Vivien Zheng
Carvalho
English Ⅱ K-1
01 May 2018
Wuthering Heights Motif Essay: Gates, Doors, Locks & Keys
The ominous history of a petulant landlord, Heathcliff, unravels to the keen curiosity of the new tenant, Mr. Lockwood. Narrated by Nelly Dean, a servant of the household, an unpleasant love triangle between Heathcliff, Catherine Earnshaw, and Edgar Linton presents itself as the force that intertwines the two families through love, betrayal, and revenge. Heathcliff’s unrequited love with Catherine prompts his intention for vengeance at his rival, Edgar, even until the last seconds of their lives. Throughout Emily Bronte’s novel Wuthering Heights, the motif of gates, doors, locks, and keys reveals the theme: In positions of inferiority,
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One for the selfish desire of revenge, and the other, for blind love. As Heathcliff returns to the Heights with his new wife, he reappears “for the purpose of locking the outer gate” as if they “lived in an ancient castle” (137). Also, Isabella writes in a letter to Nelly a distress call for the regrets of her superficial marriage, questioning if “Heathcliff [is] a man” or a “devil” (136). Heathcliff’s deprivation of his one true love, Catherine, by Edgar causes him to believe that imprisonment of Edgar’s younger sister, Isabella, would ruin him. Since this story takes place during the 19th century, men back then often believed matrimony meant the woman belongs as their possession. Thus, Heathcliff forbids Isabella from being able to escape his ownership by locking the gate to the exit. Throughout the letter, Isabella tells her horrid experience at the Heights, discovering the monster which actually resides inside Heathcliff’s broken self. The damaging effects of revenge, deriving from Heathcliff’s loss of Catherine, results in the confinement of Isabella inside the gates of Wuthering …show more content…
During a meeting of the two progenies, Heathcliff threatens Linton to convince Cathy to accompany him back to Wuthering Heights. After they arrive, Heathcliff “shut and locked [the door]” (270), promising he “shall be [Cathy’s] father to-morrow” (271). The locked doors serve as an imperative element in Heathcliff’s plot for revenge.He envisioned Edgar’s deteriorating health as an opportunity to strip away the last of Edgar’s most prized possession, Thrushcross Grange. Heathcliff’s overwhelming obsession for avengement once again ends up in the incarceration of another family member. Cathy takes many attempts to escape, “[trying] the kitchen door”, however Heathcliff had “fastened [the] outside” (271), along with the rest of the doors at the Heights. Nonetheless, Cathy ultimately falls under Heathcliff’s deception, marrying Linton, and Heathcliff gains proprietary of Thrushcross Grange after Edgar’s death. Locked doors inhibit Cathy’s freedom, undoubtedly aiding in the execution of Heathcliff’s lifelong pursuit for
He later owns Wuthering Heights and resides there with his wife Frances, who suffers from her own mental problems with being so afraid of death. Thrushcross Grange is the house that those with some sort of physical illness reside in. This includes Mr. and Mrs. Linton, their children Edgar and Isabella, Linton Heathcliff, and Cathy. Mr. and Mrs. Linton decide to have Catherine stay with them after she is bitten in the ankle by the dog. During this time, it is believed that they contract the same fever that will later cause Catherine’s death, which ultimately causes their death as well.
As a consequence of Heathcliff's visit to the Grange, Edgar's sister Isabella falls in love with him, and her feelings seem to be sincere. In this one-sided love affair Heathcliff takes advantage of the innocent girl's infatuation to foster his obsession for revenge. (Isabella is her brother's heir). Catherine's reaction is very hard to interpret. It is natural that she is jealous, if she still feels the same for him as before, and that may be the reason why she dissuades Isabella from marrying Heathcliff. But the words she uses, telling her what an abominable creature Heathcliff is, are not the sort you expect to hear from someone talking of a sweetheart. Later on when her husband and Heathcliff are having a quarrel, she stops Edgar from hurting her friend . There is an excess of emotion, and her explanation to this behaviour is that she wants them both, Edgar and Heathcliff: "Well, if I cannot keep Heathcliff for my friend - if Edgar will be mean and jealous, I'll try to break their hearts by breaking my own" (109).Her love for Heathcliff has not cooled down, instead it seems to be a stronger obsession than ever considering the torments she goes through, when she becomes seriously ill.The last time Catherine and Heathcliff see each other is a very heart-rending meeting. Their love for each other is as strong as ever, and Heathcliff
In this passage, Edgar is described as a ‘sleepless guardian’ of Catherine’s body, and stays with her until the point of exhaustion, when he finally leaves for a few hours to sleep. During this time, Heathcliff lingers outside and waits for Edgar to leave; when he finally does, Heathcliff sneaks inside to say goodbye to Catherine. This directly shows the contrast between the two men.Similarly, Edgar grieves by isolating himself in his library, while Heathcliff grieves by taking out his anger on
In Wuthering Heights by Emily Brontë, Heathcliff’s strong love for Catherine guides his transformation as a character. While Heathcliff enters the story as an innocent child, the abuse he receives at a young age and his heartbreak at Catherine’s choice to marry Edgar Linton bring about a change within him. Heathcliff’s adulthood is consequently marked by jealousy and greed due to his separation from Catherine, along with manipulation and a deep desire to seek revenge on Edgar. Although Heathcliff uses deceit and manipulation to his advantage throughout the novel, he is never entirely content in his current situation. As Heathcliff attempts to revenge Edgar Linton, he does not gain true fulfillment. Throughout Wuthering Heights, Brontë uses Heathcliff’s vengeful actions to convey the message that manipulative and revenge-seeking behaviors will not bring a person satisfaction.
Heathcliff resents her scorn. He desires to regain her approval. He attempts to be “decent” and “good” for her sake (Brontë 40). However, his attempt to be decent fails miserably. He resents the attentions that Catherine gives to Edgar. Catherine would rather wear a “silly frock” and have dinner with “silly friends” than ramble about the moors with him (Brontë 50). Heathcliff keeps track of the evenings Catherine spends with Edgar and those that she spends with him. He desperately wants to be with Catherine. When Catherine announces to Nelly her engagement to Edgar, Heathcliff eavesdrops, but leaves the room when he “heard Catherine say it would degrade her to marry him” (Brontë 59). Catherine has spurned his love, choosing Edgar over him. Heathcliff cannot bear this rejection. The love he possesses for her transcends romantic and filial love (Mitchell 124). He feels that he is one with her (Mitchell 123).
In Wuthering Heights, Emily Bronte uses the setting of the English Moors, a setting she is familiar with, to place two manors, Wuthering Heights and Thrushcross Grange. The first symbolizes man's dark side while the latter symbolizes an artificial utopia. This 19th century setting allows the reader to see the destructive nature of love when one loves the wrong person.
As a young orphan who is brought to Wuthering Heights, Heathcliff is thrown into abuse as Hindley begins to treat Heathcliff as a servant in reaction to Mr. Earnshaw’s death. As a reaction to both this and Catherine discarding Heathcliff for Edgar, Heathcliff’s sense of misery and embarrassment causes him to change and spend the rest of his time seeking for justice. Throughout this time, Heathcliff leans on violence to express the revenge that he so seeks by threatening people and displaying villainous traits. However, Heathcliff’s first symptom of change in personality is when Heathcliff runs into Hareton after Cathy “tormented
In chapter 27, Edgar’s health continues to deteriorate and he lay on his deathbed leading Cathy and Mrs. Dean to pay a visit to Linton at Wuthering Heights. This quote is said in response to Cathy, who fights with Heathcliff after she realizes that he has the imprisoned her and Nelly both inside his home, with a plan to not release her until after she and Linton are married. After Cathy is locked inside, Linton reveals to her Heathcliff's plans, and the readers feel a sense of inescapable doom start to exist. This quote is emblematic to the action within this novel because it reveals Heathcliff’s master plan to the readers: to marry off Linton and Cathy so that he may lay claim to Thrushcross Grange. The kidnapping of Cathy and Mrs. Dean is
Heathcliff overhears this conversation between Nelly and Catherine and leaves Wuthering Heights after hearing Catherine say that it would degrade her to marry him. Heathcliff tries to make himself more presentable to Catherine by moving up the social system. However, he does this by cheating and taking advantage of people. Heathcliff takes advantage of Hindley's state of alcoholism and takes over Wuthering Heights. Heathcliff also takes advantage of Edgar Linton's will my making young Catherine (the daughter of Catherine Earnshaw and Edgar Linton) marry Linton (the son of Heathcliff and Isabella Linton)
While at Thrushcross Grange, she grows infatuated with Edgar, despite her love for Heathcliff. Edgar came from an upper class family as well and took care of her when she was in a dog accident. This leads to her acceptance of Edgar Linton’s marriage proposal despite her statements regarding her love for Heathcliff. Heathcliff overhears unfortunate passages of Catherine's discourse and disappears for a period during which he mysteriously makes his fortune and changes irrevocably from the person he was. Vengeance consumes him, and Heathcliff attempts to destroy the lives of those who wronged him, (as well as their children). Ultimately, Heathcliff’s bitterly executed vengeance is effaced by a love between Hareton and Cathy that mirrors Heathcliff’s own love for Catherine. Hareton is Catherine’s nephew and Cathy is Catherine’s daughter, which makes the two first cousins.
The extract I am going to analyse belongs to the novel Wuthering Heights, the only novel written by Emily Brontë and considered to be a classic of the English Literature. Emily Brontë (1818-1848) was an English writer and poet, and member of the Brontë family, in which some of them were also writers such Charlotte Brontë or Anne Brontë.
Catherine determines that it will be more practical to marry Edgar. She explains her reasoning to Nelly, and Heathcliff overhears part of the conversation. He is heartbroken and leaves Wuthering Heights. Catherine goes into a fit, demanding that everyone search for Heathcliff and bring him home. She is quite upset and angry (even beating her young nephew, Hareton).
Cathy and Hindley alter him into a vicious, lonely master: ‘“The tyrant grinds down his slaves and they don’t turn against him, they crush those beneath them”’. This shows that Heathcliff will not take revenge on Cathy directly, but will hurt those who are close to her. This is because Cathy married Edgar Linton and said that it would degrade her if Heathcliff was her husband. In addition, he will take
With Heathcliff interfering as well, Edgar is caught in between the two lovers, being used for jealousy and selfish affection. One way in which this is shown is once Edgar stands up for himself for once, tired of the deception around him, yelling at Cathy.
The novel ‘Wuthering Heights’ (1847) by Emily Brontë and the film adaptation ‘Wuthering Heights’ (2011) by Andrea Arnold each convey respective values and perspectives reflective of the contrasting contexts and forms of each text. The novel, set in the Romantic period, is centred around two families living on the isolated, Yorkshire moors, and the explosive interactions between them. The concept of confinement contrasts against the freedom of nature throughout the novel. Nature is another key theme and a fundamental aspect of the Romantic period, used to present ideas such as rebellion and freedom. Finally, passion within human relationships is thoroughly explored through Catherine and Heathcliff’s relationship within the novel. However, as the film adaptation is a product of a contemporary post-feminist, post-colonial time period, these themes can now be explored through lenses such as racial discrimination, feminism, and human connection.