“not at home in her own skin”: Self-Invention through the Resolution of Conflicts in Jamaica Kincaid’s Lucy
Jamaica Kincaid’s novel Lucy is a Bildungsroman centering on the self-invention of the title-character, who is a young immigrant woman from Antigua. As part of this process, Lucy, as a character, struggles against the various forces of her mother, her past and her even her femininity at a very personal level, thereby setting up a series of conflicts seen throughout the novel. Lucy as a text, however, adds another layer to these conflicts. By grounding these widely different conflicts in Lucy’s overarching struggle to assert her individuality by differentiating herself from the masses, the text sets up these conflicts as a struggle
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For example, when Maude Quick arrives with news of the death of Lucy’s father, and tells her that she reminds her of her mother, Lucy knows that this “careless sentence” (123) in fact “save[s] her life” (123), yet she counters this with an aggressive defense: “I am not like my mother. She and I are not alike” (123). Lucy’s internal acknowledgement of the fact that resembling her mother “saves” her, while outwardly expressing displeasure at this suggestion captures the contradictory and perplexing nature of the way the struggle against the blurring of the boundaries between her and her mother plays out in the novel. Another similar conflict that Lucy engages in involves Mariah, who, despite being Lucy’s employer, becomes a mother figure to her too. As in the case of her mother, Lucy’s feelings towards Mariah are seen to be of a contradictory nature. After the daffodil incident for example, Lucy feels a “triumph” at making Mariah feel “miserable, tormented” (41) and even refuses to hug her, yet goes on to say that “the anguish on [Mariah’s] face almost broke [her] heart”, describes her victory as “hollow” (41) and later asserts that she has “grown to love her so” (46). In their inconsistency, Lucy’s feelings for Mariah mirror those for her mother, and she even goes as far to claims, “the
It also informs people about how society reacted to someone outside the norm. This novel relates to women and men today. The novel would help women value their selves more and know their worth. It will also help women to make wise choices. “No female, whose mind is uncorrupted can be indifferent to reputation it is an inestimable jewel, the loss of which can never be repaired. While retained, it affords conscious peace to our own minds, and ensures the esteem and respect of all around us” (Webster 919). Lucy opinion focuses on male or female, young or old, by articulating the main value women had -their virtue. Their virtue was to be guarded, celebrated, and relinquished only in the confines of
An example in text of Lucy feeling disgraceful is in this next quote where she talks directly to the reader. “I should tell you right now how I got to where I am: single mother on the door, public housing, all that. It wasn’t a goal of mine, certainly.”-Pg15 As Lucy tells the story of her having a child she talks about how embarrassing and painful it is to be in her situation. She speaks of how she never dreamed for this and that she had other plans but in the end she has failed herself. Later in the story Lucy has to go to a dole appointment. While she is there she talks about how the workers there recognize that she is of lower class and it disgusts the worker at the desk. “With the puke now on his pants and one boot missing he looked horrible, and I think seeing him depressed the dole staff. Anyway, they got me in and out of there pretty quickly.” Pg-50 At the end of this quote she says that they got her in and out really quick, thinking that the staff wanted her out as fast as they could so they didn’t have to deal with her because they didn’t want her there because her lower class, grossed them out making her feel like a stain on society. Seeing this Lucy takes into account that just because she’s a single mom people start thinking of her differently adding onto her insecurities. Amir also faces the feelings of disgrace, for example in this quote
Kincaid, Jamaica.“Girl”. In The Compact Bedford Introduction to Literature. Ed. Michael Meyer. 8th ed. Boston: Bedford/St. Martin’s, 2009. 541-542. Print.
In this coming of age novel Lucy, by Jamaica Kincaid, a story is told of a young girl named Lucy as her life in America changes from what it was in the West Indies. Lucy struggles throughout the novel to find what exactly she desires. Drifting further and further from being similar to her mother. Lucy and her development throughout the novel are shown through her virginity, heterosexuality, and love as Kincaid forces questioning upon what is sexual normality. How one can feel trapped under sexual norms and feels lost.
In ‘Lucy’ the character Lucy, an immigrant girl, leaves her home in the West Indies to come to America in order to reinvent herself and to discover her own identity. Her struggles for personal freedom and independence would require her complete disconnection from her family especially her mother. To do so, Lucy not only had to let go of her former identity, but she also has to void herself of the self-destruction and loneliness. Lucy’s liberation from the past is the key element to her finding her new self. That too will require her to mentally recolonized her past and present in a way she feels comfortable. The novel places Lucy at a cross road of culture and identities Antiguan and American. Upon arrival to America to work as an au pair for an
The narrator of Jamaica Kincaid’s Girl, who is implied to be a mother, reveals much of her worldview through the story’s dialogue. In this dialogue, she both instructs and scolds her a girl who is implied to be her daughter. The instructions that the mother imparts to her daughter in Girl offer a deep insight into what the mother believes is good for her. In teaching these lessons, the mother is preparing her daughter for what she believes is her daughter’s future. Thus, these lessons are setting the expectations that she has for her daughter within her world.
The relationship between Mariam and Laila grows overtime into an unbreakable love. Mariam is a vulnerable character that experienced hardships and negativity throughout her life. Her reliance on faith and religion gave her hope. Laila however, has had a positive upbringing from modern parents. Her education is what made her a strong and intelligent girl. Their personalities contrast to bring the best out of each other. However at first, in fear of being overshadowed by Laila, Mariam says “If [Laila] thinks [she] can use [her] looks to get rid of me, [she is] wrong. [Mariam] was here first. [She] won't be thrown out” (225). As Mariam has never been a priority to anyone in her life she was very defensive over her role in the house. As jealousy embarked upon Mariam,
Elaine Potter Richardson, more famously known as Jamaica Kincaid, is recognized for her writings that suggest depictions of relationships between families, mainly between a mother and daughter, and her birth place, Antigua, an island located in the West Indies. She is also familiarized with Afrocentrism and feminist point of views. Kincaid’s work is filled heavily with visual imagery that produces a mental picture in readers that helps them connect stronger to the reading. An example of this really shines through in her short story piece, “Girl.” This short story describes the life of a lower class woman living in the West Indies, and also incorporates thick detailing between the relationship between her and her mother. Jamaica Kincaid structures the story as if her mother is speaking to her. She writes broad, but straight to the point, allowing readers to imagine to picture her experience. Kincaid uses visual imagery and repetition consistently throughout “Girl” to reveal the theme and tone of the story; conflictual affair between a mother and daughter.
She “had been made to memorize it, verse after verse, and then had recited the whole poem to an auditorium full of parents, teachers, and [her] fellow pupils” (Page 18), even though she would not see such a flower until becoming almost twenty years old. Lucy sees the daffodils Mariah shows her as reminder of her colonial education. Upon close examination, one notices a parallel between the interactions between Lucy and her mother, and Lucy’s colonized country and its colonizer or “mother country,” England. The presence of her mother haunts Lucy’s mind while she is in America. She cannot seem to escape the traits she has inherited from her mother. Although Lucy’s mother seems to allow some kind of separation by allowing Lucy to travel to America, she has no intention of making it permanent and completely letting go of Lucy. She consistently writes her letters. Similarly the legacy of colonialism is almost impossible to escape from. It has woven itself with the ways of the country and the people of the country and it takes great effort to escape. Lucy struggles to reconcile what she has internalized from her mother with what she discovers about herself:
In both of the stories, “Girl” and “Story of an Hour”, woman's femininity, independence and tradition are shown in many examples. Both tales depict a story of a woman trying to discover their independence and learning the ways of how women are expected to act. They can both be seen as feminists for wanting to be independent but having oppressors such as parents and spouses stopping them from being who they want to be.
“Oman luck mus come!” (48). These words demonstrate Louise Bennett’s view that Jamaican women are liberated and share the same level of respect as men, who used to be regarded as superior. No matter their races or social classes, Jamaican women rise from discriminated groups to be the heads of households and successful leaders in all kinds of professions. Louise Bennett herself was actually one of these rising women. Born in a rural family, she was a successful writer who insisted on writing in Jamaican English, the dialect deeply influenced by English colonization. Viewed by colonizers as corruption of English
Many denounce Kincaid’s latest book as an over attack, her gaze too penetrating and intimidating. The tone of voice continuously shifts throughout the memoir, starting from sardonic, manifesting into anger, to slowly conclude in melancholy. Though particular accusations, such as when the narrator cruelly rejects “you” as “an ugly thing”, may upset the readers, Kincaid purposely provokes reactions of defensiveness and guilt to challenge us
Yet an explicit affirmation of this hatred is not necessary; the reader is quick to appreciate the irony and utter absurdity of her situation and that of Antigua. Kincaid makes us want to condemn the imperialistic attitudes which fostered this indoctrination of English values and also the supposition that this culture was somehow inherently superior to any other. By putting her readers in her own position, and by appealing to their sense of the absurd, Kincaid is very effectively able to elicit sympathy.
It’s hard to imagine someone’s personal experience without actually being the one enduring it; however, Jamaica Kincaid’s use of language contests other wise.Through intense imagery and emotional response, Jamaica Kincaid utilizes rhetorical appeals such as logos, pathos, and ethos, which successfully convinces her audience by creating a conversation between herself and the reader. Jamaica Kincaid’s A Small Place is an expression of her inner feelings on the transformation her hometown, Antigua, and the everlasting postcolonial impact that occurs. Kincaid reacts to the feelings she had as a young girl and compares that mindset to the opinions she holds today as an adult. Kincaid’s piece evaluates the foreignness, race, and power that consumes Antigua. While she descriptively explains the circumstances she faced in Antigua, Kincaid incorporates historical background which provides logical support to her purpose. Notably, the author’s first hand experiences gives her credibility, ethos, and allows the audience to clearly understand the context from her perspective. Not only does Kincaid effectively describe her experiences, but she also makes her audience feel as though they are looking through her eyes. Her purpose demonstrates the difficulty and impossibility of returning to origin after crucial influences. A Small Place proves that the effects of racism and racial inequality are long term and culture cannot simply return exactly how it once was in that specific culture,
Have you ever wished that someone had given you a guide on how live the right way? Jamaica Kincaid does just that in her short story, Girl. The narrative is presented as a set of life instructions to a girl by her mother to live properly in Antigua in the 1980’s. While the setting of the story is not expressly stated by the author in the narrative, the reader is able to understand the culture for which Girl was written.