Midsummer Night's Dream: Shakespeare vs. Michael Hoffman Essay

Tom, the agent for change gains sight and knowledge into the acceptance of his impending death. The opening of the play starts with the ending of A Midsummer Night’s Dream where Tom as Puck says “Gentles, do not reprehend. If you pardon, we will mend.” This foreshadows Tom’s healing role in the play. Although Tom seems to be the character in the least need of a discovery, he still gains sight into the reality of his condition and knowledge that he needs to accept this. This is evident through reading King Lear. The scene is set outside, as instructed by

In his comedic play, A Midsummers Night Dream (1595), William Shakespeare utilizes the enchanting adventures of young Athenian lovers and a group of low-class rudimentary actors and their shared experiences with supernatural creatures to portray the opportunity of being in command of their destiny. By presenting conflicts to these three diverse realms, Shakespeare allows these characters to connect despite their hierarchical distinctions to reveal their determination to conquer their adversity. He uses dramatic irony, metaphor, and symbolism to heighten the audience's awareness of their self-determination and their firm control on their future. Shakespeare inspires the public by instilling in them that despite their challenging circumstances, they can still be masters of their own fate, bestowing a feeling of newfound hope and freewill.

One of William Shakespeare’s best remembered plays for its comical and ironic tone is A Midnight’s Summer Dream. There were characters designed to be humorous and that alone. Puck and Bottom behave very much alike, and have similar roles for different people. Both Puck and Bottom are comic relief characters in one way or the other. Both of them are needed for the play, because Puck’s spirits controls the whole story, which sets the tone for it, and Bottoms comic relief for the audience and play.

Control was a major theme throughout the play “A Midsummer Night’s Dream.” The control can be seen in the form of manipulation of emotions and actions. The results of this manipulation are mixed as one attempt was a success and the other was a failure. An example of successful control can be seen with the two characters Helena and Demetrius.

Puck is an active person who is engaged in helping his fairy King Oberon get what he wants. However, he is also very clumsy and gets into a lot of mischiefs. A few examples are: When Oberon ordered Puck to put the love potion on the eyes of Demetrius and make sure the first thing he sees after he wakes up is the woman whom he hates - Helena. Puck ended up finding Lysander, sleeping on the forest floor with Hermia. and put the love potion on poor Lysander’s eyes, thinking that he was Demetrius. This is funny because lieutenants are highly respected individuals, and they should have a lot of skill and experience. Puck, however, does not have any of the above, quite the opposite. Another funny section in “A Midsummer Night’s Dream” is when Puck puts an ass (Donkey) head on Bottom’s shoulders, when he is presenting a play for the wedding of Theseus and Hippolyta, in front of a lot of people. Puck was invisible, therefore, people could not see the process. When the people saw Bottom, they were shocked and thought that Bottom was an ass. Peter Quince noticed Bottom, and shouted “ O monstrous! O strange! We are haunted! Pray, masters, fly, masters! Help!” (Act 3 Scene 1 Line 92). Snout also says “O Bottom, thou art changed. What do I see on thee?” (Act 3 Scene 1 Line 111) Bottom sees Peter and Snout’s reaction, he is confused, as he does not know

Mandy Conway Mrs. Guynes English 12 16 March 2000 A Critical Analysis of "A Midsummer Night's Dream" William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night's Dream." They say that this play is the most purely romantic of Shakespeare's comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night's Dream" is a

The rise of tension between characters is another characteristic of comedic plays. After Oberon sees the way that Helena has been treated by Demetrius, he orders Puck to apply the juice to the eyes of Demetrius. Puck accidentally applies the juice to Lysander’s eye, which causes him to fall in love with Helena. After the mistake had been caught, Oberon sends Puck to watch Helena and Oberon applies the juice to Demetrius’ eyes. This causes both men to fall for Helena and now the battle is for Helena and not Hermia. Helena is convinced that this is a joke or prank because neither of the two men loved her before. Now because of Puck’s mistakes the four decide to find a

and in a sense more complicated. One was far more likely to marry as a

At least six or seven years pass after the writing of Midsummer Night’s Dream before we find Shakespeare engaged on Hamlet, the second of the great plays with an important Supernatural element, and, in the opinion of many, the greatest tragedy ever penned. What a profound change has come over his attitude towards the Unseen! No longer does he handle it in . . . [a] cheerful,

After the revelation that Puck had put a spell on the wrong Athenian, and a spell is put on Demetrius so he too is in love with Helena, Puck’s mischieveous behavior leads to the central plot of the play. In act 2 scene 3 of A Midsummer Night’s Dream, Puck asks Oberon “shall we their fond pageant see? Lord what fools these mortals be!” (Act. 3 Scene. 2 Line.

And as I am an honest Puck, If we have unearned luck Now to scape the serpent's tongue, We will make amends ere long; Else the Puck a liar call: So, good night unto you all. Give me your hands, if we be friends, And Robin shall restore amends.” (Shakespeare 5.1.425) The most interesting part of this excerpt is that Puck (Oberon’s henchman) says that he and the fairies are only a figment of the imagination and that he and his fairy world do not exist at all. The audience is asked to look beyond the performance at the intention of the actors. This passage allows the audience to break their character. The show is over and the reality of their own life is now. This monologue by Puck slowly unravels the reality and fantasy world from one another. The play lies in transformation and the forest is the setting of change. Puck invites the audience to think of the play as nothing more than a dream, a midsummer night’s dream. Here, it is clear that Shakespeare is commenting on the reality of plays. Like midsummer dreams, plays aren't real. All of the characters are hung in the audience’s suspension of disbelief. They are the product of imagination and fantasy and also involve the momentary suspension of reality.

About three hundred years prior to Freud’s work on the subconscious, we see that Shakespeare, as evidenced in A Midsummer Night’s Dream, seemingly had a good grasp on the importance dreams played in our lives. The entire play seems like one long dream, and this causes the audience to question the reality of the play. The sense of time also lends to this notion, as it seems to be missing from the play. At times, just like dreams in real life, the audience is dropped into the middle of the action without any direction as to what is happening, or the events that led to where they

The story of A Midsummer Night's Dream was mainly about love and its abnormal dealings. In the play, Shakespeare tried to show that love is unpredictable, unreasonable, and at times is blind. The theme of love was constantly used during the play and basically everything that was said and done was related to the concept of love and its unpredictable ness. Shakespeare made all of the characters interact their lives to be based on each other’s. At first, everything was very confusing, and the characters were faced with many different problems. In the end, however, they were still able to persevere and win their true love, the love they were searching for in the first place.

King Claudius in Hamlet comes to realization of his actions, and notices what he is willing to do for power. The play emphasizes trickery and revenge that is yet to come. Shakespeare shows that the characters cannot be trusted, which proves to be true in Act 5 Scene I. In Midsummer Night’s Dream, the play serves to illustrate same circumstance, but different turnout then that of Hermia, Demetrius, Helena and Lysander. In both instances family comes between marriages and has them seek an alternate way to have love. The play teaches that love shouldn’t be taken too seriously, and the couples understand by laughing and having jokes about the play. Shakespeare shows that love is a mixed up emotion and can sometimes be dangerous. Both couples end up looking for each other in a forest and animals interfere, causing havoc. In Pyramus and Thisbe the lion results in confusion and then death. In the case of Hermia and Lysander, Puck also causes confusion, but is able to fix his actions before they became lethal. In both plays, Shakespeare inserts another play to imitate the main story and reiterate common

Puck is the epitome of foolishness, as his tricks and mistakes create chaos. He lacks the responsibility for his actions. For example, he claims that he once transformed into a stool and disappeared. The ladies who attempt to sit on the