Oedipus the King

The downfall of Oedipus is result of his ignorance and arrogance through the course of the play. He had to learn through the hard way that he can not change his fate. For this reason he made a final attack on the prophecy by blinding himself to coward behind the reality, the work of the prophecy. Truly, pride is the germ of

Glory is the story of Civil War Colonel Robert Gould Shaw, who leads the war's first all-black volunteer regiment the 54th Massachusetts Volunteer Infantry into battles and discovers along the way he has to confront the moral question of racial prejudice inside and outside of his regimen. Colonel Shaw was the commander of the 54th Massachusetts Volunteer Infantry, also known as the Massachusetts “Fighting” Fifty-fourth, which was a position he has been thrown into and felt that he may not be fit for the job. At first Shaw was a little cowardly, during the battle, bomb fragments almost hit him and he passed out. He later seems guilty and not very motivated, but with the help of his friend Forbes and some time, Shaw turns himself into the leader that his men need. At the end Colonel Shaw’s courage shows when he volunteers to be the leading regiment in the assault on Fort Wagner and then during battle he forges on when the battle seems to a lost cause.

Throughout the play we find that Oedipus, the protagonist of this Greek tragedy, is tested by life in a number of ways. To those in Athens who watched the performance of Oedipus the King, Oedipus appeared to be the embodiment of a perfect Athenian. He is self-confident, intelligent, and strong-willed. Ironically, these are the very traits which bring about his tragic discovery. He is portrayed as a character of

Hubris is Oedipus's tragic flaw. He is now overly full of himself because: he rescued the city of Thebes from the Sphinx, people admire him, the citizens worship him as if he were an idol, the citizens think of him as their hero, and the Thebans have such a high esteem for him, that they made him King. One instance that proves he is filled with overbearing pride is when he proclaims, "I, Oedipus, a name that all men know." (8) This statement also brings about irony. It is ironic because his name will be remembered and well-known everywhere--as a polluter, the

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

Oedipus doesn’t realize the personal consequences his hunt for the murderer will have for him, and his loyalty to the truth is based on his ignorance. His pride, ignorance and unrelenting quest for the truth ultimately contributed to his destruction. An example is when Oedipus was told [after threatening Tiresias], that he was responsible for the murder of Laius. He became enraged and called the old oracle a liar. However, Oedipus thought he could outsmart the gods, but in fact, his every action moved him closer to the prophesy becoming a reality. Upon discovery of the truth of his birth from the herdsman, Oedipus cries, “O god all come true, all burst to light!/O light now let me look my last on you!/I stand revealed at last cursed in my birth, cursed in marriage, cursed in the lives I cut down with these hands”. (631). Oedipus knew that his fate had indeed come to pass and feels cursed by it. Oedipus was guilt, of killing his father and marrying his mother. He punishes himself for the sins he committed by gouging out his eyes. The true sin is when he attempts to raise himself to the level of the gods by trying to escape his fate. Oedipus is accepting the full burden of his acts and knows that he must be punished for his sins. Therefore, this last act of gouging out his eyes was the result of Oedipus’ free will and his tragic fate came about because every sin must

The use of hamartia is a key component to a tragedy in Greek times. In the festival of Dionysus, the use of hamartia played a key role in the production of tragic plays that enhances the audience experience in establishing morals and ideals in many different ways. Sophocles’ Oedipus the King is a key example of this, a play about the unfortunate destiny bestowed upon Oedipus. During the play, Oedipus attempts to flee from his destiny that he will marry his mother and kill his father. The dramatic irony where Oedipus tries to doubt the gods is imprudent and foolish, and his hamartia further led him to his tragic downfall. Throughout this tragedy, the use of hamartia is used to justify the catastrophic events that happened to Oedipus and his

Oedipus’ pride, drawn from his own heroic qualities, is one factor of his ruining. A hero characteristically prizes above all else his honor and the excellence of his life. When his honor

As king, Oedipus noticed his people were upset and the city was suffering. The city was under a curse because no one had gone out to find Laius’ murderer. Oedipus decided he was going to find the murderer and have them exiled. This would make the city free of the curse.

From the very beginning, what makes Oedipus ' actions in his quarrel with Teiresias and also throughout the play so dramatically compelling, is the fact that the audience knows the outcome of the story. We know Oedipus ' fate even before he does, and there is no suspense about the outcome itself, instead, the audience anxiously awaits Oedipus to reveal his fate unto himself in his desperate quest to rid his city of the terrible plague, or maybe even more so, to simply discover his own unfortunate tale. Oedipus is relentless in his pursuit of the truth, and his determination is commendable. There is nothing that compels him to act in this way, instead he freely chooses, with much zeal, to initiate the chain of events that will ultimately lead to his downfall. It is this interplay between Oedipus’ own free will and his fated eventuality that is the crux of the play, and constitutes the main dramatic power.

Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.

Oedipus possessed an excessive amount of pride, otherwise known to the Greeks as hubris. This was necessary for

Not knowing he was the murderer, Oedipus had now cursed himself. "Whoever he is, a lone man unknown in his crime or one among many, let that man drag out his life in agony, step by painful step – I curse myself as well… if by any chance he proves to be an intimate of our house, here at my hearth, with my full knowledge, may the curse I just called down on him strike me!" (606)

Charles could see Erik giving up as sharply as he felt it, the small spark that he’d come to label in his own mind as ‘life force’ dwindling to an ember and extinguishing. He was stepping forward before he could stop himself, blooding rushing in his ears against time as he spoke. “Dēsístite!“

Oedipus' pride is an essential characteristic throughout the play. Even before Oedipus came into power as the King of Thebes he allowed his arrogance to control his judgment and reign over his actions. Oblivious to his knowledge, Oedipus fulfills Apollo's oracle when he