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Music And Its Influence On The Italian Genre

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Throughout history, various styles of music have developed to further the evolution and complexity of music, wether it be commissioned by nobility or, composed for the enjoyment of the normal, common populace. English madrigals, though not the longest lasting style, is one such form of music that has had a lasting impact on the continuing composition of music. Madrigals are defined four ways in A History of Western Music. The fourth definition, “English polyphonic work imitating the Italian genre,” is what will be covered in this paper but, to understand this definition, the other four must be explored. Madrigals originated as a musical style in Italy in the 14th Century, but, the style came around again in the 16th century (1588-1627), much more popular and extremely more influential than the previous incarnation of madrigals. Madrigals are songs in a poetic setting, such as a sonnet, or, another nonrepetative verse form. Madrigals in England developed at the same time as mass music printing, under William Byrd, although he himself eventually stopped composing madrigals. In volume 15 of the Second Edition of The Grove Dictionary of Music and Musicians, as to the circumstances of the rise of the madrigal, it states: “A favourable literary situation developed in the 1570s, when Spenser, Sidney and other ‘new poets’ undertook a comprehensive reform of native poetry along Italian lines.” From here, Musica transalpina was translated by Nicholas Yonge. Musica transalpina

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