Matthew Ritchie's 'No Sign Of The World'

The lines within the composition draws the viewer into several directions. The ruffles draw the eyes upward to the Daniel’s finger as it points to the right. Daniel’s finger directs the viewer horizontally as it does the king. The table with its array of dishes is another example of a horizontal line. The king’s hands are holding a fork and knife. The fork is also pointing right where as the knife is pointing left diagonally towards the king. The courtesan, leaning against the king’s right shoulder, is another example of a diagonal line. The painting also has a vertical feel to it. This is evident in the composition of Daniel standing, the candle and the arm holding the cigar. Like every line, every color used draw attention to the object.

The use of lines in Stone City is one of the key visual elements in this painting. The artist used many contour lines to define the boundaries between the trees and the valley, the river and the land, and even the long roads from the hills as it winds through the countryside. Wood also incorporated a lot of implied lines into his artwork. The trees and bushes that line the hills create a line of sight which draws the eye of the viewer to the house on the river, which is the focal point of this painting. The lines all move in different directions and help the artist highlight different aspects of the painting. Around the city and in the foreground of the painting the artist uses a lot of horizontal lines, which gives the town a calm sensation. As we move away from the city, we find a lot of vertical lines which denote growth. We also find a lot of diagonal lines which imply action in the painting. The diagonal lines are predominantly used by the artist in the creation of the roads and

In Anthony Doerr’s All The Light We Cannot See , a blind girl named Marie-Laure LeBlanc lives with her father, Daniel LeBlanc, in Paris. When Marie-Laure was a little girl, she went on a children’s tour of the museum where her father worked. On the tour, the tour guide talks about this stone called the Sea of Flames and it was said that the keeper of the stone would live forever, but as long as he kept it, all the people that he loved would face many problems. When she is twelve years old, the Nazis occupy Paris, so Marie-Laure and her father flee the city, with the Sea of Flames, to go live with her great uncle and aunt, Etienne LeBlanc and Madame Manec in Saint-Malo. A forty-one year old man named Sergeant Major Reinhold von Rumpel, is very

A significant event in one's life forces a person to reevaluate their current situation and decide how they will adapt to a new situation, or cause them to look back on the steps they took to get into that situation. In life as well as in the literature Crosswalk In The Rain, and THE TENT DELIVERY WOMAN’S RIDE, people have to adapt to what is happening in their lives, despite conditions they may have been through in the past. In life at some point there will be crossroads that a person must cross, they can either look back at what they have done to end up in that position or they can look forward and see what they must do to continue moving forward.

As indicated by the shape in the foreground, the lines that signify the contour of the rocks and freestanding structure merge. The lines lead the eye vertically as it meets the center. When looking at the painting as a whole, the viewer can see how the artist uses straight

All the light We Cannot See, by Anthony Doerr, chronicles the lives and relationship between Marie and Werner, two children who grew up in France and Germany. The society around them forces discriminatory ideals that cloud their perception of the world, but they find its meaning through their own self-definition. In this, they are both guided by a single radio and the message and legacy that it contains. Throughout the book, the author isolated the two characters, but also created subtle connections between the two. The most important of which would be the radio. It created a bond between the two where they learned from each other’s experiences and struggles. All the Light We Cannot See recreates a new picture of the world by contrasting the two separate journeys taken by Marie- Laure LeBlanc and Werner Pfennig to gain that image, which is guided by the power of a radio and the message it contains, ultimately leading to the meeting of the two characters that officially forms an image of the world where one’s actions are valued more than one’s physical features.

Aside from linear perspective, Calabrese incorporates other geometrical forms throughout the composition. One is the circle at the foreground of the painting, which Calabrese offers the audience to complete. More outstanding is the triangle that occupies the majority of the space. John’s body, parallel to his staff, begs the viewer to trace the triangle from his eyes, across the woman and the lamb in the foreground, up the staff, and through to his hand. This triangle is significant in its symbolism of the Holy Trinity: God the Father, God the Holy Spirit, and God the Son. The message here is clear; through Jesus, the lamb, one will be saved. It is also interesting that Calabrese places John between the lamb and his hand. It coincides with the paintings’ function as an altar piece in that John serves as an intercessor to the Divine. Through him, one has access to Jesus, and therefore God. The geometrical lines and shapes add to the painting’s dynamism and contribute to the optimistic promise the painting conveys.

In “The Road Not Taken” by Robert Frost, we are given a piece of art that simply will leave you clueless unless, you understand the pain and frustration the man is going through; when choosing what route he feels will give him the most joy. In the poem a man is walking through the woods and he comes upon a fork. He who wants to take both roads chooses the route that he feels is traveled less on. Little does he know that both road have been equally traveled on. He who travels on the route that has fresher leaves lies to himself, by convincing himself that he will come back and take the other route. Though it was a very stressful and a hard decision for the man to make, many people are put into very similar situations like in John Updike’s A and P and as well as in James Joyce’s Eveline. Both Sammy and Eveline find it troubling to make a decision that will change their life completely.

I chose All the Light We Cannot See because I’m really interested in reading,or learning,anything about World War II, so it was a perfect pick for me since the book was based around the World War II time period. I must admit, the book was extremely long and I did have a hard time forcing myself to pick up the book and continue reading it. It felt like it would never end. Fortunately, the author’s writing style was really descriptive and you can easily see whatever the character saw, or heard whatever the characters heard. The fact that I could easily see the cities Anthony Doerr described,or hear the oceans he made the characters hear, really helped me continue reading the book until I finished it.

It is almost a reflection of the man’s trident. That same pitchfork shape also appears in the window of the house that sits in between both figure’s heads. Repetition can also be seen in the dotted pattern of the woman’s outfit, which also appears in the material of the curtain that hangs in the house’s window. The echo of verticals in this painting is also strong. The faces and bodies of the figures seem to be stretched, and narrowed. The pitchfork’s slender prongs and the green stripes on the man’s shirt also add to the elongation of their frame. The copious amounts of vertical wood boards that make up the house and the barn, keep the viewer’s eye moving up and down the picture plane. Wood’s use of verticality in this painting is overwhelming.

The paths taken in each person’s lifetime can associate with any factor or situation that one may come across. For example, one could come across a path that stands for tradition and the effect of traditional beliefs on a society like the one represented in “Dead Man’s Path.” Another example could be a path that stands for the power of love and the effect of unselfishness that makes one continue with life like the one represented in “A Worn Path.” An additional example could be a path that stands for overcoming doubts of beliefs as these may uphold or tear one apart like the path represented in “Young Goodman Brown.” No path is easier than another and they all hold a spectacular significance in each person’s life. Therefore, in this independent

In David McRaney’s book, You are Not so Smart, he accentuates that the actions we take are not based on what we believe is real. We revolve around misconception, and the truth is unknown to us. You are Not so Smart, is written in a way that intrigues to keep reading. With the chapters beginning with the misconceptions and truths of our everyday life, it gives you the ability to understand what the chapter will be about. The way David McRaney wrote this book doesn’t make you feel incapable of being smart, he wants us to understand we aren’t the only ones who believe the misconception.

“Every moment in your life is a turning and every one a choosing. Somewhere you made a choice. All followed to this. The accounting is scrupulous. The shape is drawn. No line can be erased. I had no belief in your ability to move a coin to your bidding. How could you? A person's path through the world seldom changes and even more seldom will it change abruptly. And the shape of your path was visible from the beginning.” (Page 259)

The use of line in this piece is also very interesting. The artist employs a high horizontal line to create a plunging effect giving the piece more depth. Another use of lines in the image is to create focal points to attract the viewer. Lines are also used to separate the different sections of the painting. Overall this painting uses lines in dynamic ways that vastly enhance the viewers’ pleasure and admiration of the piece.

In the Robert Frost poem ‘’The Road Not Taken’’ there is a pervasive and in many ways intrinsic sense of journey throughout. In such, the poem explores an aspect associated with human decision, or indecision, relative to the oxymoron, that choices with the least the difference should bear the most indifference, but realistically, carry the most difficulty. This is conveyed through the use of several pivotal techniques. Where the first such instance is the use of an extended metaphor, where the poem as a whole becomes a literary embodiment of something more, the journey of life. The second technique used is the writing style of first person. Where in using this, the reader can depict a clear train of thought from the walker and understand