Essay on Marxist Critique of Desiree's Baby

Racism has devastated and destroyed people, families, communities, and friendships. “Passing” and “Desiree’s Baby”, the literary works of Nella Larsen and Kate Chopin, respectively, shed light on the impact of racism through characters whose experiences often reflect those of the authors. Both stories explore various forms of white racial dominance including feminist issues involving race. Both main characters, despite coming from significantly different backgrounds, are negatively impacted by both sexism and racism. In “Desiree’s Baby”, Desiree, an orphan raised by Monsieur and Madame Valmonde in their Louisiana plantation as if she were their own daughter, “grew to be beautiful and gentle, affectionate and sincere”(Chopin 3).

Scattered along many of Louisiana’s rivers and bayous are majestic, historical homes built during a time of Southern prosperity. In the South, these homes and surrounding property often called plantations, were the product of middle to upper class slave-owning planters. Central Louisiana is home to a plantation that is “the oldest standing structure” in this area. During a recent visit to Kent House Plantation, I learned of the history, operations, and current events that help to keep the past alive.

Chopin show’s that Armand is unable to welcome the knowledge that his mother “belongs to the race that is cursed with the brand of slavery,” (250). Not only is Armand unable to accept this fact but he is not will to take responsibility for his actions resulting in his knowledge of his heritage. Desiree seemed to be the perfect solution for Armand’s secret since her background is a mystery and she has such

Readers unfamiliar with Louisiana in the nineteenth century can gleam rationalistic information from Chopin’s story including racial relations and the local dialect including the inclusion of French phrases. The different races and ethnic background that existed in southern Louisiana, and how the one-drop rule was used, and unsuspecting people’s lives were altered due to the new knowledge of having black heritage. The gender and roles they had also lacked the equality of today and thankfully laid a foundation for equal right for all minorities going into the future. The difference that being a woman had versus a man in the nineteenth century southern Louisiana was very unbalanced as was being a black man versus a white man, and a white woman versus a black woman. Chopin illustrated a wonderful glance into a time period and people that some one probably never would have thought of and, although the story had some rough parts the outlook was

In “Desiree Baby”, author, Chopin emphasizes racism by selecting certain words to symbolize the association between light and darkness, and the slaves on the plantation.

Chopin was a southern feminist writer who often related her stories back to the issue of discrimination across genders. She uses symbolism to analyze the gender roles of inequality between men and women in society. In the very beginning Desiree was left on a stone pillar at the Valmonde estate; it is here that Armand Aubigny sees her and falls instantly in love with her. The stone pillar is a phallic symbol of firm, forced male dominance in a patriarchal society. Throughout the story Desiree is submissive to her husband and obeys everything he says even when Aubigny sends her and the child away. Desiree left wearing a thin white garment and slippers and as she walked the sun beamed down giving off a radiant, golden gleam from her long, brown hair. Chopin uses Desiree's white clothing to symbolize the feminine element being introduced into society and the sun's shining rays seem to represent the shifting of power roles among genders. Chopin demonstrates the rising power of women in society and the establishment of equality among genders.

In the short story, “Desiree’s Baby,” Kate Chopin exposes the harsh realities of racial divide, male dominance, and slavery in Antebellum Louisiana. Although written in 1894, Chopin revisits the deep-south during a period of white privilege and slavery. Told through third-person narration, the reader is introduced to characters whose individual morals and values become the key elements leading to the ironic downfall of this antebellum romance. As Chopin takes the reader through the unfortunate circumstances and unexpected twists of Desiree’s life, a Southern Gothic tale emerges. While Armonde is Chopin’s obvious villain, one should not assume that the other characters are not antagonists themselves, as

These insights are on the topic of Chopin’s view of feminism. Chopin portrays Desiree as a very virtuous and woman. However, Armand Aubigny is portrayed as an individual to be feared and not a very likeable character in general. Armand falsely accused Desiree for the blackness in their baby, as he knows well that he “belongs to the race that is cursed with the brand of slavery” (Chopin 632). In the heated argument between Armand and Desiree, Desiree pleads to Armand that she is not black and is white to which Armand rudely responds “As white as La Blanche’s” (Chopin 631). Furthermore, Chopin’s portrayal of the other women is positive with no glaring character flaws in Mme. Valmondé and Armand’s mother. Valmondé is described as a loving mother to the orphaned Desiree. Furthermore, her loving attributes are highlighted as she asks Desiree to return home. Overall, in “Desiree’s Baby”, the description of the female is much more positive than that of the male as portrays the respectable characters of Desiree and Aubigny who are contrasted with despicable characters like Armand.

Yet it is not until Armand believes that Desiree is black that he fully dominates her simply by thinking that he is superior.  At this point, “when he spoke to her, it was with averted eyes, from which the old love-light seemed to have gone out” (317).  Armand feels that he is too superior to Desiree to devote his full attention to her.  Since he no longer expresses his love for Desiree, she feels further pushed into a slave-like position in the relationship, and, “was miserable enough to die” (318).

(176). It becomes apparent that Armand?s actions and words greatly affect Desiree when she says, ?My mother, they tell me I am not white? (176). Desiree?s powerless situation can in many ways be blamed for her unresolved uncertainty about her racial identity.

First, Desiree’s identity changes constantly throughout her life. In the story, Desiree goes from being abandoned and having no identity, to being taken in by a loving family, to taking the identity of Armand’s wife, and then back to having no identity. Having taken on so many identities clearly affects her at the end of the story when she decides to kill herself because of her inability to try to find a new identity and see life outside of Armand. One quote that shows an identity change is, "Desiree, truly belongs nowhere. Found abandoned in front of the gates to the valmonde plantation," (Essays 3). As a child Desiree was abandoned and had no identity, but when she was taken if by that

Without racial comparisons, the story would only be a tragedy, reading as a criticism of hasty racial categorization because of the suffering it brings, but with them it is a depiction of a flawed system that has rewarded a black man. Chopin first contrasts Armand’s tendency to take on “the very spirit of Satan” in dealing with slaves with the more relaxed relationship they had with his father (441). Looking upon L’Abri, Madame Valmonde is troubled to realize that under Young Aubigny’s rule “his negroes had forgotten how to be gay, as they had been during the old master’s easy-going and indulgent lifetime” (440). Additionally, Madame Valmonde’s sadness upon seeing the estate may indicate that Monsieur Valmonde, a white man like Armand’s father, lacks young Aubigny’s cruelty. Armand’s lack of compassion is seen again upon realizing his son’s black heritage. Feeling that “Almighty God had dealt cruelly and unjustly with him” by giving him a quadroon child, Armand asks Desiree and the child to leave L’Abri (442). In contrast, Monsieur Valmonde’s treatment of Desiree as “the idol of Valmonde” depicts his compassion toward a child who may potentially be black (440). Chopin’s racist undertones are realized as the dark-skinned Armand, characterized by volatility and callousness, is meant to be looked upon much less favorably than the story’s compassionate white slave owners.

     In Kate Chopin’s short story, “Desiree’s Baby”, she demonstrates how racism played a major part in people’s lives in the 1800’s. Kate Chopin is extremely successful in getting her readers to feel disturbed by the events in the story. Through words and images, the reader feels touched by the story, either by relating to it at some points or when confronted with things we frequently decide to ignore in the world: the evil some human beings are capable of possessing.

Throughout time, humans struggled with issues of conformity and individuality. In the modern world, individuality is idealized, as it is associated with strength. Weak individuals are usually portrayed as conforming to society and having almost no personal ideas. In “Desiree’s Baby”, a short story, the author Kate Chopin deals with the struggles of African descendants in the French colonies during the time of slave labor. The protagonist is a white woman named Desiree who is of unknown origin and birth as she was found abandoned as an infant at an aristocrat’s doorstep. Eighteen years after her discovery, she and a fellow aristocrat, Armand Aubigny, fall in love and get married. They soon have a child, yet conflict arises when the child

The story by Kate Chopin called Desiree’s Baby (1894) focuses on the slavery days of America. It takes place during Antebellum in Creole Louisiana. Kate Chopin’s purpose in this story is to show how too much emphasis on skin and racial heritage could destroy a loving family. Lying is never an okay thing to do, especially during the days when race could make or break you. Armand’s parents did wrong by lying to Armand, making him believe he was white. This caused the self-destruction of his family, owning with harsh treatment of slaves and lived a life as someone he never was to begin with.