Music And Overture: The Barber Of Seville

“Clifton Williams musician, composer and prolific composers of serious contemporary music for the wind band.” He has created some of the biggest standards in the American, Canadian, European, and Japanese Band repertoire.

29. What is an overture? Orchestral introduction to an opera or to another vocal or dramatic work.

At 0:46 they introduce the first orator/conductor by the name of Michael Tielsson Thomas. Everyone applauds him. He explains what the audience will be in for for the evening. Then, clips of some of the orchestra members appear on the wall via projection. At 07:15 the orchestra then begins to play Allegro giocoso from Symphony No.4 in E minor, Op. 98 by Johannes Brahms from the Baroque Period. It was written in Austria by 1880s. The symphony is scored for two flutes (one doubling on piccolo), two oboes, two clarinets, two bassoons, contrabassoon, four horns, two trumpets, three trombones, timpani, triangle and strings.

This piece that they’re trying this year: it starts off quiet, almost mourning. The oboe’s melancholy melody reaches out, connecting its longing with the hearts of everyone—mine especially. Then the bass starts building, and the swells of the clarinets raise the spirits in the theatre up with

When the concert first began, the three instrumentalists walked with energy despite their age. The first song, “Sonata I in G-Major Op. 2, Nr. 1” by Michel Blavet, was a Baroque Sonata. There were five movements and was played by the harpsichord, flute, and cello. All movements of the song were polyphonic because of the three instruments that had different parts and equal importance. In the first movement, I noticed that the flute tended to rise in pitch. In the second movement, I noticed that the melodies often repeated. Throughout the rest of the song the tempo changed from fast to slow and the flute would usually take the lead. On the last movement, the cello and the harpsichord

The introduction opens with a descending minor scale by pizzicato strings, followed by  three sforzandos in the orchestra. Section A begins with strings, woodwind and brass playing a waltz rhythm, which modulates to major. The strings play melody 1, which is then repeated with piccolo countermelody. Brass and string crescendo and cymbal crash before strings play melody 2 which is dotted, and followed by suspensions and an imperfect cadence. The suspensions are repeated with a perfect

The concert opened with A Moorside Suite from England; it began quietly accompanied by the clarinet and saxophone. The tempo started out slowly, then shifted to fast and back again to slow, throughout the entire piece. There was an appearance of a few soloists including the oboe, clarinet, and saxophone. This movement ended with the entire orchestra leading to a final chorale that builds to a fortissimo climax.

The first and opening piece was a Roman Carnival Overture, Op. 9, by Hector Berlioz. In major tonality, classical piece started with vivace statement, and then slow introduction progressed later in allegro. It featured an independent solo that was performed with an English horn and gradually changed dynamics throughout the classical movement.

The first piece that was played was Mozart’s Symphony No.40. This is a beautiful piece of music. There are 38 players in the orchestra for this piece. And they all played

Shostakovich’s compositions were literally a matter of life or death. Under Soviet rule, composers whose work was not seen as towing the party line could be liquidated, a fate met by many of his colleagues. One of these cases was a Jewish friend of his, actor Solomon Mikhoels, and he feared the same would happen to him. Despite his need for perfection, Shostakovich was known to write at an astonishing speed, and his Festive Overture was no exception. One of his most popular pieces, Festive Overture was written for a concert in November 1954 for the 37th anniversary of the Russian Revolution. The story behind its creation is quite astonishing; Shostakovich was visited in his apartment one day in autumn 1954 by

Beginning with the first piece called “Overture to La Cenerentola” composed by Gioachino Rossini in 1817. It was part of the Rossini 's version of the opera, Cinderella. An overture is used to capture the audience 's attention. It informs the audience the concert is about to begin. This piece is still a good selection for an overture. The contrasting soft and loud pitches made a good way to get the audience 's attention. Also the brass section became a vital piece towards the end with the intense The increasing and decreasing tempo seemed like a good warning that the main event was about to begin. I really enjoyed this music. I felt like it was light because of how the strings and woodwinds interacted. This helped the mood in the room go from somber to upbeat.

The oboe then plays main melody. There is a rallentando and diminuendo with a flute melody and pizzicato strings.

Never could I have thought that my first concert experience was going to be in a college class, performed by various composers of classical music. During the concert, I got to listen to four performances. First, the Oxycotton was played by Tim Sanchez. Second, Samantha Post played Acht Stucke on flute, followed by Nicholas Gledhill, playing Blues and Variations for Monk on horn. Finally, the CSU Graduate Brass Quintet performed a piece named Misty. In this essay, I will share my personal experience of the concert and discuss the different elements of music seen in the different performances.

The first piece was “Overture from the Singspiel”, which is composed by Wolfgang Amadeus Mozart. The conductor is James Martin. When it comes to the acomposer, Mozart was born January 27, 1756, Salzburg, archbishopric of Salzburg [Austria]—died December 5, 1791, Vienna), Austrian composer,

The first half of the performance was a complete orchestra of woodwinds, strings, drums, brass, excreta and a four part choir. Overall the performance took no longer than thirty minutes to play the three-part Symphony of Psalms. This Symphony was much shorter than I was