Oedipus Rex Vs. Antigone

In 1914 World War I began, Europe got quickly involved. As we know the United States is a neutral nation because George Washington believed in neutrality for this nation. President Woodrow Wilson announced that the U.S would stay neutral during World War I. Germany kept instigating the United States to get involved with this war so their decision was made. On April 6th 1917 the United States was fully in World War I. This was a smart decision of them to make.

“According to Aristotle, the function of tragedy is to arouse pity and fear in audience so that we may be purged or cleansed, of these unsettling emotions.” (“What is” 739) This “purging” is clearly effective in Sophocles’ Antigone which is about a young woman’s will to do what is right by the Gods. Also, according to Aristotle, “a tragedy can arouse twin emotions of pity and fear only if it presents a certain type of hero or heroine who is neither completely good nor completely bad” (“What is” 739). He or she must also be “highly renowned and prosperous,” have a tragic flaw, learn a lesson, and suffer greatly (“What is” 739). Therefore, in Antigone by Sophocles, Creon is the tragic hero because he is a king who has the tragic flaw of

The qualifications of a tragic hero vary between Aristotle and Shakespeare. Aristotle thinks of a tragic hero as someone who is a noble character by choice and makes his/her own destiny, while Shakespeare sees a tragic hero as someone who is born of nobility and born to be important. Although both tragic hero's end in a tragic death that effects many people, not all tragic hero's fit perfectly into both categories. In Sophocles’ Antigone, Creon is considered a tragic hero. Creon follows Aristotle's definition of a tragic hero by being a noble character by choice, having important potential, and falls due to "miscalculations" with circumstances that are beyond control.

Sophocles was a greek poet known for his greek tragedies, stories and plays popular all across Greece, and even have a strong influence on today’s culture. Tragedies, which was such a large form of amusement that men who were actors could get out of military service at the time. Sophocles is prominent for his plays: Ajax, Antigone, The Women of Trachis, Oedipus the King, Electra, Philoctetes and Oedipus at Colonus. Despite the many plays he has made, the ones being distinguish here are Antigone and Oedipus the King. Antigone and Oedipus were tragic heroes. It is beneficial to know that Oedipus is Antigone’s father and sibling due to him unknowingly marrying his mother, Jocasta, and killing his own father Laius, committing

"Overview: Oedipus Rex." Drama for Students. Ed. David M. Galens and Lynn M. Spampinato. Vol. 1.

A tragic hero is a character in a play that is known for being dignified but has a flaw that assists in his or her downfall. Antigone is a Greek tragic piece written by Sophocles. In the theatrical production the use of power and morality versus law is evident. The promotion to the conflict was that Creon created a law in which enabled Polynieces, Antigone’s brother, to be buried in the proper way. As it is the way of the gods Antigone found it fit to bury her brother causing her to disobey the law of Thebes. Both Antigone and Creon, the main characters, could represent a tragic hero. However Creon is more eligible for being the tragic hero because he fits the definition. Aristotle’s idea of a tragic hero was that the character was of

Along with the contrasting conflicts the main characters, Oedipus and Antigone, are also very different in regards to their behavior and how they handle situations. Antigone is much more level headed than Oedipus. In Oedipus the King, Oedipus immediately kills a man just for being in his way and forcing him off the road a bit. Antigone on the other hand, does not take any physical action toward Creon despite not giving her brother a burial. Another difference in character is Oedipus’s defiance to the gods and the oracle while Antigone obeys the laws of the gods. Oedipus, to the people of Thebes, claims if they pray to him he himself would rid the city of the plague; making an implication that he is above the gods. Antigone however, wishes to obey the laws of the gods and demands her brother be given a proper burial. A closing example of the difference in how each character is rendered is how Antigone knowing breaks the law (defies Creon) for what she believes is right while Oedipus breaks the law without knowing; Antigone is

One of the greatest Greek plays is Antigone. Antigone is a tragic Sophoclean play, which portray two great examples for a tragic hero. I believe Creon and Antigone, the main characters of the play to be tragic heroes. A tragic hero is a character who is known for being dignified and has a flaw that assists to his or her downfall. Both Creon and Antigone are dignified and flawed in their own ways, having a similar tragic flaw.

Aristotle’s definition of a tragic hero is someone of great importance or royalty. The hero must go through something terrible such as a relative’s death. We must feel what this character is feeling throughout the story. Aristotle also said that a tragic hero scan be defeated by a tragic flaw, such as hubris or human pride. In Sophocles’ tragedy Antigone, both Creon and Antigone are tragic heroes.

Aristotle also outlined the characteristics of a good tragic hero. He must be "better than we are," a man who is superior to the average man in some way. In Oedipus 's case, he is superior not only because of social standing, but also because he is smart ¬ he is the only person who could solve the Sphinx 's riddle. At the same time, a tragic hero must evoke both pity and fear, and Aristotle claims that the best way to do this is if he is imperfect. A character with a mixture of good and evil is more compelling that a character who is merely good. And Oedipus is definitely not perfect; although a clever man, he is blind to the truth and refuses to believe Teiresias 's warnings. Although he is a good father, he unwittingly fathered children

Even though Sophocles uses metaphors during the story, the main subjects being compared are blindness and sight. A reference to this is in the beginning of the story, which is used by Oedipus towards Creon and Tiresias, “Creon, the soul of trust, my loyal friend from the start steals against me... so hungry

Greek theater encompassed many aspects that reflected the moral values and ideals of society. Their customs were tightly woven into the scripts of plays. Antigone and Oedipus the King, two renowned works of the Greek playwright Sophocles, explore these values through a plot thick with corruption, virtue, and determination. These plays reveal the burdens two Theban kings, Oedipus and Creon, as their lies and poor judgment corrode the integrity of their city, their families and themselves. Possessing a strong faith in their respective gods, the characters of these Greek plays are often led astray as they try to escape the twisted hand of fate, further warping their perception of reality. As their vain

A tragic hero, as defined by Aristotle, is a man who is great but also terribly flawed, who experiences misfortunes while still remaining admirable to the audience at the end of the play. One of Aristotle’s favorite works, Oedipus the King, a play by Sophocles, is a play that above all others, defines the meaning of what a true tragic hero really is. In the play, Oedipus the King, the story unfolds after Oedipus unintentionally kills his own father and goes on to marry his mother. The events of the play are tragic, but it is the way that Oedipus handles the tragedies that make him a tragic hero.

Sophocles’ play Antigone continues the calamitous story of the Theban royal family, recounting the conflict between Creon’s authority as king and Antigone’s sense of justice. While many of the events of the play are certainly tragic, whether or not Antigone and its characters should be considered tragic is less definite. Aristotle’s theory of a tragic hero calls for a basically good character who experiences a fall due to some flaw or error, experiencing a transformative realization and catharsis as a result. When considered together, the traits of both Antigone and Creon come together to fulfill all of the requirements for the play to be a tragedy, but neither character can be considered an Aristotelian tragic hero standing alone.

In the play Oedipus the King, Oedipus struggles to accept the truth and lets his temper over power him. He can be displayed as a tragic hero. His refusal to accept the truth led to Oedipus’ down fall. A tragic hero, as defined by Aristotle, “is a literary character who makes a judgment error that inevitably leads to his/her own destruction.” Sophocles’ Oedipus exemplifies Aristotle’s definition of a tragic hero.