Moonlight Film Analysis

“Steel Magnolias” is a story about the close-knit relationships between six eccentric Southern women living in a small town in Louisiana. The film has a home spun, unpretentious feel to it. The plot alternates between humorous, everyday events with good-natured quips and the seriousness and heartaches to life’s unexpected crises. Through the laughs and tears, the six women learn to endure hard times and emerge from the struggles with grace and dignity. The film is set in the 1980’s with a tight knit homespun atmosphere. The Southern belles who are goofy on the outside but strong enough inside to survive any challenge that life deals them. Friendships help with a

Sixteen candles was written by John Hughes, this movie was his first 1980s teen movies. Hughes was inspired by Molly Ringwald, to write the screenplay. As, he was finishing up writing the screenplay for Mr. Mom and National Lampoon’s Vacation, Hughes' agents at ICM gave him a stack of photos of young actors. When he was going through the stack he noticed Molly Ringwald, then began write the screenplay for the Sixteen Candles. John Hughes finished the script over a single Fourth of July weekend. Hughes also was so impressed with Anthony Michael Hall's performance in National Lampoon's Vacation that he created the role of Ted “The Geek” just for him. Michael Schoeffling got the role of Jake Ryan, as the leading male because of his good

Jenkins’ lighting and sound are also essential to the portrayal of this scene as a key moment in Chiron’s struggle with his identity. These elements characterize Paula as an impeding obstacle to Chiron’s self-discovery. Chiron’s face here is highlighted, while his mother’s face is covered in shadows. This contrasts the two, indicating that the audience should be on Chiron’s side and see the darkness within Paula. Typically, mothers in films are basked in warm light, indicating their nurturing relationships with their children. The shadows covering Paula’s face, therefore, suggest that she is an absent mother figure, which soils Chiron’s natural maturation. Furthermore, no sound can be heard from Paula, though the audience can read her lips and understand the nature of their conversation. Instead, classical music is audible. The use of no sound further establishes Paula as an absent figure in Chiron’s life because she is seen, but not heard. Paula’s body is basked in pink light until the end of the scene, when the light fades to reveal bluish-green walls. In this film, Jenkins uses the

When he returns home his mother immediately tells him “find somewhere for you to be. I got company tonight.”[4] Once again Chiron is rejected from his community and even his own home continuously being dominated by others, he turns to the only place he feels safe Teresa 's house, as Juan has now passed away. Chiron returns to school and is mocked yet again continuing to keep his head down he once again lets those around him dominate his inner emotions. On his way home from school Chiron is confronted about where he 's going when the bullies conclude that he is returning to Teresa 's house they begin to mock Teresa saying “Oh yeah. That chick fine as fuck! Juan been dead a minute, that bitch give free head?”[5] Chiron grabs his bully by the collar and drives him back, for the first time in the entire film we see Chiron retaliate against his oppressor but unfortunately it was not him standing up for himself but standing up for others. After this confrontation with his dominator Chiron visits the beach where he shares an intimate moment with his best friend kevin and for the first time we see Chiron 's true self as expressed through his seexuality. Just as quickly as we see Chiron express himself we she him shut down as the following day at school kevin is dared to beat Chiron in a game called “Knocked Down, Stay Down.”[6] In this scene it is as if Kevin regrets his decision in sharing a moment and is begging him to be his

From the moment you turn on a Wes Anderson movie, you can easily recognize it’s his due to the unique style. Moonrise Kingdom is one of his most popular and stylized films to date. One scene in particular I want to look into is the scene when Scout Master Ward and the other scouts are introduced. (5:31- 8:39) This scene is important to setting up the rest of the movie. It introduces us to the antagonists for the first part of the film as well as showing that Sam ran away from the camp.

The film Moonlight was released October 21, 2016. Moonlight is all African American cast, and was awarded over 25 awards including the Academy Award for best picture. This film is a coming of age story that follows the dramatic ups and downs of the life of Chiron, a young Africa American man growing up in Miami. The plot begins from the time he is in elementary school to the time he reaches adulthood. The plot is structured in three stages of the life of Chiron and touches on the topics of the struggle of dysfunctional households via socialization, sexuality and sexual identity, physical and emotion abuse, and the process of accepting ones self.

“The most exciting moment is the moment when I add the sound… At this moment, I tremble.” (Akira Kurosawa) Sound is arguably the most important concept in cinema studies, being there ever since the beginnings. It can radically change the way a motion picture is looked at and it can render what the director may sometimes find hard to depict using only his camera. Looking upon silent cinema one discovers an era which wasn’t at all silent, but rich in sound of different forms, from the simple narration of the images shown on screen, accompanied by a piano, to the complex score later composed specifically for that film. An example of that complex score is shown in Sunrise, a film by F.W. Murnau, which lies at the border between silent cinema and sound cinema. Considered to be one of the first films with an actual score, Sunrise is a great example of the multitude of dimensions and effects sound can have.

This is a criticism of Moonlight, a film directed by Barry Jenkins. It is a coming-of-age story, telling the journey of a young gay black man named Chiron. Through linear character development the film follows a young Chiron from adolescence into adulthood while growing up with alpha males in Miamis black ghettos. The Story is told in three parts, with a different actor playing the lead role in each section: a young Chiron named “Little”, as a teen named “Chiron”, and an adult named “Black”. Despite a compelling lead performance by Mahershala Ali and Naomie Harris, and its great soundtrack, Moonlight falls flat and never gets out of the shadow of its typical cliche plot, all the while, the film continued to never overcome the obstacle of

Film noirs describe pessimistic films associated with black and white visual styles, crime fiction, and dark themes. Sunset Boulevard is a 1950 film noir directed by Billy Wilder. Sunset Boulevard presents many themes that are common with the genre film noir, but also introduces some differences from the typical movie in that genre.

The movie Before Night Falls directed by Julian Schnabel offers viewers a glimpse of how the homosexual community in Cuba was being mistreated under Fidel Castro’s regime. The true story is told in the eyes of Cuban poet Reinaldo Arenas. The film depicts Arenas life in Cuba and all of the awful experiences that he had to deal with as a homosexual. Eventually he was arrested for false accusations of being a molester, however, he was actually under arrest for being a homosexual. Between the 1930s and 1990s, the Communist Cuba was abusive to the LGBT community as shown in their actions of harassment towards homosexuals, imprisoning the homosexuals, or sending them to re-education camps.

Moonlight is an American drama film that chronicles the life of African-American male Chiron, who is being raised by a careless mother in a harsh Miami neighbourhood. Its most prominent themes are love, stereotypes and identity. The filmmakers create meaning from these through combining different elements of aesthetics (the style or look of a motion picture). Aesthetic effect refers to the practise of using different elements of a film (mise-en-scene, sound, cinematography and editing) to generate film form.

Identity is transitional. Not one identity is held constant throughout one’s life. Thus, the intersectionality of one’s identity conveys how complicated humans are. This complex nature of humans is brought to life in the movie Moonlight. Directed by Barry Jenkins, this coming of age film explores the many facets of identity in the main character, Chiron. Chiron is not the only fully thought character; every named character parallels people of all walks of life. Through the intricacies of the characters, stereotypes are presented and shattered. But, the film’s central point is not to counter stereotypes. Moonlight tells a story of reality where stereotypes are rooted in truth. Consequently, Moonlight plays into a majority of stereotypes of class, race, gender, and sexual orientation.

Humans are constantly criticized for being “different,” so forming an identity within a judgemental and violent community proves to be mentally exhausting. Moonlight (2016) by renowned director Barry Jenkins, vividly depicts three different stages of the life of a boy named Chiron while he transforms from a young boy to a man who struggles with coping to find who he truly is. Living in a poor crime-ridden neighborhood in Miami, Florida, Chiron goes through many trials and tribulations throughout his life to find who he is in a society that gives no mercy to anyone in it. Throughout this story, Chiron battles with forming an identity for himself as he comes to terms with being a homosexual black male who is trying to conceal the utmost fragility of who he really is. Through clever techniques used within the diegesis and mise-en-scene, Moonlight illustrates the difficulties a low-class homosexual African American man must experience throughout his life to be accepted into society as a result of not always conforming to ideas surrounding gender and race.

Young adults go through many changes during their adolescent developmental years, including cognitive, emotional, and social development. Isabella Swan, the main character of the movie Twilight, shows the audience a great visual representation of how she goes through emerging adulthood. Isabella, or Bella for short, is a teen girl in high school who just moved to a new city, Forks, Washington, with her father whom she had not seen since she was a child. After her mom made the decision to move from their home in Arizona and travel the country with her husband who played baseball, Bella was shipped off to her dad’s to finish out high school like a “normal kid.”

Theorist Vsevolod Pudovkin claims that narrative films are mainly a “product of construction” and cautious compilations of “selections of images that have been shot” (Renée).