Ny State Of Mind Analysis

Rap music, also known as hip-hop, is a popular art form. Having risen from humble origins on the streets of New York City during the mid-1970s, hip-hop has since become a multifaceted cultural force. Indeed, observers say, hip-hop is more than just music. The culture that has blossomed around rap music in recent decades has influenced fashion, dance, television, film and—perhaps what has become the most controversially—the attitudes of American youth. For many rappers and rap fans during it’s early time, hip-hop provided an accurate, honest depiction of city life that had been considered conspicuously absent from other media sources, such as television. With a growing number of rap artists within this period, using hip-hop as a platform to call for social progress and impart positive messages to listeners, the genre entered a so-called Golden Age

"Dreaming America," was written by Danyel Smith about the origins of Hip-Hop and Ms. Hip-Hop's journey to find the musics origin. The speaker of this story is Danyel Smith and it is written for a column in the Spin magazine. The audience of this column would be anybody that wants to learn more about the music or those who already love it. The overall tone of this column is informal and factual. The description of New York and California is an extended metaphor used to describe the two states and their differences that make Ms. Hip-Hop coming back time after time. At the beginning of the section Danyel Smith uses a rhetorical question when asking about the birthplace of Hip-Hop, this is used to get the reader thinking about the origin of the

The decade of hip-hop is what some may call it. Tupac, Naz, Biggie Smalls, as well as other artists, were major contributions. Not only for the people who are trying to find their footing, but Buck as well. Throughout the book various lyrics were embedded in order to create a better understanding for its readers. In addition, this book is based upon a 90s lifestyle within Philadelphia, which included drugs, gang activity, crime, hip-hop, and havoc. Malo was directly in the center of everything, the girls, the fights, the guns. His experiences shed light towards what it’s like to as an African American individual living in or near the hood. Not everyone realizes what people go through while living there, but now it gives some readers an image of what goes on. Though times have changed, not all previous feelings

had gained all throughout Los Angeles, California. During the 70’s-90’s, racism was still at huge. Nobody knew what was going on behind closed doors because we did not have social media back then. High tech phones/cameras and technology that advanced were not accessible at the time to actually view the rawness of what was going on in the field. Ethos is demonstrated by N.W.A. by their status. By status I mean that N.W.A. was a famous and well known rap group which featured only African Americans (Ice Cube, Dr. Dre, Eazy-E, MC Ren, DJ Yella). The five were originally big known rappers/producers prior to them coming together to form the group. So people already knew about them from a musical/hip-hop perspective and throughout the Los Angeles community, which is where they all resided from. N.W.A. had already gained that trust/credibility (ethos) from the community because of how high their status was at the time (famous

In ‘Gangsta’s Paradise,’ Coolio shares his own story through hip-hop music, which was a very popular and smart way to speak up, to stop the unfairness, to stop the wrong, and to tell the world about their experiences and why everyone should be treated the same. Each African American who stood up for their rights was a warrior, comparable to Muhammad Ali—a man who “floated like a butterfly and stung like a bee”—fearless in standing up for his beliefs and rights. In this context, ‘Gangsta’s Paradise’ is more than just a song; it’s a statement and a call to action. The language that this song’s lyrics use is imagery. It is used to create imagination and emotions for the audience of the

As the decade of the 1970’s came to an end, a new Black music emerged like much of the others - wrapped in social realities of an genuinely Black experience. Rap/Hip Hop bursted on the seams relating many of the same political messages and ideologies heard decades before. Echoing the Black Power movement and using the musical culture as a way to rebuild Black communities constantly under attack, rap brought real life stories of an urban, younger

Molefi Asante is the author of It’s Bigger than Hip-Hop: The Rise of the Post Hip-Hop Generation. In this article, Asante predicts that the post-hip-hop generation will embrace social justice issues including women’s rights, gay’s rights, and the anti-war movement. To challenge these stereotypes, Asante speaks to the personification of the African-American ghetto and the need to stop glorifying black suffering. For Asante, the post-hip-hop generation no longer expects hip-hop to mobilize disenfranchised youth. Asante states, “The post-hip-hop generation shouldn’t wait for mainstream musicians to say what needs to be said…No movement is about beats and rhythms…. it must be bigger than hip-hop.” Because hip-hop is controlled by corporations, Asante says hip-hop will never be the focus of political change. Asante argues that “old white men” have dictated hip-hop, and by extension the actions of black youth, since 1991. “Allowing white executives, not from the hip-hop culture, to control and dictate the culture is tragic because the music, and ultimately the culture, as we can see today, has not only lost its edge, but its sense of rebellion and black movement- the very principles upon which it was founded.” Asante calls for the rise of “artivism,” a new social movement that uses art to improve community police relations, failing schools and the criminal justice system. Asante encourages the post-hip-hop generation to unite with Latino/Immigration Rights and Black Civil Rights

Picture this, you are teenager growing up in Los Angeles, on your way to school and you turn on the radio. “Yo thanks for tuning into to the hottest radio station in the streets of LA. Up next we got N.W.A. with their new single Appetite for Destruction.” That was common for nearly every person who lived in LA and enjoyed hip-hop music. During the early 90s and late 80s, West coast hip-hop was dominated by the gruesome realities of gangster rap and g-funk. Rap at the time was intense, authentic, and unbearable. Ultimately, this wave of “fuck you” sprouted from the injustices that plagued many impoverished communities. Individuals were angered from the oppressive acts that hindered any attempt to reach success, and gangster music within LA served as the platform to express the frustration under such terrible circumstances. Although the sound was revolutionary and taking over the entire nation, still Los Angeles needed a fresh of breath of air to display the artistic talent that came out of Los Angeles. New York could play with both sides of the hip-hop spectrum of light-heartedness to aggressiveness, but unfortunately for LA, they only had one sound. In New York, they had artists from Kid N Play to Public Enemy. If Los Angeles were ever going to snatch the throne from New York, they needed to do so quickly before the dawn of Golden Age ended.

Within History, Rap has been considered the “CNN for black people”; what started as a way to express struggles in the ghettos of New York has transformed into one of the most popular genres of music in America. The popularity of rap has allowed many to have their voices heard, created new fashion trends, and even developed popular modern slang used by people throughout the world. The commercialization of rap has resulted in a significant following of the culture in America but also a large number of people who oppose the music. The culture of rap music has a substantial impact on popular culture in America, and by using an open mind and looking past the violence and language, people can better understand the meaning behind rap and the perception that follows it in America today.

Punk rock music has been used for decades to express dissatisfaction with society, government, or any idea common in mainstream media. Yet punk rock is not simply a tangent of the mainstream, it is a dynamic and fluid genre with many distinct songs. Don Letts, a mainstay in the London punk scene during the 70’s and 80’s, went as far to say that hip-hop was essentially “black” punk. While punk and hip-hop music are stylistically different, the fundamental tone of the two genres is the same. Even throughout the decades, hip-hop has sang the same issues as punk, including the plight of the lower class, police brutality, and gang violence.

The study of hip hop music has been cited well throughout its growth over time. The purpose of this paper is intended to discuss hip hop culture and address cultural stereotypes associated with rap and hip-hop music, but also how its original lyrical intentions were forms of expression and art. It will begin by guiding the reader through how it originated, its influence with the African-Americans with its subculture and popularity in urban areas, its styles of evolving, the introduction of hip hop and rap to the public, the depiction it gave off with its criticisms from outsiders. An evaluation of hip hop artists songs by Sugar Hill and the Gang, Run DMC, Queen Latifah, and N.W.A. Including lyrics from the songs “Rappers Delight”, “King of Rock”, “Latifah’s Law”, and “Niggaz4Life”. In the conclusion it exposes how hip hop music is clearly for black Americans to express themselves freely and in fact did not cause violence.

Many contradicting views surround rap music’s controversial subjects and use of language. While some consider it highly offensive, there is some validity to the rhetoric applied in political rap. In the 1990’s racial inequality is rampant with uprisings and segregated neighborhoods that condemn minorities and lower socioeconomic classes to inhumane living conditions. Specifically, Tupac Shakur’s posthumous song “I Wonder if Heaven Got a Ghetto” combines an emancipatory lyric with a hopeful and upbeat instrumental to assess the racial inequality in society and the possibility of a better future.

As thorough and rewarding as Bradley’s close reading can be, it is this sole focus that becomes problematic in Book of Rhymes. He stays on the surface, privileging the discussion of linguistic elements over cultural impact. He begins his wordplay chapter with an anecdote about a friend who disapproves of the misogynistic and violent elements of the Notorious B.I.G.’s lyrics, a qualm addressed by Bradley in a customary manner: “It’s not what he’s saying, it’s how he’s saying it” (86). Bradley is partially correct; how he’s saying it is the aesthetically appealing aspect of hip hop, the reason millions of people around the world enjoy the music. But what he’s saying is the more compelling aspect. The environment that produced the attitudes reflected in hip hop, the source of Biggie’s misogyny and violent imagery, must be given its proper treatment in order to understand rap music on deeper levels than the beauty and complexity of its poetic structures.

Hip-hop appeals to an entire generation making it an important form of communication. In addition, Hip-hop can promote cultural awareness and the values of different people including genders. Many hip-hop artists promote their message through angry sounding music and lyrics. Latifah sends a unique message in hip-hop by promoting self-respect and dignity to women. Furthermore, Latifah’s song “U.N.I.T.Y” is free verse poetry that speaks out against the social injustice of violence towards women making it an important message in a time when violence and hatred seem acceptable.

Throughout history, music has been used to express the feelings of people or groups whom may have no other outlet to express themselves. The best example of this occurrence would be the lower class of America’s use of rap music. Rap music started out as a fun variation of disco with the purpose to make people dance and enjoy themselves, but it later transformed into one of the best outlets to express the struggles of poverty in the United States. The genre gained popularity when the song “Rapper 's Delight” hit the charts in the early eighties; rap evolved into a plethora of different styles from there, Gangster Rap formed with NWA in the late eighties, and rap really hit it’s zenith in the mid nineties. Modern rap began in the early starts of the twentieth century. Because of the storytelling that rappers do in the music, it gained notice in the inner city where the demographic could relate. Many young teen in the inner city environment built dream to be famous rappers just like their own favorite artists . Rap connects to me by its style, its purpose, and its political incorrectness.