The former ES&A Bank is sitting on the corner of Queen St and Collins St in Melbourne CBD with the main Entrance on Collins Street. The Gothic revival design of the former ES&A Bank was done by architect William Wardell and was modified by the General Manager of the bank, Sir George Verdon, who also commissioned the project. The contractors were Goss & Masson of Hawthorn. The final cost of the building was over £77,000 which was about twice the budget. The construction of the bank began in October 1883 and was opened in May 1887. It was combined in 1923 with the Former Melbourne Stock Exchange, which sits beside it on Collins Street, forming the famous ANZ Gothic Bank. The ground floor of former ES&A Bank building is now functioning as a normal …show more content…
It was placed in the banking precinct in Melbourne CBD, which was the business centre in Melbourne or even in Australia at the time. The building of the bank chamber was during the speculative days of Melbourne’s 1880s land boom. Large amount of money was poured into the CBD to build new office buildings. The former ES&A was not only used as banking chambers, but also as residence of the bank manager Sir George Verdon on the 1st and 2nd floor. This is the only example of combination of banking and residence in Melbourne CBD we could still …show more content…
Windows are decorated with pointed arches and traceries that support the glass and repeat on the facade.
The interior of the bank is far more ornate than the exterior. One of the features of the banking chamber is the appealing cast iron columns and decorated trusses. The cast iron columns and scallop brackets are locally made in a Carlton foundry. Each column capitals was designed differently with wrought copper flowers, foliage or vegetatbles. The cast iron metal trusses were painted and decorated to relate harmoniously to the colomns’ colouring. The practice of combining structural elements and decorations were accomplished in the Gothic idiom.
The ceiling panels are covered with white canvas and hand painted with five coats of oil paint and gold leaf. The decorations of ceiling was done by Lyon, Wells, Cottier & CoIn and costed 2305 dollars. the centre of each ceiling panel they put shields representing the arms of England, Scottland and Australia, the arms of the bank and principle cities which the bank operated in. The bolt heads and spandrel openings were picked out and the shafts of columns were gilded and decorated. The cornices were also intricate and added to the overall effect of
The following report is a brief comparative analysis of two of Australia’s largest deposit-taking financial institutions (FI), Australia and New Zealand Banking Group Ltd. (ANZ) and Westpac Banking Corporation (Westpac). This report seeks to identify which of the FIs has a greater aggregate return per dollar of equity and thus establish the highest performer, or most profitable, of the two. The Return on Equity Model (ROE) (Koch & MacDonald,
elegance, and color. The structure is an octagonal exterior wall placed under a golden dome. The
The most important difference found between French and English Gothic cathedrals is their differing and almost oppositional emphases on verticality or horizontality. Here the terms define what they imply – a critical focus on either height or length, which is emphasized by the features of the cathedral. For example, the French penchant for height can be found in cathedrals such as Notre- Dame. The nave vaults rise 115 feet off the ground, at the time this was considered outrageously high. The main difference that of emphasis on verticality versus horizontality, can be seen as quite oppositional in stylistic character. The opposite emphases were then enhanced by architectural features such as vertical vault shafts or uninterrupted tiers of detail.
Commonwealth bank competes with foreign banks, building societies, mutual banks and smaller regional banks. Growing innovation and technological advancements has lead to increased emergence of new competitors and competition within the Australian banking and financial services sector.
Melbourne, a city of 4.5 million in the state of Victoria, is considered Australia’s cultural capital. Along with having some of the best galleries and exhibitions in the country, Melbourne is also said to the have the best restaurants and cafes and a food culture in Melbourne is unmatched by any city in Australia. This not only includes traditional eating establishments and chains, but also markets, laneways, and various ethnic eats. The food culture in Melbourne has developed organically and there were many key elements in how and why it developed the way it did, including the waves of immigration, population demographics, and the Melbournian culture. It is unique to Melbourne due to the multiculturalism that defines the city and various
A wooden staircase leads to the second story of the structure’s porch. The second story of the porch sits upon white painted wooden beams and consists of a wooden panel floor. White painted wooden balustrades are present with a green painted railing on the porch’s second story. The balustrades and railing continue to the porch’s addition, which is attached to the back of the Victorian structure. Positioned on the second story are three Tuscan Columns, which support the porch’s full entablature weight and roof. The window located on the right side of the porch is a nine-over-nine double hung sash window that includes wooden moldings. The center and left windows on the second story are both six-over-six, which also include wooden moldings. The
As soon as I gazed upon the church I noticed it had a very decorative Romanesque feel to it. The main facade of the church was decorated with a lot of pilasters around the windows, roof, portals, and above the central portal where the tympanum lies. This church has a very well done tympanum that depicts a priest standing in the middle of a farm with hills and trees around the edges, there is also a farmer in the background with the sun setting. Unlike a Gothic church, this church has very rounded arches above every portal and is very rounded all throughout except for the pointed roof. Left of the main facade is a big clock tower which looks to be a couple meters taller than the main facade. Four clocks lie at the very top of each side of the
The structure of the building is actually inherently modern, built using a conventional steel framing system inset behind the façade. Structurally, the building employs tube frames in its framework, with the tubular columns tied with trusses at the top and bottom. As with all architecture in the postmodern tradition of the “decorated shed, the superficiality of this signage not only fails to detract form its effectiveness but reflects a deliberate prioritization of architecture’s affective capacity.
So, the Saint-Maclou architecture is a tall three story building that has a lot of detail going all throughout the outside surface. The architecture is very geometric when it comes to how it is looks it sort of has a castle resemblance at the top of the building. Also, this architecture has a pointed arch’s all over its building through the door ways and even where the windows are located. Furthermore, the material that
Stained glass windows have always been a significant and unique visual component of Gothic architecture. Not only are they appreciated for their aesthetic values, but for their religious imagery and functions as well. From the Middle Ages to present day, our ongoing experiences with stained glass windows reflect a nostalgic feeling towards the stained glass windows of the medieval. The use of stained glass windows has transformed from their original purpose in the Middle Ages but continues to have a significant impact on architecture and culture in the contemporary world.
The CBA is Australia’s largest retail bank and offers clients a choice of goods and services.
With the construction of Burgos Cathedral, we see the introduction of standard Gothic elements: the ribbed vaults, flying buttresses and pointed arches. Though Gothic architects were not the first to utilize these elements, the combination of the three have become key to identifying the gothic
Some of those main characteristics of the Gothic Architecture are the pointed arcs, ribbed vaults and flying buttress, stained glass windows, complex decoration, towers and some other details. The origins of the pointed arcs used in gothic Architecture come from the pre-Islamic and Islamic Architecture. Two-barrel vaults intersecting in a perpendicular way compose the ribbed vaults; this would give more strength to the building allowing for more windows at higher places. Flying buttress has to purpose to resist horizontal forces, by redirecting to force to the ground. The stained glass windows were ecclesiastic windows that allow light from the highest points of the building. Some of the complex decoration refers to the amount of detail such as statues, paints, and scripts on the walls.
This majestic cathedral decorated the land of Paris, dominating both the history of architecture as well as religion history. The cathedral still stands proudly after enduring an eventful history over many centuries. Truly a fascinating historic building to behold, ‘Our Lady of Paris’, another term for Notre-Dame of Paris, portrays many diversified characteristics which will help identify a structure as Gothic. One may lay eyes upon this building and refer it to one of Gothic’s grand structure. For many, their first concept of Gothic architecture derives from some reference to this majestic construction. In this research, I shall consider the following questions as an approach to appreciate and comprehend Notre Dame de Paris’s architectural aesthetic and value better:
The outside gives the appearance of a multi-story building. Two cherubs support a large shield in the pediment which was intended to contain a coat of arms. (Anderson 157) Ionic and engaged Corinthian orders are used. The orders on the exterior side walls combine flat and rounded columns with a pair of coupled pilasters at the end of each facade. Exterior street façade show the classical element of symmetry matching left to right and right to left. One can view the differences from top to bottom and bottom to top. Lower window tops alternate rounded and pointed where upper windows are all flat topped. Each window and order section is a separate design but is also part of the complete building. The interior of the Banqueting House is not multi-storied but a single double cube room. The space has Ionic orders under and Corinthian orders over a cantilevered gallery. (Summerson 53) The flat ceiling is covered with Ruben panels. The Banqueting House is still in use today for concerts, government function and private parties.