Nobody Mean More For Me Than You And The Future Life Of Willie Jordan

The memoir “How It Feels to Be Colored Me” by Zora Neale Hurston, was first published in 1928, and recounts the situation of racial discrimination and prejudice at the time in the United States. The author was born into an all-black community, but was later sent to a boarding school in Jacksonville, where she experienced “race” for the first time. Hurston not only informs the reader how she managed to stay true to herself and her race, but also inspires the reader to abandon any form of racism in their life. Especially by including Humor, Imagery, and Metaphors, the author makes her message very clear: Everyone is equal.

Zora Neal Hurston was criticized by other African American writers for her use of dialect and folk speech. Richard Wright was one of her harshest critics and likened Hurston’s technique “to that of a minstrel show designed to appease a white audience” (www.pbs.org).Given the time frame, the Harlem Renaissance, it is understandable that Zora Neale Hurston may be criticized. The Harlem Renaissance was a cultural movement which redefined how America, and the world, viewed African Americans, so her folk speech could be seen as perpetuating main stream society’s view of African Americans as ignorant and incapable of speaking in complete sentences. However, others, such as philosopher and critic Alain Locke, praised her. He considered Hurston’s “gift for poetic phrase and rare dialect, a welcome replacement for so much faulty local color fiction about Negroes” (www.pbs.org).

In Barbara Mellix essay tiled “From Outside, In” she expresses her difficulties differentiating between two language, Black-English and the Standard American English. Throughout her essay, Melix discusses her struggle coping with two different “identities” growing up and how that it impacted her today. Melix bridges the gap between her identities when it comes to speaking with a different group of people. She uses Black-English when she is around close family or friends but would immediately use and write proper/standard English when it comes to school or the public.

In Kiese Laymon “How to Slowly Kill yourselves and others in America” and Brent Staples “Black Men and Public Spaces” both essays deal with being an African American man but the authors respond in a different ways. At one point in history being an African American wasn’t always the easiest but two Authors shared their stories about the experiences they had which were very different. Although the color of their skin is the same and how they treated was as well both authors take different precaution’s to handle the situations they were in to persuade the audience on how to deal with the effects of racism. Both authors show their hidden message through the actions presented throughout the essays. Laymon`s casual tone and will to fight make

For my essay, I propose for myself to compare and contrast Malcolm X’s text “Literacy Behind Bars” with Laurel Thatcher Ulrich’s essay “Well Behaved Women Seldom Make History”. Due to the suffocating norms of mid-1900s society, the potential of many groups of people was smothered. Women and African-Americans began to seek a way to prove themselves as equals. They turned to writing: a method of communication they could be sure would reach the oppressive white males. Although some - namely, the women - had the luxury of education, African American males such as Malcolm X had nothing but time and a dictionary in order to become literate. Although both showcased a similar message of equality, they made use of differing rhetorical devices in order

It Feels to Be Colored Me” shows dialect to African Americans people. Zora Neale Hurston

Imagine a situation where one is walking down an empty street and a woman gives one a glance and begins running, or one is told to leave a public restaurant simply because of the family one was born into. This is the reality for two African-American authors in the 20th century. Over the history of the United States minorities have faced a numerous amounts of racism. The types of racism that was expressed to these minorities has evolved as time went on. Two authors decided to write about their experiences and they occurrences vary vastly. The details that really set one essay apart from the other include the time of day the racism took place, time period of the occurrence, and type of racism witnessed.

“The Word “Nigga” Is Only for Slaves and Sambos” was written by Rob Nelson and first published in a university newspaper in North Carolina. Later on, the article was so meaningful that it was re-published in the academic journal, the Journal of Blacks in Higher Education. In the article “The Word “Nigga” is only for Slaves and Sambos”, Rob Nelson uses ethos, logos, and especially skillful pathos appeals based on the history of slavery and the illustration about the future of African American, to prove why he thinks the “N-word” is not acceptable. By using ethical argument and those clever appeals, Rob Nelson definitely persuades his young African American audience.

She states, “White standards of English persist, supreme and unquestioned, in these United States” (124). White english is hardly doubted as the only language accepted in the United States. Jordan acknowledges many of the African American students in her class don’t relate with the language they speak everyday. The class pinpoints their discussion of The Color Purple around the

     Richard Wright's novel Black Boy is not only a story about one man's struggle to find freedom and intellectual happiness, it is a story about his discovery of language's inherent strengths and weaknesses. And the ways in which its power can separate one soul from another and one class from another. Throughout the novel, he moves from fear to respect, to abuse, to fear of language in a cycle of education which might be likened to a tumultuous love affair.

With a background affected tremendously by the dark history of African Americans, language has become a significant problem to what the term Black English really means to different people. In If Black Language Isn’t a Language, Then Tell Me, What Is, James Baldwin attempts to analyze what a language really means and how Black English evolved to fulfill an important role for Americans. Black English sounds proper to blacks, but to whites it may not be a proper use of language. Throughout this essay, Baldwin uses a specific tone and relates to his audience by opening his mind to both emotion and logic while still upholding his credibility. Baldwin tries to persuade the audience to respect the language of Black English using his personal experience. The history of different languages mentioned in the essay is used to help convince the audience of thinking about the term language from a new perspective. Whites and Blacks both may speak the same language, but that does not mean that they understand each other because the language can be spoken in different matters. As Baldwin states, “The white man could not possibly understand, and that, indeed, he cannot understand, until today”. A white man or black man had to be careful about the words they used in front of each other because some words would be considered offensive for one another. Baldwin uses African American language and culture to reveal the impact that the English language Americans use has created.

The author uses language as a tool to show the characters’ status in society as black or white. Various language techniques are used to display the classes of society. The words “blanker” (used by blacks to describe whites) and “dagger” (used

The woman who raised and loved him did not know him any longer. This is one of many instances that illustrates the white society’s “lack of mercy and compassion” (22). Malcolm X blames whites for robbing his mother’s dignity, for separating his siblings, and for “disintegrating” his home and unity. Therefore, Malcolm X states he has no compassion for “a white society that will crush people” (22). The word “crushed” imparts the same horror he feels on the audience to illuminate the extremity of racism so that the audience can sympathize with his reasoned anger. Being called the ‘n-word’ in his life is another factor in Malcolm X’s belief that white society is demeaning to blacks. When Malcolm X told his English teacher that he wanted to be a lawyer, she replied, “That’s no realistic goal for a n-word” (118). The teacher’s statement is a clear portrayal of the widely accepted sentiment in that time period that African Americans are too incompetent to have good jobs and have ambitions. As a result, this incident deeply affected Malcolm X and has contributed to his disapproval of blacks being servile in a white society. Malcolm X appeals to the audience 's sense of horror and hatred by sharing his experiences in order for paint a more illuminated picture of racism.

Richard Wright’s plead in the Blueprint for Negro Writing could be very well summarized in one of the famous words from Thomas Kempis, “Be not angry that you cannot make others as you wish them to be, since you cannot make yourself as you wish to be.” In this popular essay, Richard Wright denounced the Negro writers as he perceived them to be merely begging for the sympathy of the bourgeoisie instead of striving to present a life that is more worth living for the Black Americans (Mitchell 98). This paper argues that Richard Wright was justified in his assessment that literature was so concentrated on pandering to white readers thereby neglecting the needs of the “Negro

Johnson uses words like “disdainful”, “magnificent”, “pompous”, “incompetent”, “imitate”, “supercilious”, “arrogant,” “meed,” and bold to describe the Negro in Harlem and to show their ‘supercilious’ nature towards other cultures.