the end of the story, to allow the
Another important issue that Cisneros addresses in her story is gender roles in the Latino community. In Mexico, being born a male is of higher prestige and value
“Beautiful and Cruel” marks the beginning of Esperanza’s “own quiet war” against machismo (Hispanic culture powered by men). She refuses to neither tame herself nor wait for a husband, and this rebellion is reflected in her leaving the “table like a man, without putting back the chair or picking up the plate (Cisneros 89).” Cisneros gives Esperanza a self-empowered voice and a desire for personal possessions, thing that she can call her own: Esperanza’s “power is her own (Cisneros 89).” Cisneros discusses two important themes: maintaining one’s own power and challenging the cultural and social expectations one is supposed to fulfill. Esperanza’s mission to create her own identity is manifest by her decision to not “lay (her) neck on the threshold waiting for the ball and chain (Cisneros 88).” Cisneros’ rough language and violent images of self-bondage reveal the contempt with which Esperanza views many of her peers whose only goal is to become a wife. To learn how to guard her power
Have you ever felt so alone, you get the impression that you do not belong at a place? Sandra Cisneros describes the unfavorable relationship she faces with her family. Although Sandra is talked down upon, she persuades the readers how the loneliness impacted her life.
In “Only Daughter,” published in Glamour magazine in 1990, Sandra Cisneros talks about how it’s like for her to be the only daughter in a Mexican-American family of six sons. She talks about some of the struggles she faces. Sandra is a writer. A writer who wants her dad to be curious about her writing. He never bothers to ask what she’s writing. When they’d ask her father how many children's he has, he’d respond with “I have seven sons.” The mention of only sons, not a daugher. This proved to her he was only proud of his sons but not her. According to him she’d also have to go to college but only to find a husband. A man who will take her out of poorness. Since, according to Sandra that's why her dad thought college was important for her. He didn't care about her major. Sandra Cisneros is a writer who didn’t have the attention she was meant to receive. Towards the end she finally gets the attention she desired. She translated one of her pieces into Spanish, the only language her dad could read. That's how it gained the attention of her father. When her dad finally reads her story, it fills her with joy. At first she didn't get any attention from her dad at all, because she’s a girl. Sandra Cisneros makes a great argument on her life being full of loneliness. Although, she only talks about her perspective on things. In this article she only talks about her side of the story, and her side only. Sandra talks about how her life was as being the only girl out of seven children.