Merchant of Venice by William Shakespeare

tied up at sea, Antonio agrees to ask for a short term loan of the

In The Merchant of Venice, Grudges and Personal Rivalries in the trial scene has clearly been expressed with Shylock and Antonio. The central part and the twist of this novel are primarily caused by the rivalries between Shylock and Antonio. The “merry bond” that Antonio signed to help his dearest friend, Bassanio, was the main reason of the trial scene. According to Antonio, “Content in faith. I’ll seal to such a bond, and say there is much kindness in the Jew” (1.3.163-164) The bond which Antonio had willingly accepted was that if he failed to pay back 3 thousand ducats in 3 months, Shylock had the right to cut a pound of flesh from his body. As Antonio was a rich merchant and had plenty of ships coming in, with 9 times the money of the loan, he found no difficulty in accepting the bond. However, times were unfortunate for

In contrast, The Merchant of Venice generates another embodiment of justice through Shylock’s desire in search of a fair treatment from Antonio. Antonio is in need of money for Bassanio; yet, Shylock is willing to “lend” him “thus much money,” but first Shylock tells Antonio how unjust he has been to him, “…you spet on me on Wendesday last; You spurned me such a day; another You called

William Shakespeare’s Othello would not be a dramatic tragedy if the smiling villain, Iago, were a deaf mute. There is no doubt that the destruction of each character can be blamed on jealous Iago. The theme of jealousy helps propel the plot naturally and demonstrates the consequences of being morbidly jealous. The circumstantial evidence Iago provides acts like a lethal poison, which surrounds Othello in suspicion and envy but also turns him into an inhuman murderer. Jealousy is the ‘monster’ that unresonably conducts the great suffering in the story.

As I finished reading Merchant of Venice by Shakespeare, I realized that the struggle of the play gyrates around whether justice is truly served and is morality advocated or manipulated by those in authority. The struggle between the principles of justice have caused many readers to question the interaction between the definition of morality and justice.

     Everyone loves a martyr. He's that guy who not only suffered but died for his cause, his passion, his love. Bassanio may not be the most worthy cause to die for, but in Act IV of Shakespeare's The Merchant of Venice, Antonio is resigned to do so. In his final words before Shylock is set to extract his pound of flesh, Antonio has abandoned efforts to prevent his punishment and assures Bassanio that the deed must be done for the benefit of all. Despite the grisly and morbid nature of the procedure, Antonio has many reasons to die under such circumstances.

Women, especially Desdemona but Emilia as well, are obviously targets of male violence in Othello. For some reason Shakespeare’s play often put the emphasis on the role of the female characters and their influence on the main male characters. For instance, the result of the passionate love of Romeo for Juliet, the effect of Ophelia’s insanity had on hamlet, and so on. In Othello, Shakespeare made Desdemona and the other women in the play no different; Othello’s jalousie and love made the play a tragedy. Shakespeare made Desdemona the faithful wife of Othello. She was such a kindhearted and wished to make everything work even when the situation where she lost her handkerchief she tried to fix the situation and calming Othello. However, her innocent sympathy towards Cassio made lago’s lies more credible. Overall, one can say that her naïve nature causes her to become a target for the men in the play.

In Shakespeare’s play, The Tempest, power is manifested in several forms: the investigation of the power of love, the power of magic and illusion, or the power of nature. However, in The Tempest, power is most clearly defined as dominance. Throughout the play, there is a universal pursuit of dominance over other people, dominance over property, or dominance over cultural ideals. These pursuits of dominance are used in an attempt to further ones authority, and, ultimately, one’s life. In The Tempest, a motif of control is used to argue that the pursuit of dominance and the rise in class divisions ultimately leads to unhappiness.

In the play Othello by William Shakespeare, Iago manipulates other characters in an iniquitous way causing commotion and destruction in all of their lives. He uses malicious tactics to negatively affect faultless characters who have done nothing to intentionally harm him. In Shakespeare’s Othello, Iago is a character shaped by jealousy and hunger for power. He is ruthless and immoral, and manipulates nearly all the characters in the play in order to get what he wants.

Othello is a play about love, hate, jealousy, betrayal, and much more. In Othello, Othello gives a handkerchief to Desdemona, his wife, that he received from his mother as a gift. This sacred cloth was more than a gift for Desdemona; it was their forever. The handkerchief was white with red strawberries. The white portraying purity, and the red strawberries symbolizing beauty (Hasnain, Ahsh p.1). Unfortunately, Othello was so attached to this handkerchief and its “spell”, that it brought him to kill himself and his lover. This piece of cloth is extremely important to the play, and its significance varies between Othello, Desdemona, and Iago.

Shylock believes that retribution for a crime must be equivalent to the felony committed. Antonio owed the merchant a ‘piece of flesh’ and in law proceedings, Shylock would only accept actual flesh from Antonio. An older section from the Bible declares ‘an eye for an eye’ which insinuates that misdemeanors must be avenged with near-exact punishments. Shylock was Jewish and Judaism follows the old testament of the Bible; therefore, his holy book could influence him. Labeled as merciless, Shylock inherently believes that the removal of flesh from Antonio is the only and best solution to his problem. Portia foils his plan as she pretends to be a lawyer.

Trust is often indicative of the intimate relationship between two people: husband and wife or two soldiers, for example. In Shakespeare’s drama, “Othello,” the main character and general of the Venetian army, Othello, is forced to choose between trusting his first wife, Desdemona, or his reputable honest ensign, Iago. Iago tells Othello that Desdemona is having an affair with Cassio, his lieutenant. Although he does not know of anyone more honest than Iago, Othello cannot easily believe that the women he so ardently loves would cheat on him and betray their marriage. Othello is forced to believe Iago’s accusations and punish Desdemona and Cassio or believe his innocent, fair wife. He decides to believe Iago’s false tale of Desdemona’s

In tragic plays, characters frequently experience misfortune, with varying degrees of personal culpability. In Shakespeare’s play Othello, the characters experience misfortune when their love for others is exploited. Through the actions of the play’s characters, Shakespeare illustrates how allowing emotion to overcome reason permits exploitations that cause misfortune. This message is demonstrated repeatedly with multiple characters: Othello’s love for both Iago and Desdemona results in, respectively, the excessive trustfulness and irrational jealousy that are the roots of his misfortunes; Roderigo’s desire for Desdemona clouds his judgement and allows Iago to manipulate him; and Emilia’s love for Iago blinds her to his amoral nature, which contributes to the deaths of both her mistress and herself.

that he is not to spill any blood, and that he must take only a pound

William Shakespeare’s The Tempest refines his portrayal of nature from the earlier play A Midsummer Night’s Dream. In A Midsummer Night’s Dream, nature is shown to be mysterious presence that blurs the lines between reality and illusion; it is a magical force that is unreachable and incomprehensible for human beings. A Midsummer Night’s Dream gives nature a mischievous, playful, dreamlike feel because in this play nature interferes for the sake of love. The Tempest breaks down the barrier that divides human society and the natural world, a divide that is present in A Midsummer Night’s Dream, because nature’s presence and effects become more noticeable and it becomes a power that is within the reach of humans. In The Tempest nature isn’t