Okonkwo's violence in this novel says a lot about his character. The acts of violence keep the story interesting and also aid the development of the theme. There have been numerous occasions of violence that clue us, the readers, what kind of man Okonkwo is as well as how their culture is. Not only do these acts make this story one worth discussing, it makes it one worth reading.
“Things Fall Apart” is a good book, however it is one with a slow beginning. The book's introduction is not necessarily interesting until chapter four where he beats his wife during the week of peace. I think there was a certain culture shock that the only thing wrong with this beating was the time he decided to do it. It says “Okonkwo was not the man to stop beating someone half-way through, not even for fear of a goddess.”(21) He beat his wife even though he knew he would later be punished by the goddess. After that incident their culture became so evident and so particular that the story was highly alluring.
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But his whole life was dominated by fear, the fear of failure and of weakness.” (9) There are many clues throughout the story that display a different side to Okonkwo, one that is compassionate and caring about others. When the incident with Ezinma occurs it truly shows another side of Okonkwo. “He had felt very anxious but did not show it.” (85) He was worried about his daughter yet was afraid to show it because of the fear that he would be viewed as weak. The subtle hints throughout this story that clue into Okonkwo's softer side show a possible moral to the story. One that states even the hardest or seemingly callous of individuals have a softer side, one that emits compassion and a sensible
In the novel, Things Fall Apart, written by Chinua Achebe, Okonkwo is a sympathetic character and unsympathetic character in regards to his family relationships with his adopted son, Ikemefuna, his daughter, Ezima, and his father, Unoka, as a result of he appears to genuinely care about his family; but, the pride within himself prevents his expression of such pride and concern openly.
Even during a time of peace and love, Okonkwo cannot hold himself back from dealing out a harsh punishment to his wife. He does not care about traditions or his religion as much as he cares about being strong or making a point. This plays into the theme of Man vs. Society by showing how Okonkwo goes against the expectations of the tribe and the theme of Self-Made Man by showing how he treats the world around him to better himself. Okonkwo’s first thoughts are not that he should just be calm because of the time; they are ones of violence because that is how he has reacted to every situation. He actually forgets all about the holiday that was occurring then because of his anger. It should be noted that even when his other wives confront him to remind him about the sacred peace, he continues to beat his wife because he is not one to quit once he starts making an example out of
For all of his desire to be strong, Okonkwo is caught up by the constant fear of being perceived as weak. He is afraid of failure and afraid of being considered weak. This fear drives him to do whatever he can to not become a failure like his father which ironically contributes to his death. While Okonkwo was a strong and important figure in his tribe, he had to keep his reputation that way by making some hard decisions. One of them was when he had to kill Ikemefuna, a young boy from the neighboring tribe. Okonkwo started accepting the decision to kill Ikemefuna because he started to call Okonkwo father. He had to keep his own valor intact and kill the boy to prevent himself from showing any weakness, but deep down, Okonkwo was really upset because of what he did which was ironic, “’When did you become a shivering old woman,' Okonkwo asked himself, 'you, who are known in all the nine villages for your valor in war? How can a man who has killed five men in battle fall to pieces because he has added a boy to their number? Okonkwo, you have become a woman indeed.'" (Achebe 65). He continued to roll downhill when the white man comes to try and convert Okonkwo’s tribe. Okonkwo responds by killing one of the messengers that were sent. This cause Okonkwo's own tribe to question his actions. “"Okonkwo stood looking at the dead man. He knew that Umuofia would not go to war. He knew because they had let the other messengers escape.
Okonkwo’s violent behavior escalate to the point in which he attend to shoot his own wife just because she mumble some words in his back. This doesn’t mean he is a bad person. Later in the chapter is found that he is very fond of his daughter Ezinma, display feelings of love and affection but he consider those emotion as weakness to himself
Okonkwo is also incredibly aggressive. He regularly physically abuses his nuclear family and does so to make himself seem more masculine. His violence in order to protect his fragile masculinity goes to the extent that “his wives, especially the youngest, lived in perpetual fear of his fiery temper.” (2.12) After the missionaries arrive in Umuofia and Okonkwo’s
But his whole life was dominated by fear, the fear of failure and of weakness.” Many people believed that Okonkwo was such a cruel man because of the wall that he put up. This affected his family because he still continued to act tough with his wives and most of his kids, there was only one of his children that saw his soft side and that was Emzina, his daughter. He also thought a lot about one of the people he killed, which showed that he wasn’t the tough guy that everybody thought he was, but no matter what he refused to show any signs of weakness to avoid being like his
Okonkwo’s harbouring of his sentimental emotions is a crucial part of his personality which makes him the way he is, for example, Okonkwo hates music because of the emotion that is required to create it, he rejects the idea of meaningful conversation because he considers it to be soft, and as he ages, he is rejecting the increasingly obvious fact that violence does not constitute inner strength. Firstly, it is revealed in the novel that Okonkwo does not like music and that he is bad at playing it which shows that he lacks the ability to express his emotions through listening to or creating music. Furthermore, Okonkwo’s ideals of not liking conversation and considering them weak goes against the mentality of his village which believes that “conversation is regarded very highly, and proverbs are the palm-oil with which words are eaten.” Lastly, as Okonkwo gets older, he is slowly realising that his violent ways are not truly making him a strong person but are in fact, slowly destroying him but Okonkwo refuses to accept this and continues with his violent attitude. Okonkwo has trouble revealing his true emotions ad even though they are present, he would never express them to anyone.
Okonkwo thinks he is the owner of his household and he shows no mercy to anyone who angers him. “He ruled his household with a heavy hand. His wives…lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and weakness.” (Achebe, Chapter 2, p.8). Okonkwo beats his children and wives because of his temper which is influenced by the Igbo society; he puts on a hard exterior because he is afraid of being weak and unsuccessful. At one point, he attempts to kill his second wife with a gun because he thinks she is the cause of a tree’s death. In order to prove his power and strength, without thinking of the consequences, Okonkwo beats his youngest wife during the week of peace - a week when the village celebrates peace and who ever disrupts the peace will be punished by Ala, the earth goddess (Lycos, online). “His first two wives ran out in great alarm pleading with him that it was the sacred week. But Okonkwo was not the man to stop beating somebody half-way through, not even for the fear of a goddess.” (Achebe, Chapter 4, p.21). Okonkwo lives in a male dominant society where men are pressured to be strong and successful; because of these influences, Okonkwo develops an inner
Okonkwo has a tragic flaw, dark downfall, but does not recognize his flaw as the cause of his downfall. This conveys the theme that one’s insecurity will lead to their demise, regardless of their intent. First, Okonkwo’s flaw is his insecurity rooted in his need for masculinity. Okonkwo fears the idea that “he should be found to resemble his father” and was a “man of action, a man of war. Unlike his father he could stand the look of blood” (13, 10). Given how Okonkwo’s father was a man of no wealth or status, he was seen as feminine. Refusing to resemble his father, Okonkwo becomes a strong, masculine man. Additionally, Okonkwo’s downfall was the result of multiple events that threaten his masculinity. Okonkwo’s first major offense was killing Ikemefuna out of fear of weakness despite being told to “not bear a hand in his death” (57). Additionally, the crime that forced Okonkwo into exile is when his “gun had exploded and a piece of iron had pierced the boy’s heart” (124). Furthermore, Okonkwo’s need for power causes him to kill a messenger as his “machete descended twice and the man’s head lay beside his uniformed body” (204). As a result of his need to appear masculine, Okonkwo makes one foolish decision after another that culminate to his downfall. His refusal to not kill Ikemefuna was done out of fear of seeming weak, his crime that sent him to exile was deemed
The description given early in the novel clearly establishes his character as being a strong and wealthy man who is well respected among the rest of the tribe due to his superior fighting abilities and his influential personality. Having achieved such elite status within the Umuofia clan, Okonkwo appears to be old-fashioned as it is seen in his approach in raising his family and tribal people. However, Okonkwo’s character changes incrementally with the emergence of a boy, Ikemefuna, from a neighboring village, who was brought to him because of his brutal attack against his wife Ojiugo during the ‘week of peace’. Amongst the Umuofia clan, the ‘week of peace’ is a tribal ritual whose conditions are not to complete any evil sins in a certain week span. After having accepted Ikemefuna into the family, Okonkwo experiences a shift in his mental state. Shortly hereafter, he questions this change, which demonstrates his lack of willingness to change which is clearly demonstrated in the book in several different ways like in chapter Eight, Okonkwo proclaims to himself, “When did you become a shivering old woman, you, who are known in all nine villages for your valour in war” (Achebe 56). This represents that his character has become a weaker, less influential individual amongst the nine tribes where he is well known. Symbolically, this depicts a fragile reputation in Okonkwo’s status within the community to which he belongs.
In the novel Things Fall Apart, Okonkwo is portrayed as a respected and determined individual whose fatal flaw eventually works against him. Throughout the novel the readers are shown that Okonkwo has many of these Characteristics because he is obsessed with the idea of becoming just like his father. This becomes his flaw in the novel that puts him into exile and makes it hard for him to adjust to the changes that were made with in his village.
Okwonkwo’s violent tendencies cause conflicts that keep the plot moving forward as well as highlight the messages that violence will cause you to lose what is closest to you.
Okonkwo’s fear of unmanliness is kindled by his father, who was a lazy, unaccomplished man. Okonkwo strives to have a high status from a young age and eventually achieves it. He has a large family, many yams and is well known throughout the village for his valor. He
Okonkwo's fear of being perceived as weak tragically leads to him to be unnecessarily violent and excessively prideful. These two fatal flaws lead to Okonkwo’s own emotional isolation, and his inevitable downfall. Driven by the fear of being seen as weak and emasculated, Okonkwo exhibits hyper masculinity and rage. Although this behavior initially leads to success in the patriarchal society of Umofia, rage is his greatest bane: it masks his compassion and pusillanimity. Onkonkwo’s obsession to never appear feminine is driven to the extreme. He denies affection even to his own family, “never show[ing] any emotion openly, unless it be the emotion of anger. To [Okonkwo] show[ing] affection was a sign of weakness; the only thing worth demonstrating was strength.” (pg. 28). Okonkwo whose “whole life [is] dominated by fear, the fear of failure and of weakness.” (pg. 13) suppress his compassion in order to appear important and manly. Ironically this creates a stark juxtaposition between his own fear and his position as an alpha male. Rather than being masculine and courageous, Okonkwo just creates tension within his family and within himself. The pinnacle of this extreme hypermasculinity is when Okonkwo ignores the wisdom of the elder Ezeudu, and violently kills his “son” Ikamafuna: “As the man who had cleared his throat drew up and raised his machete, Okonkwo looked away. He had heard Ikamafuna cry “My father, they have killed me!”
Okonkwo always had demanding expectations for Nwoye and treated him severely. But for Ezinma, he had exhibited his affection and concern openly although he felt “to show affection is a sign of weakness”. This can be seen when Ekwefi woke Okonkwo up telling him Ezinma was dying, he “sprang from his bed” and immediately ran into Ekwefi’s hut to see his daughter. He even made the medicine himself in the late night as he desperately wanted Ezinma to recover soon but not to die like an ogbanje dying at a young age. His urgent action marked the intensity of his love and care for Ezinma. Another example that illustrates his concern and protectiveness was when Chielo wanted to take away Ezinma. A fearless and masculine man like Okonkwo would “plead with her to come back in the morning because Ezinma was asleep”, just to protect his daughter. Moreover, despite the fact that the priestess had warned him not to disobey the order of Agbala, Okonkwo insisted pleading “Ezinma had been ill of late and was asleep”. He was not afraid to provoke the goddess’ anger to protect Ezinma, showing his deep concern for her life. After Chielo had taken away Ezinma, Okonkwo didn’t show any reaction but essentially he was deeply worried. “He had not slept at all the night” because he was driven by the anxiety of Ezinma’s safety to follow Chielo into the sacred shrine, where he was not supposed to go. All his actions