Men and Women in British Literature Essay

During a high point in medieval chivalric romance, both Marie de France’s Lanval and the anonymous Sir Gawain and the Green Knight tell fanciful tales of knighthood, chivalry, and spiritual and temporal (courtly) love. Both Lanval and Sir Gawain and the Green Knight portray their female characters as possessing considerable power and influence, within the events in the story and in the structure of the plot. Indeed, the female characters in both works function as the catalysts of the events within the stories, and also as instruments for each author's conveyed meaning. While Lanval presents its female characters in an unorthodox reversal of gender roles, Sir Gawain and the Green Knight employs the female characters as moral and spiritual trials for the hero, Sir Gawain. I will examine how the fairy princess and Queen Gwenevere in Marie de France's Lanval present a reversal of gender roles as was traditionally understood; she presents femininity as powerful, inspiring, and morally dynamic (for a woman can be ideal, or she can be corrupt). I will compare this to the representation of Lady Bertilak and Morgan le Fay in Sir Gawain and the Green Knight, in which they are used to convey a “Biblical” warning for an ecclesiastical audience; particularly that of moral failure and the temptation of the flesh.

Male seducers are represented as boys sowing their oats -- part of normal living. Seduced females are viewed as weak and treacherous --  a treachery that woman in her "frailty" is unable to avoid. This is a very bizarre message.

     Until recently, the role of women in literature has seemed to reflect the way they were treated in society. Women were seen as secondary to men, and their sole purpose in life was to please a man’s every desire. This is not the case in three specific literary works. The Odyssey, The Wife of Bath, and Sir Gawain and the Green Knight use the actions of its women characters to greatly enhance important thematic elements. The women in each of these works use feminine psyche to persuade men to do things that men of the time would not usually do. The use of women in these literary works is very contrary to the prevailing ideals of the female and her responsibilities at the

And yet, while enjoying immensely the ironic, sometimes sarcastic, tone of these books, I could not help noticing a quite intriguing detail, which “sparked” my curiosity now and then. To put it in a delicate way, the main male characters in the books either are not capable of dealing with the opposite sex at all (as in the pitiful case of Captain Gulliver) or they have certain difficulties in doing so (and we will see many examples of this kind). The notion of male sexual failure emerges in all these books, suggesting to the attentive reader that probably not all the discoveries of the eighteenth century were that glamorous.1

Did you know, “men and women talk differently because they are raised in something like two different cultures: a male culture from which young men learn to speak like men and a female culture in which young women learn to speak like women?”(Cooper and MacDonald 9). Well, not actually from two separate cultures, but the idea of men and women being opposites as pointed out in the opening. Deborah Tannen has made her theory that a male culture and female culture each exist, very popular with the human population and has written an extensive book on her theory.

The popular medieval romance, “Sir Gawain and the Green Knight,” explores many aspects of the Arthurian legend, including chivalry, religion, and courtly love. Although the poem does feature many female characters, one aspect that the Gawain poet does not touch upon is the role and place of women in this feudal society; all of whom live under the objectification of a male driven culture. One might say that the women featured in this romance are focused on more heavily than that of other literature during this time period and that might be true; however, after a closer look the reader can see how it’s the little things that the Gawain poet does or doesn’t do that diminish the importance of the four main female characters in this poem.

Most of the readers accuse John Milton for being a misogynist and an anti-feminist. However, I believe Milton is a pro-feminist who holds a modern view of women being leaders and decision makers. In Paradise Lost, Milton emphasises the idea of equality, free will and dialogue. The author reveals Adam and Eve’s relationship and highlights Eve’s liberty, freedom and Adam’s need for her. Consequently, we find many instances where Milton serves Eve’s right with Adam and establishes her equality through self-judgement and independence.

John Milton's Paradise Lost attempts to justify "God's will" by giving a better understanding of the "ways of God", according to the author. In his work, Milton addresses several issues from biblical text as he expands on the "role of woman" as it is written in the book of Genesis. "Woman's role" is recognized and presented as one that is subordinate to man. Several associations are recognized between Milton's work and books of the Bible which reveal much about the way both of these books intend to define the role of a woman.

In most early British literature a woman is often presented as only one thing: an object. They can be objects of desire, objects of beauty, or merely objects to be owned, but it is rare that a woman is anything more than that. It is even more uncommon to find a female character in literature that is presented as an equal to the men around her. In William Congreve's The Way of the World he plays on the similarities of both his female and male characters to establish just how much of an issue gender really is because though their actions might be similar, the consequences are not.

    The seventeenth century poet, John Milton, takes the attitude common to the time period while portraying Eve in Paradise Lost.  This epic, telling of Adam and Eve's fall from Paradise and the story of creation, constantly describes Eve as a weak individual, while Adam is often compared with God.  The idea of women's inferiority has been fixed through time, making Milton's characterization of Eve not surprising, but rather expected and accepted.  However, Milton shows a suggestion of women's inner strength while describing the control Eve has over Adam.  Nevertheless, except for this instance, Eve is depicted as subordinate to Adam.  This is evident through Adam and Raphael's treatment

In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the

Milton’s Paradise Lost has been praised as being the greatest English epic of all time, most stunningly in its author's depiction of the parents of humanity, Adam and Eve. How Milton chose to portray the original mother and father has been a focus of much criticism with contemporary readers. One of the main subjects of these comments is in reference to Eve, who, according to many, is a trivial character that is most definitely inferior to her mate. Nonetheless, many do not recognize that, after the fateful Fall, she becomes a much more evolved character. When Eve is introduced to the storyline of the epic, her character is shallow and extremely undeveloped, meant simply for display. She is quite firmly set as being inferior to her mate

     “So it is naturally with the male and the female; the one is superior, the other inferior; the one governs, the other is governed; and the same rule must necessarily hold good with respect to all mankind.” This quote, spoken by the famous Aristotle, proves to be timeless. The words express knowledge concerning gender that proves to be centuries ahead of its time. Aristotle however, may not have even realized the amount of truth expressed in these few, simple words. Men are commonly thought of as the dominant of the two sexes, but as we have seen through many of the literary works studied, this is most certainly not the case. In dealing with books such as Macbeth written by

Books, plays, and movies that depict culture and social life often make statements about social issues such as gender roles, racism, and class distinction. Stories set up a context in which characters relate, often representing “stock” characters chosen from society and placed in situations where their stereotypical behaviors—and sometimes their breaking of these stereotypes—are highlighted. As feminism became a popular movement in Western countries in general and the United States in particular, female voices were naturally heard through fictional characters. Social and political issues commonly fuel entertainment; feminism, racism, and classism—recurring themes in entertainment through the 20th Century and into the modern day—have

Paradise Lost conceives Eve as more than solely the mother of humankind and the wife of Adam. Milton 's emendation of Eve in a biblical sense alters the character from fixed as portrayed in the Bible to a more dynamic person in Paradise Lost. In doing so, Milton portrays to the reader a different and originally a more favorable perspective of Eve and her character. Conveyed through the Book of Genesis, in the Old Testament of the Bible, Eve is purely Adam 's wife who eats from the tree that God appointed as forbidden. "She