Mothers in Jane Austen's Sense and Sensibility
"I can no more forget it, than a mother can forget her suckling child". Jane Austen wrote these words about her novel, Sense and Sensibility, in a letter to her sister Cassandra in 1811. Such a maternal feeling in Austen is interesting to note, particularly because any reader of hers is well aware of a lack of mothers in her novels. Frequently we encounter heroines and other major characters whom, if not motherless, have mothers who are deficient in maturity, showing affection, and/or common sense. Specifically, I would like to look at Sense and Sensibility, which, according to Ros Ballaster's introduction to the novel, "is full of, indeed over-crowded with, mothers" (vii). By
…show more content…
Like Marianne, Mrs. Dashwood is romantic and whimsical, more prone to act on feelings than reason. Also similar to her youngest daughter, she often misjudges both the characters and situations of individuals. When Elinor tells Marianne of the difficulties Mrs. Ferrars presents in marrying Edward, "Marianne was astonished to find how much the imagination of her mother and herself had outstripped the truth" (18). Furthermore, Mrs. Dashwood's reaction to Willoughby is just as naïve as Marianne's. "In Mrs. Dashwood's opinion, he was as faultless as in Marianne's" (43). It is only Elinor, acting with the maternal caution her mother does not possess, who has reservations about Marianne's suitor.
Thus, Mrs. Dashwood clearly fails as an authority figure for her children. She does not discourage them from acting recklessly (such as Marianne's trip to Miss Smith's home with Willoughby without a chaperone), nor does she provide the sort of structure or discipline that would prevent such situations from arising in the first place. She does, however, possess the nurturing and affectionate disposition that allows us to see her as, if not always a good mother, at least a loving and well-intentioned one. When Marianne becomes ill, it is only her mother's presence that can put her at ease: "Marianne's ideas were still, at intervals, fixed incoherently on her mother" (264).
Mrs. Jennings, like Mrs. Dashwood, is a good-natured and kind woman,
The awkwardness that transpires as both Elinor and Edward attempt to write letters in the same room shows both Elinor’s and Edward’s reluctance to show their feelings because of society’s judgements and develops their individual characters. Elinor is aware of the impact that her lack of wealth has on her marriage prospects, so she does not admit her feelings for Edward explicitly to him nor her family despite their existence. She is sensible and does not allow her love for a man make her vulnerable. Edward also has difficulty expressing his emotions. His feelings are complicated by his family’s desires and his engagement to Lucy Steele (Sarah Elizabeth Keyes). Despite his feelings for Elinor, he is characterized by his loyalty to his prior commitments. His loyalty, while admirable, is also the hamartia that nearly keeps him away from Elinor forever. Marianne Dashwood’s passion and spontaneity is evident through her actions; she cuts off a lock of her hair for her suitor, John Willoughby, without an engagement and weeps openly when he leaves town. Her excessive sensibility is a critique of women’s dependence on men for happiness. Willoughby is characterized as the perfect man, yet develops into a very problematic and unfaithful character. He draws Marianne in only to break her heart and it is eventually revealed that she is not the only girl
Jane’s motherly figures in the novel are heavily focused on her child and young adult life, when a real mother would be of most importance, and when Charlotte felt her mother‘s absence the most.
The first parental guidance reader’s see in the novel is the Widow Douglas and her sister Miss Watson. These women symbolize what many traditionalists in the 1800s would consider the ideal parenting strategy. The women provided complete structure, emphasized manners, and the importance of religion
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want if a wife"
Jane Austen's 1811 novel "Sense and Sensibility" puts across an account involving two English sisters who come across a series of hardships in their endeavor to find their personal identities in a relatively hostile environment. Elinor and Marianne Dashwood are forced to leave their home, the estate at Norland Park, consequent to their father's death. The two experience economic problems and come to see the world with different eyes as they move in a small house and as they interact with people who are primarily motivated by finances. Even though the two sisters have diverging personalities, they go through similar experiences and they come to have similar perceptions of society.
Elinor's high expectations of Edward are dashed as the novel progresses and she says "Edward seemed a second Willoughby." Edward gave Elinor false impressions as Willoughbydid to Marianne. Edward is redeemed as he behaves honourably to Lucy Steele whereas Willoughby deserts both Marianne and Colonel Brandon's ward, Eliza Williams, to marry for money. Willoughby ends up unhappy and to his relief less of a villain in the Dashwood's minds after his visit to Cleveland.
Jane Austen's Portrayal of Marriage in Pride and Prejudice Marriage plays an extremely important role in Jane Austen's novel 'Pride and Prejudice'. The novel begins with the sentence "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. " This single sentence extremely significant in the fact that it is strongly connected with one of the main themes of the novel, and introduces a powerful irony that clashes with the events that unfold during the progress of the novel. In Jane Austen's day, women of high status were almost entirely dependent on men.
In Sense and Sensibility, the prime example of awkward social interactions is Mrs. Dashwood, embarrassing not only herself but also her children and sometimes in front of possible suitors. In chapter 15, she invites Willoughby to stay, stating “[I]s Mrs. Smith your only friend? ... at Barton cottage you will always be welcome” but adds the warning that “I will not press you to return here immediately, because you only can judge how far that might be pleasing to Mrs. Smith” (Austen 77). In these statements, we can see her antagonism
Mrs. Dashwood – Mother of Elinor, Marianne and Margret. Is a romantic, wants the best for her daughters.
In Jane Austen's last completed novel, Persuasion, England is one large family with two distinct branches, the navy and the aristocratic upper class-it is no accident that the two large books consulted in the novel are the Baronetage and the Naval Lists. The naval family poses a threat to the aristocratic family; in fact, undertones of social instability riddle the text, through imagery of death, illness, and accident. The marriages of Anne Elliott, Louisa Musgrove, and Harriet Musgrove reveal a gentry which can only redeem itself through intermarriage with the professional meritocratic class, symbolically taking on their values of utility and social responsibility, and
The Austen’s were highly regarded in their town. Mr. and Mrs. Austen raised their children in a loving manner, which contributed to the strong relationship that the family possessed. Furthermore, Jane’s parents focused on education and provided their children with a plethora of books that stimulated their imaginations. The atmosphere in which she grew up in were perfect conditions for an aspiring writer. Jane and her sister Cassandra enrolled in boarding school as young girls. Here, they were formally taught
Jane Austen, the author of Pride and Prejudice, holds feminist views and uses the novel to show her opinions about women's issues. Pride and Prejudice is a personal essay, a statement of Jane Austen's feelings about the perfect lady, marriage, and the relationship between the sexes. Jane Austen's characters, plot, and dialogue are biased to reflect her beliefs.
"The Mother," by Gwendolyn Brooks, is a sorrowful, distressing poem about a mother who has experienced numerous abortions. While reading the poem, you can feel the pain, heartache, distress and grief she is feeling. She is both remorseful and regretful; nevertheless, she explains that she had no other alternative. It is a sentimental and heart wrenching poem where she talks about not being able to experience or do things with the children that she aborted -- things that people who have children often take for granted. Perhaps this poem is a reflection of what many women in society are feeling.
In the early 1800s Jane Austen wrote what would be her last novel, Persuasion. Persuasion is set during the “Georgian Society” which greatly affects the character's views and actions throughout the novel. Anne Elliot and Frederick Wentworth quickly fell in love when Anne was just nineteen years old, but because he wasn't wealthy enough, Anne was not given the permission by her father, Sir Walter, to marry him. Eight years after this incident, the roles have reversed; Sir Walter has lost all of his money and Frederick Wentworth is now known as Captain Wentworth. Throughout the novel, Anne tries to overcome struggles with social class in order to fulfill her longing of being with Captain Wentworth. Therese Anderson's statement about the
single man in possession of a good fortune must be in want of a wife.