Museum Synthesis Essay

Quoted by Handler and Gable, critic Ada Louise Huxtable declares the newly constructed reproduction of Colonial Williamsburg as “too clean,” arguing that it “does not include the filth and stench that would have been commonplace.” (Source E) This sanitation of the truth completely misrepresents history, and the educational value greatly suffers. Conversely, the National Museum of the American Indian hopes to avoid this lack of judgment by dedicating itself to the “preservation, study, and exhibition of the life, languages, literature, history, and Arts of Native Americans.” (Source C) The main goal of the museum is to “span all major cultural areas” (C) and educate the public about and preserve the rich history of such a vast culture. The authenticity and significance of artifacts are important to representing culture and history, and the ability of these artifacts to educate should be a key factor of the selection process.

Lorraine O’Gradys’ unintentionally historic performances, seemingly elevate everyday life to the status of art. In her ‘exhibit’ at the Studio Museum, her work is represented through photographs, in ‘Art is…’. Thirty years ago, O’Grady presented ‘Art is’ in the form of a float in the African American Day Parade right here in Harlem. Performers pranced with empty frames, metaphorically capturing fleeting pictures of the people and places that surrounded the route of the parade. By doing so, the trappings of high art were brought out of the museum, into the street, which promotes a new way people might begin to recognize this new art form in the celebrations of every day life. The

It was the day of April 13, 2000. I woke up at exactly 12 o’clock because my boyfriend was to pick me up at 1 like we planned the night before. The day looked quite nice, but I was in a fowl mood. I got into a car accident the night before and had a huge argument with my parents about the car. I finally dragged myself into the shower and got ready in half an hour. Then I went downstairs, sat on my couch, and repeatedly told myself the day would hopefully turn out better than last night. At around 1:15, my boyfriend came to pick me up. We took the 5 freeway to the 57 since it was the only way I knew how to get there. As we approached the 134 freeway, my girlfriend veered to the right,

Positioned alongside Central Park in the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museum, especially one as influential as the Met, inherently predisposes its visitors to a certain set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within the museum. Brent Plate in Religion, Art, and Visual Culture argues that “objects obtain different meanings in different locations and historical settings.”An object placed on display behind a glass case inside a museum would hold a vastly different meaning if it was put on sale by a street vendor, like the ones who set up their tables in close proximity to the Met. The different meanings that objects are able to obtain is attributed to the relationships that are established between the object itself and the environment that surrounds it. These relationships often involve the kind of audience that a museum attracts, where the work is exhibited, and how the exhibits within a museum is planned out. Museums subsequently have the ability to control how these relationships are established which influences the way a viewer is able to construct meaning. When a visitor observes an object on display at the Met, they instinctively construct a certain set of

The interpretation and appropriation of culture within museums came under attack starting in the 1960’s. Native American groups raised questions about the biases and agendas of curators and museums and demanded that their voices be heard in the political arena. Many Native American organizations argued that if Whites are the ones interpreting and appropriating other cultures, then it is actually their culture on exhibition.(King 1998: 96, Stocking Jr. 1985: 88, Patterson 2014: 52). Deidre Sklar, a researcher of Native American artifacts, stated that: “Time and space in a museum, are defined in terms of the confines of the collection, not of the context from which [the collection is] drawn. Visiting hours from ten to five and the glass exhibit case define EuroAmerican, not Native American time and space” (Weil 2004:3). In response to this outcry, the Museums of the American Indian Act was created and signed on November 28, 1989, enabling the creation of the National Museum of the American Indian (NMAI). The NMAI is arguably the most famous native-run institution and acts as a living memorial to Native Americans and their traditions (King 1998: 106).

I had an opportunity to visit the oriental institute museum . During my visit to the museum I was made aware of its location and the importance of it to chicago. The museum housed many exhibits of historical value dating civilization back to the paleolithic period of 2,500,000-100,000 B.C. Below you'll find examples of mans rise through the use of tools and refined skills from cave living to structured living throughout evolution. This is an experience that has grounded me to a new interest in structures that we have devised to become the homes we use today for the rest of my life.

Throughout today’s society, media contributes to almost everyone’s daily life. From informative news channels to comical television shows, media proves to be effective in advertisement, releasing messages and informing the audience. Although media proves to be wildly effective in advertising, releasing messages and informing the audience, periodically destructive and misleading messages are provided to the audience and directly influencing women. Cultural critics widely agree that media tends to negatively influence women and all the critics point to research which supports the belief that women are portrayed as subordinate to men, having no

One pleasant afternoon, my classmates and I decided to visit the Houston Museum of Fine Arts to begin on our museum assignment in world literature class. According to Houston Museum of Fine Art’s staff, MFAH considers as one of the largest museums in the nation and it contains many variety forms of art with more than several thousand years of unique history. Also, I have never been in a museum in a very long time especially as big as MFAH, and my experience about the museum was unique and pleasant. Although I have observed many great types and forms of art in the museum, there were few that interested me the most.

Positioned alongside Central Park within the heart of New York City, The Metropolitan Museum of Art is one of the largest and most influential art museums in the world. The Met houses an extensive collection of curated works that spans throughout various time periods and different cultures. The context of museums, especially one as influential as the Met, inherently predisposes its visitors to a set of understandings that subtly influence how they interpret and ultimately construct meanings about each individual object within a museum. By analyzing two separate works on exhibit at the Met, I will pose the argument that museums offer a unique expression of a world view that is dictated through every element of its construction.

Compiled in 1854 by Louis Haghe, Joseph Nash and David Roberts, Dickinson 's Comprehensive Pictures of the Great Exhibition of 1851 reveals large amounts of information regarding exhibitionary cultures in the nineteenth century. The catalogue was produced for Prince Albert, who was the patron of the Royal Society for the Encouragement of Arts, Manufactures and Commerce. This source suggests the Great Exhibition followed a similar trend how museums mainly operated in the nineteenth century. Most images in the catalogue represent the Victorian notion of progress, making visitors react a certain way to exhibits and also influencing behaviour generally throughout the museum to the same way that Foucault shows with the concept of the Panopticon. Using the images of Moving Machinery, General View of the Exterior of the Building and The Transept in the Comprehensive Pictures catalogue, this essay will analyse each of these images to show their revelation of exhibitionary cultures, which means to critically understand attitudes to the way which museums operate exhibitions. It will also examine how historians responded to the historiographical debate surrounding the Great Exhibition, and argues that the Great Exhibition was generally successful and that it had a mainstream exhibitionary culture compared with other museums in the nineteenth century.

First art was created thousands of years ago and I believe since then till early 19th century art was possessed of such functions as moral function and didactic function. In the early 19th century appeared slogan - “Art for Art’s Sake”.

Perez Art Museum was my choice for museum visitation paper. Perez Art Museum in Miami is a modern and contemporary art museum dedicated to collecting and exhibiting international arts of the 20th and 21st centuries. Perez Art Museum continue tradition of Miami Art Museum, known as The Center of Fine Arts first opened in 1984. Perez Art Museum have a goal to improve life for visitors and residents of Miami Dade County by showing some of the most progressive visual arts of our time.

If “prose is architecture, not interior decoration” (Ernest Hemingway), and decoration is conceptually “the negative pole” of architectural theory (Rudolfo Machado), then adaptive re-use is……

The goal of any artist is to provoke emotion from their viewership, be it positive or negative, an emotional response is the goal. Today we will discuss the use of both light as well as color to attain this result from Clinton Fein’s Coca Cola piece. Clinton Fein is an artist, writer, and activist known for his controversial website anoy.com as well as his pursuit of first amendment rights, including his Supreme Court victory against Janet Reno, over the issue of whether or not the Communications Decency Act of 1997 was in fact constitutional. The name of the piece I chose today is Coca Cola. This was created in 2003 and is located in The Freedman Gallery at Albright College, part of Alex and Carole Rosenberg Collection (See Figure 1).

Collections play a crucial role in fulfilling a museum’s mission and purpose. A museum’s collection is defined by its collection policy past and present which in turn helps to shape the museum’s goals and direction. As stewards of collections, museums are expected to maintain the highest professional standards legally and ethically.