No Coward Soul Is Mine Poem Meaning

Though written in a very light and simple manner, the poem comes across as something very profound, laden with meaning through its incongruities. The persona, wanting to see something, often goes to the well and looks down at the water to see it. This certain search below the water's surface can be compared to man's search beneath the human experience for meaning, for certainty.

Death is inevitable; it should not be feared but instead accepted, and this is the main idea and theme explored in Emily Dickinson’s “Because I could not stop for Death.” In the poem, Death is personified as a gentleman who “kindly stopped [stops] for me [her]” (Dickinson 2), “slowly drove [drives] … know[ing] no haste” (Dickinson 5), and with whom she stops at a “house that seemed [seems]/ A swelling of the ground” (Dickinson 17-18) or in other words, her grave. To begin the poem, the fact that Death is represented as “if he were a human being” (Evans 15) implies that it is humane. This contributes to the idea that death is not to fear. Later on, it can be concluded that this person has control over her as she describes how she “had put away / My [her] labor, and my [her] leisure too, / for his civility” (Dickinson 6-8), which implies that “everything that had once seemed so important and distracting now recedes in importance” (Evans 17), and how he “slowly drove [drives] … know[ing] no haste” (Dickinson 5), which gives “no clear sense of the underlying purpose of the journey or its ultimate destination” (Evans 16) and thus implies that only Death knows the path and destination of the journey. Both of these examples contribute to the fact that Death completely controls a person against its will and that it is inevitable. Finally when “we [they] paused before a house that seemed / A swelling of the ground” (Dickinson

Hughes picks up on the inferiority of mankind in comparison to “unkillable” nature. Hughes conveys the idea that nature is immortal and lives off our deads’ remains, we see this through the listing of “tributary graves” being part of what the North Sea “swallows”. This imagery is morbid and voices Hughes’ anti-pastoral feeling. He uses this poem to establish that nature is not

In the poem there is also an idea of man verses nature, this relates to the survival of the fittest. John Foulcher shows this through the use of first person point of view. For example in the second stanza “Then above me the sound drops” this again possesses sensory imagery creating a deeper human aura throughout the poem. Foulcher further uses a human aura to build a sense of natural imagery for example in the last stanza : “I pick up these twigs and leave them” adding closure

The poem contains two stanzas with two different settings. One might not know much about the first stanza; however, in the second one the speaker is next to an ocean, perhaps, at a beach. So, while the first stanza symbolizes the mindset of the speaker, the inner dream, the second stanza symbolizes the outer dream which is what we see; life. The poem

First, Emily Dickinson’s poetry1 continuously rejected society’s perception of death. As death approaches, the one entering eternity and those nearby are often scared

In the first stanza it is the semantic field of water: ‘waters’ (twice), ‘sea’, ‘drowning’ and ‘being drawn’. As I mentioned earlier, water is often the symbol of life but it also evokes tears, sadness and despair.

Throughout “I Wandered Lonely as a Cloud” William Wordsworth shows his relationship with nature through his choice of diction, fantastic descriptions, and shifting mood of his poem. There are also many words and phrases that Wordsworth included into his poem that shows how he feels about nature. These phrases are well written, extremely descriptive, and show how Wordsworth is influenced by the wild: “I wandered lonely as a cloud”, “When all at once I saw a crowd, a host, of golden daffodils", “Continuous as the stars that shine and twinkle on the milky way, they stretched in never-ending line along the margin of a bay: ten thousand saw I at a glance, tossing their heads in sprightly dance”, “The waves beside them danced; but they out-did the sparkling waves in glee”, “I gazed—and gazed—but little thought what wealth the show to me had brought”, and “For oft, when on my couch I lie in vacant or in pensive mood, they flash upon that inward eye [...] and then my heart with pleasure fills, and dances with the daffodils.” Another phrase, which indicates that the flowers were so beautiful that no true poet could be sad in their presence, also builds upon Wordsworth’s relationship with nature. These particular lines in “I Wandered Lonely as a Cloud” show how Wordsworth’s mood shifts from somber and lonely to joyous and content. The lines also show how the gorgeousness of nature sticks with

However, in contrast to Emily’s poem, the speaker undervalues death’s supremacy as its power is actually not in its own control. It is a contradictory to Emily’s poem. In line 9 "Thou’art slave to fate, chance, kings, and desperate men" indicates death as a slave as it does what has been ordered from the superior ones. Death takes human’s life not because he is willing to do so but because he is forced to do so. In line 10-11, “And dost with poison, war and sickness… can make us sleep as well” the speaker associates death with poison, war and sickness as death is not the only factor of human’s deceases which then the speaker posts rhetorical question for death to stop being proud. Also, the usage of rhetorical questions like in line 2 “For thou art not so” makes death fragile. Further, the last line in this poem “And death shall be no more; Death, thou shalt die” points out that at the end, the only one who dies is death itself which will be discussed in the element of Christian theology in this essay. The ending also eventually argues that death is weak and vulnerable, not in control and that is the reason why human should not fear death. All the arguments made by the speaker in this poem creates death less powerful and less control of itself which illustrates a condescending tone to elucidate death’s incapability to kill.

The speaker feels that faith has disappeared and has separated her or him from the "ebb and flow" of life. This lost faith is compared to a sea that is very similar to the sea described in the first stanza. Words of lightness and beauty are used once more. The shore "lays like the folds of a bright girdle furl'd." There is a sense of encompassing joy in this phrase. This bright and joyful image is then contrasted by the last five lines of the stanza. "The Sea of Faith" has now retreated, like a tide withdraws from the shore. It is interesting to note the similarities and differences between the words of these five lines and the words from the first stanza. The sweet "night-air"becomes "the night-wind," and the cliffs that were once "glimmering and vast" are still vast, but only dreary edges. The sea that was "round" and "full" has now left the world empty and exposed. Similarly, the speaker has lost his faith and feels alone and vulnerable.

The image from this poem that remains most vivid in my mind is “The blood-dimmed tide is loosed…” because it is striking. It gives the image of a blooden sea and thick crimson waves. How I would describe the speaker’s view of the future is grim and morbid. He sees destruction in the future and only

Who does not cower in fear upon the thought of death? Almost everybody does! However, people have differing views on the abstract idea of dying. In examining the poem "Because I Could Not Stop For Death? by Emily Dickinson and "Do Not Go Gentle Into That Good Night? by Dylan Thomas, it is evident that the poets use contrasting and comparative techniques in their unique presentations of the concept of death. In the poem "Because I Could Not Stop For Death? Emily Dickinson presents the idea of acceptance of death, whereas in the poem "Do Not Go Gentle Into That Good Night? Dylan Thomas presents the idea of refusal and opposition to death. Despite the differences in theme, these two poets both use similar figurative language devices, such as

“In Tintern Abbey, Wordsworth fears the loss of his genial spirit and seems to be worried about his poetic ability. Similarly, Coleridge, in Dejection, admits that his poetic originality is at stake” (Magnuson 15). In the forth stanza, Wordsworth writes, “Nor perchance / If I were not thus taught, should I the more / Suffer my genial spirits to decay” (113-115). Likewise, Coleridge, in the third stanza, writes, “My genial spirits fail” (39). Actually, both Coleridge and Wordsworth admit that they have been facing problems with nature. In the beginning of the third stanza, one can feel the sad tone of Wordsworth’s poem. The poet tells us how he lost part of his feelings toward nature. His ideas become “dim” and “faint.” He writes, “And now with gleams of half extinguished thought, / With many recognitions dim and faint, / And somewhat of a sad perplexity” (59-61). He cannot feel nature the same way he used to do as a child. Describing the way he was as a child, the poet says, “I cannot paint / What I was then” (76-77). Similarly, Coleridge asserts that he used to view nature differently as a child. In the beginning of the sixth stanza, he says, “There was a time when, though my path was rough, / This joy within me dallied with distress, / And all misfortunes were but the stuff”

Indeed, this sound of sadness is an ancient entity since Sophocles long ago/ Heard it on the Aegean, and it brought/ Into his mind the turbid ebb and flow/ Of human misery. The eternal note of sadness has been important to writers and philosophers throughout time. Arnold believed this same sound existed in all the seas around the world. The waves, sounding of despair, also symbolize the curtailment of religious values. In stanza three the speaker describes the diminishing faith of religion in England: The Sea of Faith/ Was once, too, at the full, and round earths shore/ Lay like the folds of a bright girdle furled. At one point Englands faith was like a high tide. It was similar to a belt being placed around the world, holding it together. During this time people believed in their religion, thus leading England into a state of order and tranquility. However, now the speaker only feels a troubled sense of blankness: But now I only hear/ Its melancholy, long, withdrawing roar,/ Retreating, to the breath/ Of the night-wind, down the vast edges drear/ And naked shingles of the world. This passage emphasizes a mood of uncertainty and alienation in the world. In stanza four, the speaker ends on a note of melancholy. Love is offered as a possible solace from the sadness of the world, but quickly this idea is abandoned for the world,

Many people have both feared and questioned death throughout the ages but when it’s time to die, two kinds of people emerge: those who accept it and wait to die, and those who keep fighting. Dylan Thomas describe the importance of continuing to fight in his poem “Do Not Go Gentle Into That Good Night”, which he wrote for his dying father. Firstly, there is lots of symbolism in the poem, which helps to develop the theme of never giving up. Secondly, the author uses many literary devices, which help to develop the main theme of the text, which is to never stop fighting. Lastly, there is lots of imagery used to help develop the theme of persevering until the end even more. Death is all around us but it is important to persevere and keep fighting