Introduction:
THIS IS THE WAY THE WORLD ENDS
THIS IS THE WAY THE WORLD ENDS
THIS IS THE WAY THE WORLD ENDS
NOT WITH A BANG BUT A WHIMPER
T.S.Eliot, The Hollow Men (95-98). The end of The Hollow Men can only be the beginning of a deep and long reflection for thoughtful readers. T.S. Eliot, who always believed that in his end is his beginning, died and left his verse full of hidden messages to be understood, and codes to be deciphered. It is this complexity, which is at the heart of modernism as a literary movement, that makes of Eliot’s poetry very typically modernist. As Ezra Pound once famously stated, Eliot truly did “modernize himself”. Although his poetry was subject to important transformations over the course of his
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The reader must participate in the making of the poem or story by digging the structure out and create coherence out of the seeming incoherence. Therefore, the search for meaning, even if it does not succeed, becomes meaningful itself. Modernism is also characterized by the use of fragmentary techniques. Compared with earlier writing, modernist literature tends to omit explanations, interpretations, connections, summaries and distancing that provide clarity and continuity in traditional literature. The ideas of order, sequence, and unity are abandoned because they are considered by modernist writers as only expressions of a desire for coherence rather then truthful reflections of reality. A poem or a novel is built through an assemblage (or collage) of fragments, and a short work is a fragment itself. This fragmentation is meant to reflect the modern reality, a reality of flux and alienation. Fragments are drawn from diverse areas of experience. They can be vignettes of contemporary life, chunks of popular culture, dream imagery, religious symbols or symbols from the author’s own life experience. These various levels and different kinds of materials enable the modernist work to move across time and space, shift from the public to the personal and respond to different sorts of concerns of a larger audience. There was
“The Devils Language” by Marilyn Dumont and “The Hollow Men” by T.S. Eliot are quite similar. They both critique their culture in the ways they see it. Nothing Is missing from each authors poem because it is critiquing the world as they have seen and learned from different experiences in their lives. Marilyn Dumont writes about “The great white way” (pg365, line 4) or white culture and the way that aboriginal culture is snuffed out or looked down upon. T.S. Eliot writes about people being too cowardly to be good or bad and also what happens after we die. Therefore, Marilyn Dumont and T.S. Eliot’s works are similar in the way that they see the wrongs in their cultures.
The fallout after the World War 1 and the Great Depression saw the emergence of a literary preoccupation with the idea of fragmentation, and a 'cubist application ' to literature as a means of representing the 20th Century 'modern ' reality. Authors, poets, artists etc saw; cubism, expressionism and fragmentation as the best vehicles to depict the incomplete, broken lives of their subjects. With both modern and post modern literature making a conscious break away from previous realism, 20thC literature employed and explored subjectivism, whereby the author turned from the typical external reality to the inner consciousness of a character or subject, to reflect a motif/ theme as a whole. Modernist literature did so by exploring fragmentation in terms of narrative, how a character was constructed, the formation of passages and chapters, and how events unfolded. This typically surmounted to the creation of a sense of a chaotic universe, metaphysically unfounded, laced with the subconscious fears of characters and notions of alienation.
Many of the repeated lines share connections to other texts. Eliot repeats the idea of a ‘kingdom’ (lines 30, 37, 45,55 and 64) to depict the location of the hollow men is a desolate wasteland. This connects to Bible as in a world without God man will suffer. This is a way in which Eliot attempts to illustrate the consequences of failing to abide by religious doctrine and morality. Man will live in a barren world without salvation and God.
T.S. Eliot's last message in his literary work The Hollow Men is that the modern world lack integrity. Eliot explains that the modern world is afraid to meet our ancestors in the other side. “Let me also wear such deliberate disguises”(32). The modern world is embarrassed about the lives we live. The modern era hides their face from the ancestors because our lives are not as valuable as their lives once were. The modern era doesn't accomplish as much importance as the times before. “ It contains the poet's reflection on the 'subject of human nature in this world, and
T.S. Eliot’s “The Hollow Men” is a broad allegory for trying to find deliverance in a landscape reminiscent of purgatory. Eliot provides examples of allusion and imagery to describe a fully realized apocalyptic scenario that affirms the hopelessness of people vacant in spirit. The poem is in five sections, narrated by the forsaken hollow men. The speakers are a paradox—stuffed with straw and empty at the same time.
Another famous and influential work from T.S. Eliot is The Hollow Men. Likely influenced by World War I, T. S. Eliot portrays a disconnect from humanity and a disillusionment with typical beliefs as a source of human despair in The Hollow Men. The “hollow men” that the work is centered around are depicted devoid of any human qualities that might provide them a relief from despair, such as hope or faith. As is written in “T. S. Eliot's Indigenous Critical Concepts and 'The Hollow Men'” by Muhammad Khan Sangi and others, “In this poem the human beings have been shown devoid of the qualities of faith, moral strength, of personality, determination and that of humanity; they are like empty bodies, lacking all human virtues” (Sangi et al para 4). No matter how these qualities were lost to the individuals, the result is constant and predictable: the individuals feel an inescapable despair. When one has nothing to anticipate in life, no expectations or hopes, then life loses its meaning. This is the world that the hollow men live in perpetually. The entire work, as Sangi describes, “is a cry of despair unrelieved by hope. The peculiarity of the poem is that it is an inner drama with the utmost economy of words. The images echo the deadness of sensibility and the emptiness of hollow men who, like the effigies, are fit only for burning” (Sangi et al para 5). Again, the hollow men are depicted as worthless, insofar as they are compared to effigies, the only purpose of which is to be
When discussing the greatest poetic minds to ever put their genius to use, it is nearly impossible to not mention Thomas Stearns Eliot. Eliot used his works to develop and display his emotions and his morals by writing complex themes and descriptive scenes that are all based on simple situations that either Eliot himself had lived through, or that someone he knew closely had. By doing so, Eliot was able to convey some of the core human emotions well enough to leave the reader unsure on how he or she feels about the topic themselves. Often times, the only way to express emotion, was through his works. The analysis of the life, and the writings of Thomas Stearns Eliot reveal the possible influences in his works, and the facts behind what led
The poem by T.S. Elliot, The Hollow Men and the novel by Joseph Conrad, Heart of Darkness represent both nonchalance and insouciance. Both Elliot's hollow men and Conrad's Station Manager present an insightful rationale and emotional indifference as well as being bereft of discernible humanity. The two pieces underscore the crucial characteristics of both the station manger and the hollow men by exaggerating the details of their empty eyes as well as "death's other kingdom," (III.8) of which they both reside in, their obscure characteristics and their emptiness.
Oftentimes writers would intentionally break up the continuity of a poem, story, etc., representing the fragmented nature of the times they were living in. A prime example of this is e e cummings, whose poems are extremely fragmented and not easily understood at first read. Modernist authors often jumped spontaneously from one subject to another, seemingly with no connection between the two. The idea was to leave it up to the reader to draw conclusions and pull the story together. This technique, in a more extreme form, led to expressionism, surrealism, and other movements.
Eliot uses a an even bolder approach in his poem “The Hollow Men”. The epigraphs start with an allusion to Conrad’s novella Heart of Darkness, simply saying “Mistah Kurtz--he dead” (2318). Considering the character Kurtz acted like as a God-like figure that ended up murdering the native Africans, Eliot sets his poem up with a great disrespect toward authority figures before it even
In the novella Heart of Darkness, by Joseph Conrad, and in the poem “The Hollow Men” by T.S. Eliot, they have numerous similarities. Even though two completely different authors write them, they still have the similar topics, themes, and characters. The Heart of Darkness was wrote in 1899 about a voyage up the Congo River into the heart of Africa. Marlow and many other characters experienced many obstacles on eventful expeditions and multiple interactions with the “savages”, also known as natives. These events brought the novella and poem together. “The Hollow Men” was published in 1925 and the plot of the poem summarizes the novella, Heart of Darkness. While reading the poem you can identify which parts were originally from
In the famous poem "The Hollow Men'' written by Eliot, the author depicts "a land of death", which gathers a group of "hollow men", not only showing the emptiness and a sense of loss of people, but also reflecting the falling of modern civilization. In his description, we can clearly see the hopeless status that the people live.
The hollow men are very hollow, and that is introduced into the poem in a lack of spiritual guidance and truth. When Eliot uses says the line “the eyes are not here” he is referring to people that are strong in religion and faith. Though when he is talking about when the eyes are not there means it's the “death’s twilight kingdom”, which means the narrator has an absence of faith or religion.
Eliot is seen to suggest that much like a scarecrow, the hollow men have a bleak and meaningless life, much like that of an existentialist, as their body is stuffed with nothingness described through the visual imagery of “headpiece filled with straw.” This comparison is also very metaphoric, as it indicates that the person is dead inside and so is lead to a life without emotion or passion to drive them, leaving the contemplation of their place within the
In the poem “The Hollow Men,” T.S. Eliot portrays the themes of darkness and emptiness. Through the poem Eliot sets the tone with disturbing phrases like “Headpiece filled with straw… Our dried voices.” This imagery gives the readers an underlying feeling of uneasiness. Eliot says “quiet and meaningless - As wind in dry grass - Or rats' feet over broken glass.” He repetitively uses the “s” sound throughout the rhyme scheme to create hissing sounds along with a whispering effect. This sibilance creates a creepy and disturbing atmosphere. Eliot connects “The Hollow Men” to Joseph Conrad’s Heart of Darkness first by including the quote “Mistah Kurtz—he dead.” This sets the tone for the poem because in Conrad’s novel, Mr. Kurt's lost his mind and