Morality of the Upper Class in Oscar Wilde's Lady Windermeres Fan Lady Windermere's Fan is a witty commentary on the wiles of social properness in late 19th century England. Oscar Wilde was a flamboyant homosexual understandably critical of the norms of his day. Within the play, lie subtle and overt contradictions about the "properness" of the high born upper-class. During the Victorian period, strict rules governed mannerisms, protocol, etiquette, decency, etc. This decorum became too oppressive for Wilde's taste. The morality of the upper-class is supposedly the standard of the day, to which everyone is evaluated. However, in this play, the morality of the main characters pivots more on the situation instead of social status. …show more content…
Notice, they are also the smallest of the three layers. Just like in real life! As far as the caliber of acting, it was superb. (I didn't expect to like it as much as I did!) The timing of mannerisms was tight and abrupt, as well as the speech. To prevent talking over one another, the characters had to have precise cuing from the other actors. The Duchess of Berwick STOLE the show. She's the most colorful character and most vital to the understanding of the conflict. She dictates her role very well within an embellished gown of supremacy. She has to intersect the other characters' paths at just the right time. She also has to use a lot of facial expressions to convey her character's way of over-emphasizing her opinions. Her animations are overstated like a true snobby aristocrat. Traci Scott is magnificent! In fact, if you take her out of the play, the whole thing becomes so lackluster. In fact, the other characters seem purposely insipid to show how much fun, or interesting at best, a little scandal can be. The scenery was simple and purposeful. This is functional in that the eye is not distracted from the intended focus: the characters' dialogue. Yes, the setting is important, but not to overshadow the conflict(s) at hand. Some reviews described a mediocre delivery based on the dull scenery. Who cares? The richness comes from the plot itself and the witty presentation, not what flowers are in the vase! The scenery is not
Overall, I thoroughly enjoyed the movie, however, I did have some small issues with the film. The movie was entertaining with a fun plot line and quality
The setting is very joyful, graceful and inviting, but within the town hides much evil (mostly Miss Strangeworth) which one might also say is fairly ironic. The author is very skilled at making a well developed setting, which suits the themes of deception, secrets and incorrect first impression very well and makes the reader think more to conceive what is really happening or how the setting connects to theme, characters and other literary devices.
Overall, I enjoyed the film. My biggest issue was the formatting of the film and the medium that it was available. It would have been more enjoyable had the film not been broken up into segments that needed to load. Had the movie been available on DVD or in one longer segment, it would have been easier to watch. The continuous breaks in the action of
Overall I found the movie to be quite interesting and exciting at times but a bit slow in others. The story itself was very clear to me and didn’t cause any confusion. It had a good flow also, just as you were on the verge of falling into boredom with a scene they switched it up on you to keep you
Themes common to both works include social hypocrisy, the nature of marriage, the proper upbringing of young women, the “natural” superiority of the English over the French, questions of inheritance, the nature of a true gentleman, and debates about the proper role of the church in society, of the imagination, and of writers of novels. Wilde’s play offers very different ideals. In fact, it offers no ideals at all, except its paradoxical commitment to doing without them. As Wilde himself noted, “it has its philosophy . . . that we should treat all the trivial things of life seriously, and all the serious things of life with sincere and studied triviality” (Hart-Davis 196).
Act III offers happy resolution to the problems of identity and marriage that drive much of the humor in the previous acts. Wilde continues to mock the social customs and attitudes of the aristocratic class. He relentlessly attacks their values, views on marriage and respectability, sexual attitudes, and concern for stability in the social structure.
In the play, The Importance of Being Earnest by Oscar Wilde, there is a lot of humor that can be found. Specifically, developed behind the characters in this play that display many instances of irony and how important it was to fit into the “status quo” of this time period. There are specific behaviors from the characters of Lady Bracknell, Gwendolen, and Algernon that portray Wilde’s opinion of society during the Victorian Age. The attitude of these characters is snobbish and their manners display double standards and superiority. The play’s use of mockery and irony of these satirical situations is meant to publicly ridicule the self- loving attitude of the upper class while exposing their true absence of intelligence which causes their absurd social behaviors
Oscar Wilde’s play The Importance of Being Earnest (.1993.) is an enlightening epitome of social class in the Victorian era. The satire is driven by the frivolous behaviour, superficial lives and artificial norms within the Victorian aristocracy. Incorporating his own opinion into the play, Wilde continually attacked and mocked their hypocrisy, views on marriage, and their mannerisms. Throughout the play, Wilde used an abundant range of literary techniques to reinforce his opinion. Irony, paradox and hyperboles, as well as witty epigrams and aphorisms were used astutely and were ubiquitous throughout the play. This contributed to the satirical style and tone of the text, and enabled Wilde to effectively communicate his critical perspective on social class in Victorian England.
While those of the Victorian upper class were usually the most refined and intelligent, Wilde portrays them as ignorant and dense. One of the most well described ladies, Miss Prism, is shown to be the least aware. “The most cultivated of ladies, and the very picture of respectability”(63). She is ultimately the most absent minded and leaves baby Jack in a handbag in a cloak room of a major railway station. Through Miss Prism, Wilde is able to propagandize the intelligence the aristocrats usually embody. In addition to this, Wilde refutes the morality of the Victorian elite. The main two characters, Jack and Algernon, are deceptive and are rarely seen to have any morals. Reviewing this play with a sociological/Marxist perspective provides insight on how Wilde wants others to perceive the elite of
The most memorable character and one who has a tremendous impact on the audience is Lady Augusta Bracknell. Wilde’s audience would have identified most with her titled position and bearing. Wilde humorously makes her the tool of the conflict, and much of the satire. She serves well the plot and the theme of the play. She is the strong hand who forces the whole play to move forward with a happy ending.
A person’s name and position in society are significantly important for the upper class, due to the fact that if one were to marry into the family, a key member of the family would judge the person by their social class and the family name they carry to see if they are worthy to being a part of their lineage. In the play, “The Importance of Being Earnest,” a person's social class is highly admired. The main characters are high in society and are falsely appearing to live up to great expectations. In Oscar Wilde’s play, the theme of the social class is extensively explored through the characters, although they are living double-lives.
"I turned half way around and saw Dorian Gray for the first time. I knew that I had come face to face with someone whose mere personality was so fascinating that, if I allowed it to do so, it would absorb my whole nature, my whole soul, my very art itself" (7). During the Victorian era, this was a dangerous quote. The Victorian era was about progress. It was an attempt aimed at cleaning up the society and setting a moral standard. The Victorian era was a time of relative peace and economic stability (Marshall 783). Victorians did not want anything "unclean" or "unacceptable" to interfere with their idea of perfection. Therefore, this quote, taken from Oscar Wilde's The Picture of Dorian Gray,
Wilde’s novel is an obvious evidence of the pervasiveness of main values of Victorian society. According to Wilde, “Aesthetic tendencies have to be taken with prudence and have reasonable limits that imply moral responsibility.” According to the critic Alex Ross, “ Wilde’s aestheticism, his fanatical cult of beauty, was the deepest and most lasting of his passions, and it is now the most radical about him” (Ross 2011).
The genre of comedy, throughout the history of dramatic art has always served to not only entertain audiences, but to make them aware of their own individual flaws, or flaws that exist in society. (Weitz, E.) Comedy has no precise definition, and its boundaries are broad. One function of comedy however has remained the same - to hold up a mirror to the society of the time but through pleasure, inviting audiences to reflect and also providing amusement. Set in the late nineteenth century, the play An Ideal Husband by Oscar Wilde (1895) epitomises comedy, as both a literary and dramatic genre. Wilde was masterful in his ability to combine aspects of evolved comedic traditions and dramatic conventions to critique Victorian society. Drawing on characteristics of Greek and Roman tragicomedy, the choices in the play’s plot involves elements of tragedy as well as scenes that serve as comic relief and give the audience a sense of finality through a happy resolution. (Bureman, L) Focussing on the upper class stratum, Wilde employs a comedy of manners Molière style, of the Restoration Period in the seventeenth century in the play by combining forms of comedy with aspects of realist drama. The portrayal of archetypal figures such as Lady Chiltern and Lord Goring satirize rigid moral value of the time and expose their hypocrisies, through dialogue involving irony, wit and humour. Elements of farce and disguises characterized by ‘commedia dell’arte’, a form of comedy first developed in
Oscar Wilde's An Ideal Husband Oscar Wilde (1845-1903) lived an outrageous and controversial life which was well publicized and condemned, as his life defied the strict social mores of the time. He was put into this public position due to the success of his plays which challenged Victorian earnestness while being hilariously funny. His plays, in particular An Ideal Husband, 1895 portray Victorian society as viciously hypocritical at it's worst and laughably pretentious at it's best. Wilde expressed this point of view in An Ideal Husband through the rich use of plot development, construction of characters, dramatic irony, hyperbole, witty and epigrammatic repartee and satire.