Nicholas Brothers Research Paper

Back in the ninteenhundreds this was the time period where different styles and techniques of dance were created among people with different backgrounds and experiences. During this time period dance styles like tap and Jazz were created and had many people to influence this kind of dance in order for this style of dance to become as popular as it did. However, people have a controversy whether if jazz or tap dance is considered an art or an entertainment. In society, people viewed Jazz either as art or entertainment because where and when people performed there and how their personality is shown in the dance and what interpretation people get out of the performance. Tap on the other hand people had the same views as they did for jazz and most people say tap and jazz relate to each other because many of the techniques are very similar and they are all American dances that eventually evolved into different styles and how it's portrayed on the dance floor. Therefore even though these both dances have different significance in style, they both have the same journey of beginning as a form of entertainment to an art, but still having that aspect of entertainment in mind.

As world has changed over the last century or so, the ballet world has been changing with it. There are many people who have helped shape that change. The changes in style were mainly influenced by George Balanchine. George Balanchine, a Russian choreographer and ballet dancer, also known as the father of American ballet, was the man who was said to have changed the style of ballet forever. Along with these changes in style came changes in visual design elements, inspirational figures, and changes in what the ballets themselves tend to rely on. Many of the features given to ballet in Russia in the 15th and 16th century still remain to this day, but many features have been altered to fit . Let’s take a closer look at what features truly

Nick Robinson is a very good looking American actor. He is mainly known as co-starring in the Melissa & Joey as Ryder Scanlon. He plays as the nephew of Mel Burke. He also played the protagonist in The Kings of Summer as Joey Toy. It was directed by Jordan Vogt-Roberts.

The Marist Brothers were invited to Kilmore to start a primary school for local boys in 1893. This they did, but as the new century approached the Catholic educational needs of rural families from northern Victoria and southern New South Wales had to be considered. In 1901 the first boarder was enrolled at the College, as a response to the needs of those families. In 1907 the school was registered and officially known as Assumption College, Kilmore.

Rapper and actor Willard Christopher Smith Jr. was born on September 25, 1968. He was the second oldest of four children born to Willard and Caroline Smith. His father owned a refrigerator repair company, and his mother was a school teacher. Both raised Smith and his siblings in a middle class neighborhood in west Philadelphia, Pennsylvania (Keegan, 2007). As a child in school, Smith was very funny and charming. He managed to charm his way out of trouble with the teachers many times and that earned him the nickname “‘Prince’” (Keegan, 2007, p. 84). This nickname would later become part of the title of his hit television show. However, Smith actually got his start in the entertainment business not through acting, but instead by rapping. While

Listening to Music class has taught me a new way to listen and enjoy music. I have learned how to differentiate the melodies, rhythms, and instruments in a song. It has also introduced me to different genres in the music world, aside from what is usually played on the radio. I can now attend any concert, listen to any genre, or watch any ballet and easily recognize the many specific aspects the music being played has. Ballets are very interesting to me. The audience is able to enjoy the music being played as it is telling a story, and being acted out through the performer’s body language. In the two ballets, The Rite of Spring and The Nutcracker, a great story is told in both referencing the many great dynamics music has. These two specific ballets are written by different composers, and each one of them have certain conditions they were written under. As well as different receptions, popularity, and development. The Rite of Spring and The Nutcracker’s differences has made some sort of an impact in the performing world back then as well as now.

After hundreds of years of evolution and development, tap dancing has become a truly authentic American artform. However, no two people can agree on exactly how or where the discipline began. Emmy-award winning tapper Jason Samuel Smith still holds an enormous amount of respect for the history of his artform. “Tap culture is all about celebrating the past and accumulating its vocabulary over time,” he says. “If we don’t maintain our history, we lose what is valuable about tap.” Despite the questionable and often debated origin of tap, the discipline stems directly from African roots due to articulate rhythmic and stylistic patterns of African dance, techniques consisting of gliding, shuffling and dragging steps, and the introduction of

Mrs. Farrell’s book is quite technical when it comes to the lengthy descriptions of the dances she rehearses and performs; from a dancer’s view these varied conclusions of the types of movements she was dancing is quite astonishing. In fact, it adds a whole new level to the imagination that can come alive in a person’s thoughts when they read an expressive book. Although the technical explanations will excited, astound, and reveal how much passion and deep meaning ballet had in Suzanne Farrell’s life, but a reader, who may not be involved in the arts will be unfamiliar with the ballet and musical terms in

Dance is an ever evolving form of art; in much the same way that one can categorize and differentiate between eras and styles of architecture one can also do so with dance. These eras at times have sharp delineations separating them from their antecedents, other times the distinction is far more subtle. Traditional forms of dance were challenged by choreographers attempting to expand the breadth and increase the depth of performance; preeminent among such visionaries was Seattle born dancer and choreographer Mark Morris. Mark Morris' began as one of the millions of hopeful individuals attempting to simply make a career in dance; he not only succeeded but managed to have a lasting effect on the entire landscape of dance.

Tap dance is an uniquely American dance form. The percussive use of one’s feet combined with the use of rhythms and amplification of sound, has a complex history that involves the intercultural fusions of English, Irish and African musical and dance traditions. The evolution of tap dance in America is further complicated by issues of race, class and gender. Unlike ballet with its formal technique, tap dance emerged from people listening to and watching each other dance, in a variety of settings, where steps were shared, stolen and reinvented. Through its metamorphosis the dance form has progressed from local entertainment, to Vaudeville shows, to Broadway shows, to the Silver Screen and to Concert Halls across the world. The legacy of the art form is characterized by the rise, fall and reemergence of popularity. Savion Glover, a 21st century American dancer, is credited with bringing tap into a new era of popularity as he has wowed the masses with his unique style focusing on African American rhythms. Tap dance, uniquely American in that it is a true melting pot of dance forms, is a dance form rich in rhythms, sounds and amplifications and has transcended social and cultural barriers.

The history of ballet is rich, complex and full of powerful meanings depending on the time period. Ballet in the 15th century was seen as something that only select individuals could do, whereas, the 20th century ballet can be preformed by anyone. By thinking about how ballet performers have changed, a question may be thought is, have the people attending these ballet performances changed as well as the performers themselves? Today, children from ages two and up start taking ballet and family members come and watch their final recitals. National ballet companies are also an event and often draw attention to the higher-class individuals who have a taste for ballet. The ballet world could be seen as to having a quite array of attendees, events and functions, but that might not have always been the

Also, by including African-American “theatrical and vernacular dancing” into his performances, it allowed people to experience new kinds of dance that were unheard of for the people at this time period (Escoffier 35). This explains that most of George Balanchine’s amazing performances were able to be successful thanks to his interest in African-American dance culture, which enabled it to spread among the ballet world. Furthermore, he included tap dancing in his ballet performances with the help of Herbie Harper, an African-American tap dancer, which allowed him to further expand movements in his ballet. In addition, with the use of tap dancing, Balanchine was able to “incorporate traditional ballet movements within a jazz-dance framework”, which allowed him to change the “turned out posture of ballet to parallel leg positions” to allow the dancers to perform movements similar

Dance critic Théophile Gautier states, “Nothing resembles a dream more than a ballet...” (Anderson 77). The effortless technique of the ballerina paints most ballets as exactly this. Consequently, there is more to a ballet than technique and dancing. Different types of ballets and their structural components separate one ballet from the next. It is important to understand the difference between the two main types of ballets: Romantic Ballet and Classical Ballet. Romantic ballet in the 19th century differs from Classical ballet in the 20th century structurally, technically, and socially. The two dance forms also vary in costumes and narrative. However, with all of those differences, they both use ballet technique for a specific purpose.

Moving History/Dancing Cultures is a collection of dance related essays and articles by various authors. The book was published in 2001. The article “Searching for Nijinsky’s Sacre” was written by Millicent Hodson. Hodson is a well-known choreographer and lecturer. She has also reconstructed multiple ballets; her most famous being Le Sacre du Printemps, originally choreographed by Nijinsky. As the title suggests, Hodson’s article is about her extensive research of Nijinsky’s Sacre, and the importance of remembering, preserving, and recreating such revolutionary ballets.

Just when social dancing was at its height, World War 2 put a stop to its popularity. Lack of attendance, plus the intricate rhythmic patterns of modern jazz music, which were too complex for social dancing, led to the closing of dance halls and ballrooms. With the demise of social dance, the growth of jazz dance as a professional dance form began. During the 1940’s, jazz dance was influenced by ballet and modern dance. By blending the classical technique of ballet with the natural bodily expression of modern dance, jazz developed a sophisticated artistic quality. Unlike early jazz dance, which was performed by talented entertainers without formal training, modern jazz dance was performed by professionals trained in ballet and modern dance.