Miss Representation: How Women Are Over Sexualised In Film

In Miss Representation, many female actresses, news anchors, politicians, directors and producers talk about how females suffer a lot of social, political and economic inequalities in today’s society. There are double standards against women in magazines, on TV, in movies, the news, politics, and the workplace. The media is an influential part of modern culture. When women are portrayed as objects for men to use -- never as the protagonist or president -- and when female news anchors are objectified, this will cause girls of all ages to begin viewing themselves as objects. Girls grow up in a world where their voice does not count; where our culture does not embrace them in all of their diversities, where

Jennifer Siebel Newsom’s documentary, Miss Representation, shows that the media’s impact on the American discourse of women’s bodies, women in power, and the same standards of what women should be. Newsom effectively convinces the audience of Miss Representation that how mainstream media contributes to the misrepresentation of women in influential positions by having limited portrayals of women through the use of interviews from influential people, several statistics, and appealing to emotional sense.

The Miss Representation documentary film by Jennifer Newsom explores how media contributes to the under-representation of women in influential positions. This message is portrayed by delivering content through media and technology as well as advertising partial and/or often degrading interpretations of women. The consequences are becoming more and more dreadful. In today’s world, composed of a million stations, people will tend to do more and more shocking things to break through the crowds. They resort to violent, sexually offensive, or demeaning images. Jean Kilbourne, EdD, filmmaker, Killing Us Softly Author and Senior Scholar Wellesley Center’s for Women states, that “it creates a climate in which

In Hollywood film women 's roles have varied quiet considerably between genres, geographical placement, and period settings. These factors contribute to the different representations of women 's roles in the film they are present in. The roles are diverse going from the traditional maternal role to that of manipulative murderer. Women 's roles in movies can be almost equal to the male roles, and the co-stars are not given the majority of the acclaims just because they are male. Society has set certain standards that women are supposed to follow. The most common image of women is that they are very passive and try to avoid conflict in any situation. More and more in society women are breaking down the social barriers that confine them to their specific roles. The films Rear Window and Resident Evil show women in roles that are untraditional for our society. These two movies help to show how women are rebelling against social norms and that they are taking more active and aggressive roles. In film noir’s we can see women represented as the femme fatale, a woman whose mysterious and seductive charms leads men into compromising or dangerous situations. In action movies we see the heroine who is strong both physically and mentally, and has the ability to use weapons. Women seem to be more trapped than men because they are supposed to live up to society’s standards dealing with beauty and size, which are more physical characteristics. These specific guidelines have been set by

This genre is typically modern, perky and upbeat, but the common narrative in all of them is that it features a woman who is strong and she overcomes adversity to reach her goals. There is also a message of empowerment that also struggles with a romantic predicament and using comedy to poke fun at the male characters. Industries are still producing soppy romantic comedies for the female audience but the divide between the standard chick flick and romantic comedy is slowly disappearing. Similarly to the beginning of this essay it is evident that institutions are moving in the direction of women’s place in culture in relation to this film genre; women are usually shown as the super power since they are made to appeal to the female audience. However

The objectification of women does not exist in America as it does in other areas of the world. In fact, they perfect equality and prosperity of all genders in all places: Wal-mart, schools, and even Hollywood. Showing women what they need to look like gives them an image to strive for. In movies, girls always need saving but never saves. Girls here know what they have to look and act like in order to find success, unlike other countries where they have to pretend they aren’t anything at all. Being the person everybody wants is better than not being anybody at all. Hollywood allows few lucky girls to act like that person while also promoting that woman to others. Today’s Hollywood gives women an outline to not only who but where society allows them to be. In films today, there is an undeniable lack of women as main characters. Less than a third of women receives main roles out of 800 movies and 35,205 speaking characters (Smith). As in movies, it is imperative for women to hide in life. Let the men take the spotlight, and stay in the shadows. For example, in the 2016 election, a woman ran for president. Having intellectual thoughts and opinions does not make a woman more attractive, which proves why Hillary Clinton inevitably failed, especially to such a politically polished and more qualified Donald Trump. Hillary fools herself into thinking a girl stood a chance against a man if she only wore an ugly

in the way women are portrayed in modern culture and society. The documentary forces us to

Film has the power to inspire and influence and it is vital that cinema reflects these opinions. Although many old stereotypes still exist in films, it is clear that attitudes are changing. With the emergence of action heroines, the banishing of some stereotypes and postfeminist attitudes female empowerment through film has become stronger than

I think what this scene says about gender and cinematic representation is that gender, especially for women includes having to play a role or appear to be overly perfect. In the scene, the actress, Agrado, who is transsexual is giving a monologue about all the surgeries that she had done on herself and the cost to appear as the ideal beauty. In media, women have to be portrayed as tall, thin, and beautiful that is what people expect to see. Agrado has many interesting lines in her monologue that relates to how gender is represented in cinema. One line is about women and men both come from apes. This is interesting because society has placed an emphasis on the difference between men and women; however, men and women are the same species, but more is expected from women to look perfect and be the ideal beauty for everyone to follow. When we see an image on a screen, it is usually of a person we want to be or look like, not a person that is similar to ourselves.

In contemporary film women's roles in films have varied quiet considerably between genres, geographical placement, and between

Because the outgrowth of the modern liberated women coocurred with the boom of cinematic productions, it was inescapable for filmmakers to make use of women’s new image in most of works. In reality, producers and directors exploited this deliberate rebellion against social norms in most of cinematic works in which women appear to be young, beautiful and strong. They moved further to overwork on women’s ostentation of their sexuality through images that bring them back to the same circle of objectification and exploitation by the male gender. In fact, this depiction was the groundwork of contemporary Hollywood popular movies which work at promoting and dissipating what was agreed upon as the easy insertion into eroticism and sexual consumption.

After all, girls are actual human beings and they will be recognized as such. Eventually, people will look back upon these movies and be astounded by the archaic ideals they enforce. They will even wonder: “How could people ever live like that? Why would people ever choose to live like that?” By contrast, women with a love for the camera will no longer reconcile themselves to pursuing society’s stylized visions for them. They will be able to follow their own dreams and do what they want. They can tell the stories they wanted to see as a kid. And with these new cinematic works, women in the film industry will inspire a whole new generation of empowered women. Like a traditional Hollywood movie ending, the world will finally be their oyster. They just have to go out and take

Filmmakers use traditional gender stereotypes to produce characters audiences can easily identify with by portraying conventional images of a person with identifiable characteristics. In previous years, the dominant representation of a women in film has been the passive, subjugated protagonist. However, through the development of female empowerment and added feminist representations of film, the female heroine transformed to become strong and independent women in her own right, as an individual character.

Since the 1940’s, movies have predominately portrayed women as sex symbols. Beginning in the 1940’s and continuing though the 1980’s, women did not have major roles in movies. When they did have a leading role the women was either pretreated as unintelligent and beautiful, or as conniving and beautiful: But she was always beautiful. Before the 1990’s, men alone, wrote and directed all the movies, and the movies were written for men. In comparison, movies of the 90’s are not only written and directed by women, but leading roles are also held by older and unattractive women. In this paper I will show the variations and growth of women’s roles in movies from the 1940’s though the 1990’s.

The simplest way to increase gender equality is by creating more roles for women. According to 2007-2012 film statistics reviewed by the New York Film Academy, the “average ratio of male actors to female actors is 2.25:1.” With less females onscreen than males, men continue to be the majority in movies. It is important to portray realistic representations of everyday life in where “women comprise 50 percent of the population” (Green, Women In Film Los Angeles). It is also important for women and young girls to have a variety of role models to look up to. With more women in movies, young girls will begin to understand that being a woman does not limit what they can do. Organizations such as Women in Film were created to help by “promoting equal opportunities for women, encouraging creative projects by women, and expanding and enhancing portrayals of women in all forms of global