In ancient literature, hybrid beasts are always perceived as the antagonists of the story. These beasts are disliked solely because of the description the author uses to mold their physical appearance is unappealing to most. In reality the humans or gods in the story are the real monsters while the beasts are the victims. In both The Tempest, by William Shakespeare and The Metamorphoses, by Ovid the Human or godlike characters are the ones attacking the bestial characters and not the other way around, which is the common thought. The definition of monstrous is twofold. The first definition is having the ugly or frightening appearance of a monster while the second more meaningful definition is “inhumanly or our outrageously evil or wrong. In …show more content…
Prospero the protagonist of the play is seen as the mastermind behind all the events happening throughout the play and the reader is forced to sympathize with him through the plot. His servant monster, Caliban, is portrayed to be this monstrous character that tried to rape Miranda, Prospero’s daughter. In reality, Prospero is the real monster, while Caliban is just a victim. The reader of this play envisions Caliban to be a physical monster as he is the son of the witch Sycorax, who previously inhabited the island. Caliban is described as “got by the devil himself” by Prospero. (Shakespeare, I.ii.383) This may be in the case of his physical appearance but on the inside Prospero is more of a monster than Caliban. In the case of the rape aforementioned above, the reader is told of attempt from Prospero, “In mine own cell, till thou didst seek to violate the honor of my child.” (Shakespeare, I.ii.417-418) but it never actually happened within the play so this statement can be seen as another attack on Caliban from Prospero have no evidence to back it up. Trinculo a minor character in the play describes Caliban as “this is a very shallow monster. I afeard of him? A very weak monster. The man i’ th’ moon? A most poor, credulous monster!” (Shakespeare II.ii.150-152) This quote tells the reader that Caliban is not capable of monstrous …show more content…
Throughout the play many of his actions can be compared as to some monsters would do. Throughout the play the character Sycorax, the mother of Caliban and a witch, is mentioned. She died before the events in the play but it can be inferred that Prospero killed Sycorax to take over the Island. This can be inferred by the fact that Prospero took over the Island and was able to free Ariel from a tree, who is his other slave. This act of killing and taking over the Island from the true heir Caliban is more monstrous than just the relative appearance of Caliban. As mentioned before, Prospero also enslaved to creatures Ariel and Caliban, and commands them to do things against their will. For example, Prospero forces Ariel to scare the castaways to the point where one of them tries to commit suicide. (Shakespeare, III.iii.70-130) Additionally, Prospero arranges his daughter’s marriage for personal gain. He arranges for Ferdinand, the king’s son and heir, to be the only man his daughter is able to see. This causes her to fall in love with Ferdinand because she has no other man to compare him to. Prospero’s reason for arranging this marriage is to have a direct route to the kingship once his daughter is wed. All of these actions that Prospero performed throughout the play caused other people suffering, showing that all these actions are
Although the audience know by know that Caliban tried to rape Miranda, Prospero treats him very harshly which reflects the poor treatment of servants in Prospero’s time. For example, when Prospero tells Caliban to come and chop wood, he replies, ‘There’s wood enough within.’ This shows a sense of bitterness on Caliban’s part, showing that he resents being Prospero’s servant, when he was once master of his own island. In this scene
Originally, he was a fair duke that showed love to everyone he met; however, his love of magic gets him exiled by his own brother. Once on the island of his banishment, Prospero develops monstrous characteristics of greed and domination. He imposes his beliefs upon initial inhabitants by teaching them his own language so that they could communicate with him (Tempest. I.ii.352-364). Prosper felt he had the superior form of communication and higher level of intellect, so the previous occupants should have to learn his language. He also forced his self-proclaimed authority on this creature who was the birth-right land-owner. This creature, Caliban, is upset and claims, “This island’s mine by Sycorax my mother, / Which thou tak’st from me” (Tempest. I.ii.331-332). Just as Prospero’s kingdom was taken from himself, he retaliated by taking Caliban’s kingdom from him. To do this, Prospero enslaved Caliban as well as another he finds on the island through use of his magic and forces them to do his menial tasks. It is through his exploiting and dominating actions that Prospero is seen as a monster. He cultivated his supremacy over everyone to a malicious extent that he was a malevolent monster disguised as a
On one level, it seems that Caliban is an evil character but on another level, Shakespeare tries to depict Caliban as a part of Prospero's character. This is shown when Prospero accepts responsibility for Caliban. Prospero understands that Caliban is the baser side of himself, even the baser side of humanity's baser instincts. Caliban shows many
Prospero's Judgment of Caliban in Shakespeare's The Tempest “A devil, a born devil, on whose nature
Prospero uses his language to minimize and blame Caliban. Prospero not only refers to Caliban as “filth,” but also accuses him of “lying” and “seek[ing] to violate / [t]he honour of my child” (i.ii. 348- 351). Prospero blames his treatment of Caliban to the actions of Caliban; the quote: “with human care, and lodged thee / [i]n my own cell, till thou didst seek to violate / [t]he honour of my child” illustrates how Prospero blames Caliban for how Prospero treats him (i.ii. 349-351). This is violent because it shifts the blame from Prospero to Caliban essentially blaming the
In the play, The Tempest, by William Shakespeare, Caliban is an important character. Caliban is a character who plays as a victim to be pitied, as well as a villain to watch out for. In this essay, I will show clearly how Caliban is a victim and villain by exploring his relationship with Prospero, Miranda, and the island.
The royal party’s boat is hit by a storm, which is all the doing of Prospero’s magic. He brings them to the island to confront them and perhaps redeem them. This play primarily focuses on the interaction between the characters, and what happens when each is put on trial and faces their own guilt and sin. But there are so many complex issues in this play, one of which is the relationship between Caliban the monster slave and Prospero the enlightened civilized man.
Prospero taught to reduce his monstrosity to only his appearance by teaching how to talk but Caliban, in return, uses language to “curse” Prospero (I.ii.437-9).Prospero throughout the book complains how untamable he is and that he despises him. Caliban later plots an aggressive revenge, inclined to his beastly nature (III.ii.51-60). Shakespeare incorporated the view of his time that nature represented by Caliban is an opposite force of human that leads to a chaos, describing Caliban hideous, the threat. Both The Tempest and Of Deformity clearly expressed the stance that deformity is a negative existence.
Shakespeare, much like Prospero, needed more than just his art to accomplish the productions that he completed. Just as Shakespeare needed other contributors, Prospero too needed his servants. Caliban is much like the stagehand as he is not a significant part of Prospero’s works, but he is used to complete laborious task for Prospero who commands him with complete control. Caliban is referred to by Prospero as his slave, “thou poisonous slave” (I.ii.322), and is used to fetch wood. Much like a stagehand would covet the position of the playwright Caliban desires to replace Prospero as lord of the island. Though Caliban begrudgingly obeys Prospero he is eager to be rid of him and his commands. This resentful relationship is contrasted to the relationship between Prospero and Ariel. Ariel is a spirit who upon being rescued by Prospero became is his diligent servant, until such time when Prospero decides to release him. Ariel is playing the role of the actors in the figurative interpretation of the play. Prospero’s treatment of Ariel is far nicer than his treatment of Caliban, he responds in a much kinder manner, “My brave spirit” (I.ii.207). This difference in treatment can be attributed to Ariel’s importance to Prospero; Prospero needs Ariel for his plans to function. If it were not for Ariel Prospero would not be able to perform his plan, correspondingly, if there were no actors
Prospero, the self-appointed king of the island upon which everyone eventually becomes shipwrecked, immediately oppresses Caliban and claims him as his slave, even though Caliban was the original inhabitant of the island. Prospero and his daughter are technically guests in Caliban's home. Caliban is the son of the devil and Sycorax, a witch. Prospero uses Caliban's unsavory origin as an excuse to enslave him. He claims that he is a bad seed, and he deserves a life of servitude. He never actually justifies the situation with a logical explanation, so he must use whatever information he can think of as a poor excuse to exploit Caliban for his own self-propagation. Prospero is even bold enough to suggest that by enslaving Caliban, he is actually extending charity towards him. He feels that
Caliban represents the native peoples of the Americas. Whether Shakespeare meant him to be the villain or the character the audience is meant to sympathize with remains to be uncertain, but it is definite that he meant to show the power of authority and politics that was brought to the New World. Much like the dynamic of the European settlers and the Native Americans, Prospero, Stephano, and Trinculo’s similarities are directly correlated to Caliban, the monstrous native of the island meaning that the thing they all fear and hate makes them who they
William Shakespeare’s “The Tempest” speaks about multiple authoritative relationships throughout the play and the abuse of power and authority. The main character Prospero lives on a deserted island with his daughter Miranda. Prospero used to be the Duke of Milan until he has been usurped by his brother Antonio with the help Alonso the King of Naples and his brother Sebastian. Prospero and Miranda were banished to sea in a rotten boat and eventually lands in a deserted island who was once ruled by a witch named Sycorax but is now only inhabited by her son Caliban and a spirit named Ariel. Since arriving at the island, Prospero has been ruling the island and enslaved Caliban and Ariel by the use of magic. He acts as if he is God by creating a storm in order to shipwreck the King of Naples and Antonio. Prospero uses his powers to get revenge on his brother for having been exiled to the island. Prospero is a controlling character who seems to be obsessed with getting revenge in order to regain his status. He abuses his authority and takes advantage of his slaves and his daughter Miranda to fulfil his evil plan.
Prospero enslaves Caliban and Ariel, seizing the island for him and Miranda, just like Alonso and Antonio had done to him. The rightful ruler of the island is Caliban, and although Caliban at one time tried to rape Miranda, Prospero repeatedly punishes him for this one event that occurred much before this play takes place. Prospero initially “helps” Caliban by educating him and in exchange, Caliban taught Prospero and Miranda how to survive on the island. Prospero uses the act of attempted-rape to justify his seizure of the island. This take-over should have been enough punishment but Prospero enslaves Caliban, threatening to hurt him if he does not do his bidding. By endlessly punishing Caliban, Prospero inadvertently shows his malicious side. Although Prospero freed Ariel from the tree he was bound inside, Prospero blackmails Ariel and essentially enslaves him too. Prospero repeatedly tells Ariel that he will set him free but, it seems as if that is an empty
His mother, Sycorax, was banished there by sailors for no known reason; “This blue-eyed hag was hither brought with child / And here was left by th’ sailors” (I.II.322-323). Sycorax is an African with blue eyes which is unusual and so people thought she was magic because of it, hence the name she was referred to in the quote, ‘blue-eyed hag’. Trapping Ariel in the oak tree also emphasized the magic people thought she had. They assumed she used magic to do it; “By help of her more potent ministers / And in her most unmitigable rage, / Into a cloven pine, within which rift / Imprisoned thou didst painfully remain”(I.II.328-331). I chose this quote because it expressed how she trapped Ariel. Sycorax died soon after and her son was left alone on the island until Prospero found him. Since sycorax might have had power, then theoretically Caliban was also suspected to possess the same power. This could have threatened Prospero, so he belittled Caliban and turned him into a slave. Prospero would tell Ariel stories of how Caliban was not human, but a monster; “Then was this island / (Save for the son that she did litter here, / A freckled whelp, hag-born) not honored with / A human shape” (I.II.334-337). In this quote, Prospero is belittling Caliban in order to gain more control over him and Ariel. Caliban is mentally weak so he succumbs to Prospero, but he is physically strong and still poses a
Later, he lovingly educates the monster Caliban and gives him freedom. Caliban returns the kindness by trying to rape his daughter. Prospero makes the same mistake with both of them. He fails to keep them in their proper position. As a perfect ruler, this would be his responsibility.